Pema Tseden is Tibet's most prestigious filmmaker and an accomplished and prolific fiction writer. He has released five major feature films to The Silent Holy Stones , The Search , Old Dog , The Sacred Arrow , and Tharlo . His films have won prestigious awards in China, Japan, and Taiwan. Most recently, Tharlo was nominated for a Golden Lion at the 72nd Venice International Film Festival. His short stories have also been translated into French, German, Spanish, Japanese, Korean, and Czech, and anthologies of his works have recently been published in France and Japan. Patricia Schiaffini-Vedani is a Senior Lecturer of Chinese Language at Texas State University in San Marcos. She is the coeditor (with Lauran R. Hartley) of Modern Tibetan Literature and Social Change . Michael Monhart is a freelance translator and psychoanalyst in New York City.
Pema Tseden (པད་མ་ཚེ་བརྟན།), born in 1969, is the first Tibetan alumni of the prestigious Beijing Film Academy graduating from the director’s department. He also studied Chinese-Tibetan translation and worked as a teacher and a civil servant. He is not only a sensitive and highly regarded director, portraying the modern Tibet with attention, accuracy and poetic touch, but also an esteemed writer, whose works have been translated into several languages. Although portraying ethnic minorities is a delicate topic in China, so far he has managed to deal with censors well, as all of his movies got approval. “The Silent Holy Stones”, his debut feature-length film in 2005, the very first feature shot in Tibet with a Tibetan crew, Tibetan actors and in Tibetan language. His following films got selected at international film festivals. As a fiction author, he both writes in Chinese and Tibetan. His books have been translated in several languages. He is also a translator of Tibetan contemporary literature into Chinese.
Several stories are very addictive, the repetitions and flow of narration resembling oral storytelling is instantly immersive. Numbers, multiplicity, irony and humour. Though it's a pity that female characters are so flat and stereutypical, I don't blame Pema though, he's exclussively man-focused author. Best in the collection: Orgyan's Teeth, A New Golden Corpse Tale.
One needs patience for Tseden's films, to let the imagery slowly seep in, to settle into their slow, deliberate rhythms. One does not need as much here, since the stories are so bite-sized, but they're equally captivating and magical.