Roadkill is one of those kind of thriller novels that does a great job of drawing you in from the very beginning. The opening pages are very dramatic and mysterious as mother, Juliette, is on the run with her young daughter from some unknown source of danger. Without revealing too much, the book follows the mystery of Juliette's runaway and the circumstances surrounding it, including the aftermath.
The short chapters made this a very easy read and the mystery made it quite a page-turner. Unfortunately, beyond this there wasn't that much that was enjoyable about the book and the ending was very underwhelming, meaning that even the mystery of the plot fell flat.
Like most of the other thrillers I've read, the beginning starts with so much promise, but the answers that were given were such a slap in the face. A child could've conjured up the plot for this story within 5 minutes. There's no depth, no complexity, no intelligence or time devoted to developing it. It's quite pathetic. I was imagining all types of scenarios and outcomes, all of which were a million times more thoughtful, thrilling, entertaining and creative than the one that Bradshaw chose. It felt like there were so many unanswered questions and a complete lack of closure at the end. Everything that was built up and all of the questions that were asked were just left hanging, and the ending felt very rushed and unearned.
Aside from a disappointing ending and lacklustre plot, the characters were one-dimensional. Juliette is at the centre of the story throughout but we're never given any real answers to exactly WHO the real Juliette is. Juliette's younger sister, Raine, is also a central character and thankfully, was much more interesting and likeable than Juliette herself. I related a lot to Raine's independence, determination, thirst for justice and commitment to her family. In fact, she was probably the only character in the whole book I actually liked. The others lacked in any kind of personality or complexity and were nothing more than cardboard cut-outs. Juliette's husband, Seth, was your typical "nice guy" with nothing more to offer. Likewise Detective, Ford, was your typical "good guy" who was actually completely useless. At various points I was convinced he wasn't a real detective and someone more sinister because I couldn't believe that a real detective would be so utterly terrible at his job. Not only does he do nothing to actually solve the case he's assigned to, but he allows Raine to take over and do the leg-work, whilst he spends a majority of his time pining after her.
As for the other characters - the "bad guys" - they were so boring to read about. Their actions were dark, we're talking cold-blooded-murder dark, and yet it was normalised within the story. There was no awareness from the characters that their actions were wrong, and even when there was it was done so poorly that I had no sympathy for them. The exploration of morality was none existent and there was no attempt to dig beneath the surface of these villanous characters. The big bad, Max, had the most pitiful reason for his actions that all I could do was laugh. Nobody with any sense or humanity would behave the way he did under the circumstances he found himself in.
As a result of the one-dimensional nature of the characters, it was hard to connect to any of them or to be emotionally involved in the story. I was reading to get to the end and find answers without really having a stake in what would happen to any of the characters. I didn't care who died or who got a happy ending, I just cared about getting to the end and getting some answers. This meant that for me, the reading experience was very hollow.
Overall, Roadkill wasn't a bad reading experience, but it certainly wasn't a good one either. It was a rather forgettable story with forgettable characters. It lacked any kind of originality or creativity and was a rehash of the same unimaginative plot I've read time and time again. Furthermore, the ending was poor and felt unfinished, leaving a lot of unanswered questions.