I'm going to attempt a summary of Lee's invigorating new novel, even if I suspect no summary can do justice to the rip-roaring complexity of the plot:
Jade City is set in a world where jade confers great strength and power to those who can wield it—without risking madness or a lethal propensity to the Itches.
More than a quarter of a century before, the island nation of Kekon was freed from the imperial thrall of the Shotarians. Ever since, the jade-wielding warriors of No Peak and Mountain—the two largest clans in Kekon’s capital city—have worked together in their complex webs of favor and obligation, indulging the unending performance of glad-handing and compromise. But the candle of their fragile, flexible alliance is burning at both ends and lighting their way to irreversible violence. The Kekonese had thought the war was in the past, but it seems it refuses to remain there.
With foreign powers setting their sights on the Kekonese jade and the illegal trade of a dangerous drug that allows Non-Kekonese to wear jade ballooning, the peace between the clans has become like a damaged cargo rope, unraveling with the speed of a new-lit fire down to a single thread. And soon, it will snap.
**
Jade City is a book that bursts with ideas, and from the outset, Lee goes to painstaking work to establish a comprehensible, fully-lived in world to make sure it all makes sense. The magic is thoroughly explained and compellingly explored, as is the social hierarchy. I also relished the stories of abandoned gods, mythical jade warriors and horrific monsters that are threaded through the entirety of Jade City, making the world's scope even more expansive, even when the story only focuses on a handful of individuals. The resulting narrative is as accessible an experience as going to the movies: vivid, immediate, and unforgettable.
Alongside the richness of Lee’s world, there’s the tremendous depth of character. The author's ambitious tapestry includes corruption, treason, vengeance, honor, regret, forbidding love, and sexuality. It’s a killer story about a family steeped in tragedy and power, affronting painful choices while occupying a city that seems intent on swallowing them whole.
Jade City centers around the Kaul family: Lan, Shae, and Hilo, and there is such a current of love and rage and loss running between the three siblings.
Lan’s character in particular burrowed deep into my heart. Kaul Lan’s heart had no talent for violence. Ever since the mantle of clan Pillar (leader) had been passed to him from his legendary but ailing grandfather, Lan has been trying to keep the rusty, ramshackle machine that is No Peak grinding along. But he had been burdened for so long, and bereft of that state of rage and resentment everyone else expected him to cultivate as the clan’s Pillar. I love how Lan always tried to be a gentle and patient leader, even when his enemies suffered no such compunction, even when his softness was always taken for weakness. Lan was the furthest thing from weak, and as the novel acutely illustrates, it takes great strength to be shown the grimmest face of the world and still choose to meet its gaze with kindness.
Hilo, on the other hand, is Lan's opposite in every way. Hilo is imperious, enraged, and in some abhorrent way, alive. His blood sings with violence and he possesses such will for vengeance. But for all Hilo's unbridled temper, there is something almost vulnerable about him. Hilo radiates the flinching fragility of people who carry the worst kinds of aches, and it's manifestly apparent in the way he lashes out at his little sister when she leaves her family behind for an Espenian military officer, because he felt abandoned and lonely and instead of admitting it, he draped his words in venom and hung tightly to the iron in his pride just so he’d feel like he’d gotten his bearings again. And it's that softness, which is often denied and sublimated in favor of dogged anger, that endeared Hilo to me.
I also loved Shae’s character. How she’d taken a risk to rise above the destiny carved out for her by the men in her life. She cast off her jade and went to Espenia where she was just another faceless figure, not the heir to a legendary warrior who liberated his country, or even a jade-wielding soldier who knew five dozen ways to kill with a lover’s intimacy. When Shae comes back, it's like coming to a place that had been home but isn't anymore, like trying to fit back into a skin already shed. I really admired her loyalty, how her love for her family keeps reaching new incandescences, chasing away all trace of grudges and grievances.
Shae is not the only female character given so much care and attention. Ayt Madashi is a very compelling villain. Wen, Hilo’s lover, is also granted equal footing in the story. As a jade-immune stone-eye, Wen has suffered the toll of the insidious belief that stone-eyes carry a curse in their blood. It didn’t help that her family was disgraced despite the fact that Hilo has recruited her two brothers as his First and Second Fists, or that Hilo himself is constantly tormented over her safety and often tries to keep the face of the world and its violence curtained from her. But Wen isn’t the type to yield to whoever tries to push her into surrender, and I have a feeling she’s going to play an even more enormous role in the next installment.
Gripping and audaciously inventive, Jade City wraps enough up to satisfy but clearly sets the stage for so much more. I’m very much looking forward to reading the sequel!