What if you could not only travel any location in the world, but to any possible world? We can all imagine such “other worlds”--be they worlds just slightly different than our own or worlds full of magic and wonder--but it is only in fiction that we can travel to them. From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume--until now.
Just before I start - this is an "I wish GR had a ten star rating system so I could give a seven" three; a positive three for sure.
Other Worlds Than These has been on my TBR for quite a while now - I'm so into portal fantasy, thank you healthy coping mechanisms - and having just started a two week break, being behind on my challenge spurred me into finally getting around to it. And while it's definitely good - John Joseph Adams knows what he's doing and has the authorly contacts to pull a truly impressive list of contributors together - it was so far from what I was expecting that I decided on a subjective rating rather than objectively analysing it.
From the copy, you (I) could be forgiven for expecting a trip through more fantastical realms: "From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction...". But there's maybe one story that hits adjacent to any of those references; this is a science fiction collection through and through. And not just your "soft" science fiction either, there's some stories in here that I actually think would read better with a physics degree. When the copy leads so strongly in one direction, and then you're hit with that, it's jarring - though people into that line of genre should be delighted, as there's some truly great stories to discover here.
Again, not a bad collection by any means, it's even very good; but it's so far from what I was lead to believe it was that I can't help feeling disappointed. All suggestions for more fantastical portal world collections gratefully received in the comments!
Because of the theme of this anthology - parallel universes, alternate worlds - there is a very wide range of subgenres from science fiction and fantasy represented, in the best way. I skimmed the military stuff.
A few highlights for me: Crystal Halloway and the Forgotten Passage by Seanan McGuire. This was the first story I'd written by McGuire-not-Grant, and it brought me to TEARS. Feeling foolish, I tweeted this, and she responded in under 2 minutes. I was surprised, but it is touching.
Ana's Tag by William Alexander - kind of a combination of graffiti and faerie, great world. "Both bones broken, and all the music leaked out from the fractures."
Magic for Beginners — Kelly Link - not a new one to me, but Link is a genius.
[A Ghost Samba] — Ian McDonald - oh, my first short story of his, and it is about the great lost record?! <3
Porridge on Islac — Ursula K. Le Guin - genetically modified beings, only not quite what you think. Creative!
The Goat Variations by Jeff Vandermeer - as always, great writing and a good imagination. "There have always been times when meeting too many people at once has made him feel as if he's somewhere strange, all the mannerisms and gesticulations and varying tones of voice shimmering into babble. But it's only lately that the features of people's faces have changed into a menagerie if he looks at them too long."
At 550 pages this book is much longer than it needed to be. Had its length been cut in half, and a more judicious selection made of its contents, it would have been much improved.
The book contains thirty short stories, so there was bound to be some unevenness in the selections, but even so some are sloppy and poorly executed, wandering around and then trailing off without ever going anywhere. I understand that in stories about multiple dimensions there has to be a bit of hand-waving and a deus ex machina explanation. However, resorting to some kind of quantum-nano-Turing-interdimensional-relativistic hocus-pocus to cover up holes in the plot is a cheap trick. Each of these short stories starts with a biographical paragraph and mentions the author’s previous publications. There were dozens of science fiction and fantasy magazines that I had never heard of. Perhaps the market for these kinds of stories is so large that there is not much need for editorial oversight, because readers gobble them up like popcorn and move on to the next one without reflecting on what they just read.
Joyce Carol Oates is a fine writer, so I was particularly disappointed with The Rose Wall, which seemed to exist only to tug at the reader’s emotions (poor little girl, lost and alone in the big city, boo hoo).
Some of the stories, however, are worth the reader’s time. I liked Gregory Benford’s Twenty-Two Centimeters for its evocation of a dying world, with a civilization advanced enough to construct emergency beacons but succumbing to the pressures of environmental collapse. John Fultz’s The Thirteen Texts of Arthyria is interesting in concept and execution: if there were a real and an illusory reality, how would you be able to tell which is which? Paul Melko’s Ten Sigmas looks at a man who is able to see all of his alternate selves across all the alternate universes in all their different manifestations.
By the time I got to Ursula Le Guin’s Porridge on Islac I was prepared to be disappointed, but it turned out to be a charming, well written cautionary tale about the dangers of irresponsible genetic engineering.
My favorite was David Barr Kirtly’s The Ontological Factor, a clever take on the idea of “realness.” Not only is the story interesting and well written, but it is only about fifteen pages long; just enough to have a well constructed beginning, middle, and end, with no padding. Some of the selections in this book have page after page of unnecessary exposition (looking at you, Stephen King) and made me wonder if writers still get paid by the word.
On the whole, it’s hard to recommend this book. There are some good stories here, but you have to get through a lot of mediocre ones to find them.
Places that are just like our world. Only not. Some you'd like to be in. Until you wouldn't. Some you'd never notice the difference. Until you do. Science fiction is weird. That's why I like it. John Joseph Adams collects great stories in his themed anthologies. This is a good one.
Prior to hearing about this anthology, it never really occurred to me just how much I enjoy stories set in alternate worlds. The Wizard of Oz, Stephen King's The Dark Tower, Philip Pullman's His Dark Materials--heck, even Quantum Leap back when I was a kid. It makes sense considering there is already an other-worldliness to the fantasy and science-fiction genres. So with a premise like that, I had to wonder what kinds of worlds would be presented in this anthology.
Things started off on the Moon of all places with Stephen Baxter's "Moon Six." The whole concept of multiple universes converging on a site on the Moon's surface was really intriguing, particularly through the main character's ordeal of being stranded in a universe that was not his own, but the fragmented manner in which the story was told, jumping back and forth in time, just made it too much of a chore to really enjoy.
A highlight from the anthology came a little later from Seanan McGuire's "Crystal Halloway & the Forgotten Passage." It felt like a coming-of-age tale for a teen girl who still regularly visits the fantasy land she discovered at the back of her closet as a little girl. Just a really good story that plucked every heartstring my inner child has.
Where Seanan's story tackled the story of a girl disappearing into a different world, Carrie Vaughn's "Of Swords and Horses" dealt with the parents that are left behind when the child is gone. This one had a nice is-she-or-isn't-she-gone mystery, as the mother tries to come to terms with her fantasy-obsessed daughter vanishing. Everyone else naturally assumes she was abducted, but the mother is sure there is something more it. A tragic bit of storytelling that stood out in this anthology.
All in all, the anthology was about half-and-half with me when it comes to the number of stories I enjoyed. I was surprised by how often I skipped over stories that just didn't hook me or interest me at all, and by extremely accomplished authors to boot. It's the roll of the dice when it comes to anthologies, as it's a mixed bag and not everything is going to resonate. There's definitely a wide variety of stories, between fantasy and sci-fi, and between adventure-oriented and character-oriented. For me, however, it didn't wow me as much as I'd hoped, and many of the worlds showcased are worlds I'm not in any hurry to revisit.
First and foremost I would like to thank Night Sky Books for letting me read and review this book for them.
Short story collections containing works by multiple authors can be hard to judge fairly on any kind of rigid scale, because it is rare that a reader will find every story equally good or bad. I have given each story its own 1-5 rating as well. I would recommend this collection to any fantasy or science fiction fans, some of the stories were truly magical. This book is not a light read, and that is certainly not a bad thing...unless you were expecting a light read. Most of these stories are designed to make you think long and hard, and think hard you will.
Moon Six (Stephen Baxter) 1/5 – This story is rife with “space jargon” and I felt like I was reading the same page over and over again. The two distinct threads of the story never converge satisfactorily, and all the different “moon landings” take on a distressingly Sisyphean quality. I felt no interest in the protagonist and I could feel my mind reaching for that final half-blank page that always signifies “THE END.”
A Brief Guide to Other Histories (Paul McAuley) 3/5 – I was really getting into this story when it hit a wall on the 2nd to last page. Sometimes it is better to let things fade out; to let them remain unexplained or unknown rather than to try and stuff everything in a box in a hurry. No one wants to open a messy box full of chaos with a pretty bow on the outside.
Crystal Halloway & the Forgotten Passage (Seanan McGuire) 2/5 – This story is a simple little tale about the lost wonders of childhood and the death of innocence that is inevitable when we “grow up.” It read like a YA book, and a shallow one at that. I found the writing stilted and unfortunately unimaginative. Character development is non-existent, and I was unable to bond with Crystal for even a single sentence.
An Empty House With Many Doors (Michael Swanwick) 5/5 – Short but sweet, a touching account of the pain a widower can’t seem to escape after his wife passes away. Are the things that happen to him real or imagined? Not knowing the answer for sure is what makes this story great.
Twenty-Two Centimeters (Gregory Benford) 2/5 - “It was hard enough to comprehend the mathematical guys when they spoke English.” The irony abounds! I felt that way about the entire story. So many details and so much explaining about the physics of the surroundings, it was impossible to fall into the plot. If you are a die-hard space-lit junkie you might find this story to be incredible, but I found it very hard to get through.
Ana’s Tag (William Alexander) 4/5 – A bit of Narnia but a little more sinister…this story read quickly and easily without being shallow and underdeveloped. Thoroughly entertaining and little bit scary, a girl and her brother happen upon another world and all of the unknown promises and dangers that it holds. It was simple and to the point, but engrossing enough to be a very good short story.
Nothing Personal (Pat Cadigan) 1/5 – The Dread, the Dread, the Dread! The problem with this story is that “the Dread” is so heavily saturated on the pages, yet isn’t nearly as captivating and suspense-inducing as it needs to be. Talking about it more doesn’t make it more interesting. A rather mundane story about a cop, no supernatural elements are even present in over half of the story. Towards the end, the entire supernatural premise gets directly explained to our heroine by another character through dialog. This is not a story for a reader who wants to think about anything on their own.
The Rose Wall (Joyce Carol Oates) 5/5 – A tiny masterpiece of decadent words frames the terror of a lost child. This is quite possibly a perfect short story.
The Thirteen Texts of Arthyria (John R. Fultz) 5/5 – This story follows a man as he traipses from one world into varying versions of another world. The author does a splendid job of weaving in contemporary language with unfamiliar names and places of the fantasy land: Arthyria. The writing-style alone transforms this complex fantasy into an enjoyable and understandable tale of conquest that readers can gobble up quickly and heartily.
Ruminations in an Alien Tongue (Vandana Singh) 3/5 – This story was very ambitious. Birha awaits her death while thinking back on her work with different universes, people, and places. Both engrossing and far-reaching at times, it was hard for me to decide if I liked it or not. The answer that I came to was…sort of. Sifting through the words the reader can find a lot of semi-hidden treasures about humankind, love, and even death, but how hard do you really want to work to uncover meaning when reading a short story?
Ten Sigmas (Paul Melko) 5/5 – This story gives us a new twist on the Butterfly Theory. Every time the main character makes a choice, he is split into tens and sometimes hundreds of versions of himself. The twist here being that he is aware of all of his other selves, and can access their consciousness and vision in their other worlds. This story hinges on whether or not to do one’s civic duty, to help someone in trouble and what happens when “most” of our character decides to help. A great, riveting quick read.
Magic for Beginners (Kelly Link) 5/5 – This story was fun, exciting, off-beat and enigmatic. I absolutely loved it. The story centers around Jeremy Mars, a 15 year old boy, his 4 close friends, and a television show that they are obsessed with about a magical library. The author makes a gift to the reader of quirky details juxtaposed with the “normalcy” of being a teenager that is never really normal at all. This story is a bit longer than the others, almost a novella really, but definitely worth every page. It is fantastic fantasy/whimsy at its very best.
[a ghost samba] (Ian McDonald) 1/5 – This story wasn’t difficult to read as much as it was just not any fun to read. The basic premise is in fact this anthology’s title – there are “other worlds than these.” Take that and mix in a bunch of Brazilian words that you will likely have to look up (if you care enough to, I didn’t), and that’s really all there is.
The Cristóbal Effect (Simon McCaffery) 2/5 – What if James Dean didn’t die in that crash? What if that crash never even happened because someone went to another “when” and prevented it? Would James Dean be a great actor for the ages? If old Hollywood fascinates you, you might really dig this story. Personally I found it kind of boring, but that is more my personal preference than any flaws in the story itself.
Beyond Porch and Portal (E. Catherine Tobler) 5/5 – This story is almost (or entirely) Edgar Allen Poe fanfic. I loved it; the story, the idea…all of it! The author puts complex ideas into simple but pretty words, and speculates that the brilliant authors of our world past may have come upon their ideas by being snatched into another world and putting their experiences in that other world down on paper.
Signal to Noise (Alastair Reynolds) 2/5 – I got this story, but it didn’t really get me. A man loses his wife, and swaps places with another “copy” of himself in a “world” identical to his own where his wife still lives. The premise is that he does this for closure before he goes back to his own reality where his wife is still dead, but I am still not sure if he obtains closure, or anything else from this excursion. I felt almost no emotional bond to any of the characters despite the fact that this should have been a heartbreaking tale. Too long and full of empty sentiment, this one missed the mark for me by a whole world.
Porridge on Islac (Ursula K. Le Guin) 4/5 – This story is a short, thinly-veiled commentary on the dangers of genetic engineering. I would love to see this in a longer format to get to know the characters and the history behind the current state of the plane of Islac.
Mrs. Todd’s Shortcut (Stephen King) 2/5 – Definitely well-written, as is the norm for our beloved King, but I found this to be a bit boring. We get 2 old guys, sitting on the porch of a store in Castle Rock, talking. That’s it. The subject matter of the characters’ story takes a long time to get going (as far as short stories go), and once it does we get just a tiny taste of the supernatural treasures that King serves up so well. It’s unfortunate because the “genre” of the supernatural in this story is reminiscent of Lisey’s Story, which is one of my most favorite King novels.
The Ontological Factor (David Barr Kirtley) 2/5 – This story didn’t really click for me. Steven goes to tend to his late uncle’s mansion and finds that there are doors to other worlds within. He meets Asha, who is from another, more “real” world than Steven, and they have to defeat the demon Abraxas, who wants to do something vaguely bad to Earth. The denouement is supposed to be action-packed but I didn’t feel it, and the ending is just plain blah.
Dear Annabehls (Mercurio D. Rivera) 1/5 – A kitschy, tongue-in-cheek intergalactic version of Dear Abby, the novelty of this one didn’t win it any love from me. Whiny readers write in to Annabehl who turns into The Annabehls as several variations of herself come into the story. The Annabehls respond with the typical plucky go get ‘em attitude that is expected from canned advice columnists.
The Goat Variations (Jeff Vandermeer) 5/5– Mr. Vandermeer is absolutely bulletproof in my opinion, and this short story does nothing to make me reconsider. I had read this one before, but read it again so I could give a fresh review. This story has a lot to say, and says it all with efficiency and enthusiasm. The things it does not say will pop into a reader’s head unbidden, because this author is an absolute master at showing, not telling.
The Lonely Songs of Laren Dorr (George R.R. Martin) 4/5–Anyone who has read anything else by GRRM knows that “succinct” is not a word that would ever be used to describe him. In fact, I think the very thought of forcing one of his ideas into a short story is a big injustice to readers, although this one was not bad. The story is fine, a little abstract yet still easy to comprehend, but you know he could do so much more with this in a 1,000-page behemoth of a hardback. I would classify this story as an average story with an above average ending, the little twist at the end bumped this up a few points in my opinion; it is unfortunate that we don’t get to experience any of the masterful character development that is this author’s forte’.
Of Swords and Horses (Carrie Vaughn) 4/5 – A teenage girl disappears, seemingly into a paperback novel, leaving her grieving parents behind and searching for answers. I liked this story because it was simple. It doesn’t ask a lot of the reader, and it doesn’t give up a lot either. There isn’t a ton of “light reading” in this anthology, but I would say this close.
Impossible Dreams (Tim Pratt) 5/5 – Part love story, part alternate-universe story; whatever you want to call it, it made me smile. One film buff meets another film buff from an alternate reality, and they both become fascinated not only with the movies of each of their respective worlds, but also with each other.
Like Minds (Robert Reed) 1/5 – So there’s this…puddle (?) called The Authority. And you give it…things you write. And then it gives you back…things written (primarily) from other versions of you. And there’s a sort of God, and a kid named Josh, who may or may not be the same person. The Authority exists to teach you something about your soul, or the soul of all mankind, or something to that effect. I found this story to be overly ambitious, muddled, self-important, and the ending made me actually physically roll my eyes. Yikes.
The City of Blind Delight (Catherynne M. Valente) 3/5 – A magical/quasi-real takes you to the City of Blind Delight – but is it Utopia, Purgatory, or Hell? You didn’t mean to buy a one-way ticket, but would you sell your soul to stay in The City? I found this story to be interesting and not entirely unpleasant. It’s a little vague but I think that is the author’s intent, and it seems to work out well for her here.
Flower, Mercy, Needle, Chain (Yoon Ha Lee) 4/5 – Flower, Mercy, Needle, and Chain are guns, each with their own special attribute. The only thing I found disappointing in this story was that as soon as I really go into it, it ended. A book or even a series of books following each of the guns and their wielders would be a fantastic read.
Angles (Orson Scott Card) 3/5 – I wish this story had skipped all the scientist stuff in the middle and just stayed with the one storyline about Hakira trying to get back to Japanese-ruled Japan. I found it interesting (and brave) of the author to use only Jewish and Japanese people as the (captive) makers and refiners of other worlds; clearly based on the stereotype of high intelligence attributed to these two groups of people, which the author does in fact address directly.
The Magician and the Maid and Other Stories (Christie Yant) 4/5 – Aurora is so in love with her husband that she is willing to prostitute herself in order to further his career in magic. Then suddenly, both her and her husband are snatched from their world and tossed into another and then separated. Sometimes the thing you are looking for is in the last place you would expect it to be – right in front of you.
Trips (Robert Silverberg) 3/5 – Chris Cameron wanders from San Francisco to San Francisco, sometimes it’s a few decades in the past, sometimes it’s post-apocalypse, sometimes it’s almost home. The problem is that we don’t really know why he is wandering, he speaks extensively of his wife back in “his” San Francisco, and of how happy they are together. He compares himself to Faust, saying he is wandering just because he can, not because he has to, not because he is running away from anything. Unfortunately all of this leads to a sense of aimlessness in the story, with no one to root for and nothing to wonder about.
Average rating of all 30 short stories combined: 3.633, rounded up to 4 for the full collection. Adams chose to arrange the stories into the alternating pattern of portal universe-multiverse-portal universe, etc., which worked well so that while you knew which type of story was coming up next, you also did not get over inundated with too many of one type in a row. The alternation worked well to balance the anthology and keep the reader engaged, in addition to the actual story content.
Some of the stories were, naturally, stronger than others. The weakest ones, in my opinion, were “An Empty House with Many Doors”, “Magic for Beginners” and “The Ontological Factor”, as they all felt incomplete in their own ways, like they were just part of a story, or relied too heavily on genre tropes without adding enough to it to make it something special.
“Somebody described the experience of reading great fiction as being caught up in a vivid continuous dream, and I think movies do that better than any other kind of story. Some people say the best movie isn’t as good as the best book, and I say they’re not watching the right movies, or else they’re not watching them the right way […]” – page 287, “Impossible Dreams” by Tim Pratt
My favorite stories would probably have to be: “A Brief Guide to Other Histories” (spoke to my interest in topics dealing with war and subsequent PTSD, on top of just how attached we should ever become to our “doppelgangers” of another universe), “The Thirteen Texts of Arthyria” (the paced movement from one world to another, how one blended and faded to give way to the next, and all it implied), “Ten Sigmas” (because who has never wondered what it might be like to be connected to all your other possible “selves”?), and “The Lonely Songs of Laren Dorr” (it’s elegance, and how much more is said without actually being said; what is implied is so important, too).
For mini-reviews of each story, please see my status updates – there is one update for each and every story. The only reason this book took me so long to read is that it was not among my “priority” readings at this time – it was my small reward break book, one story at a time usually, and right before bedtime if I wasn’t too tired, at that. Definitely worth the read, as overall it was very enjoyable, and provided me with some very welcome escapes and even some food for thought.
Favorite quotes: When I’d told him that he wouldn’t get any blame when I wrote up the incident, that I accepted full responsibility because it had happened under my command, he’d given me a haunted look and said, “Doesn’t make it right, Lieutenant. They’re Americans, like us. Americans shouldn’t be killing Americans.” “I agree. But some of them are trying to kill us, which is why you did the right thing.” “Maybe it was the right thing to do,” Bobby Sturges said, “but that doesn’t make it right.” Page 34, “A Brief Guide to Other Histories” by Paul McAuley
“Your path is only one of an infinite number of paths. And no one path can claim to be better or more privileged than any other. All are equal.” “Except we have the Turing gates,” I said. “Which gives your history the ability to interfere with other Americas. But it doesn’t give your history moral superiority. You brought us freedom. Democracy. Fine. We’re grateful for it, but we’re not beholden. We have the right to make from that freedom what we will, whether you approve of it or not. If we’re forced to become nothing more than a pale imitation of your version of America, what kind of freedom is that?” – page 38, “A Brief Guide to Other Histories” by Paul McAuley
We are what we do, and what’s done to us: if A Brief Guide to Other Histories was right about one thing it’s this. And because what happens to us in war is more intense than ordinary life, it marks us more deeply, changes us more profoundly. Every soldier who comes back from war is haunted by the ghosts of the comrades who didn’t make it, the people he killed or saw killed. By the things he did, and the things he should have done. And most of all by the innocent kid he once was, before the contingencies and experiences of war took that innocence away. I have summoned up my ghosts here, and tried to lay them to rest. But it seems to me now that all of us who passed through the mirror into different histories have become like ghosts, lost in the infinite possibilities of our stories, ceaselessly searching for an ideal we can never reach. – page 39-40, “A Brief Guide to Other Histories” by Paul McAuley
Could all language be translated into logically rigorous sentences, relating to one another in a linear configuration, structures, a system? If so, one could easily program a computer loaded with one language to search for another language’s equivalent structures. Or, as many linguists and anthropologists insisted, does a truly unknown language forever resist such transformations? – page 57, “Twenty-Two Centimeters” by Gregory Benford
Most people have no idea how thin that membrane between life and death can be. But then, isn’t it really better that way? Better living through denial. Who’d want to go around in a constant state of dread? – page 88, “Nothing Personal” by Pat Cadigan
Thinking the truth is easy. You fit together the puzzle more often than you realize, and in the normal course of days, you dismiss the idea as ludicrous or ugly, or useless, or dull. Understanding is less easy. You have to learn a series of words and the concepts that come attached to those words, and real understanding brings a kind of appreciation, cold and keen, not too different from the cutting edge of a highly polished razor blade. But believing the truth…embracing the authentic with all of your self, conscious and otherwise…that is and will always be supremely difficult, if not outright impossible. – page 304, “Like Minds” by Robert Reed
Every day is full of gambles like that: you stake your life whenever you open a door. You never know what’s heading your way, not ever, and still you choose to play the game. How can a man be expected to become all he’s capable of becoming if he spends his whole life pacing up and down the same courtyard? Go. Make your voyages. – page 346, “Trips” by Robert Silverberg
“I’ve never seen it that way. I’m running toward.” “Toward what?” “An infinity of worlds. An endless range of possible experiences.” […] “You had all infinity,” she says. “Yet you chose to come to me. Presumably I’m the one point of familiarity for you in this otherwise strange world. Why come here? What’s the point of all your wanderings, if you seek the familiar? If all you wanted to do was find your way back to your Elizabeth, why did you leave her in the first place? Are you as happy with her as you claim to be?” […] “I believe in searching as a way of life. Not searching for, just searching. To stop is to die, Elizabeth.” – page 353, “Trips” by Robert Silverberg
Typos: Might just be a formatting error, but it reads more or less like this on my phone (page 49, “An Empty House with Many Doors” by Michael Swanwick: I reach up and take his ! hand.
For just a instant she knew…. – should be “an instant”-- page 69, “Ana’s Tag” by William Alexander
…into the unfenced back yard. – page 91, “Nothing Personal” by Pat Cadigan – Isn’t “backyard” usually one word, no space? Looks like separating it into two words might be a British English thing…? Curious though, as Cadigan is an American author.
“Was this another one of his quantum-theory-explains-everything-inthe-universe theories that no one understood?” – page 167, “[a ghost samba]” by Ian McDonald – should be in-the not inthe.
Most wore cheap, immersion glasses, with their arms covered… -- page 198 – remove the comma after cheap
[…] to protect those who were leaving They gathered at the southern tip … -- page 328, “Angles” by Orson Scott Card – missing a period before “They”
[…] the Zionists you kidnaped before.” – page 331, “Angles” by Orson Scott Card – “kidnaped” should be “kidnapped” – it’s just an odd variant that I’m not used to seeing.
He voice was calm, slightly … -- page 339, “The Magician and the Maid and Other Stories” by Christie Yant -- “He” should be “His”
John Joseph Adams' taste in stories and mine don't always coincide, but when I saw this on $1.99 sale and checked the authors in the table of contents, I thought there would probably be enough stories I enjoyed to make it worth buying. I was pleasantly surprised to end up enjoying almost all of them.
I've always liked portal fantasy, which is coming back into vogue again (after a break while everyone sorted out the whole colonialist aspect). I also enjoy, to a lesser extent, alternate-worlds stories. This volume collects both types and intermixes them.
A word about the copy editing before I start in on the individual stories. I know that some authors, even well-known ones, make a lot of errors and are therefore hard to copy edit, but this particular copy editor seems to have a couple of mistaken beliefs. One is that "two hundred" requires a hyphen, and another is that "a few days' R&R" doesn't require an apostrophe. There are other missing apostrophes, comma splices, "Ok" when it should be either "OK" or "okay," an uncaught inconsistency in one story between "Life-giver" and "Light-giver," "peeling" as a homonym error for "pealing," "the Mura's front lawn" when Mura is the name of the family and it should be "Muras'," "however" and "whatever" each written as two words, some missing question marks, and numerous other little errors (missing punctuation, mostly). Then there are couple of sentences of dialog that have been rephrased, but the following sentence of dialog is still replying to the original phrasing, and now makes no sense. Overall, I marked sixty issues, which is far too many even for a book as long as this one, especially given the reputation of the (acquiring) editor and the authors.
Leaving all of that aside, how were the stories? They were, mostly, excellent. I'll briefly summarize and comment, and rate them out of ten.
"Moon Six," Stephen Baxter (7/10): alternate-world SF around the moon landings. A downer ending, in part because, in keeping with the hard-SF tradition, the protagonist is mostly an observer of significant events rather than someone who makes a difference to them.
"A Brief Guide to Other Histories," Paul McAuley (7/10): a parable of occupied Iraq, but it's one version of America occupied by another. About as dark as you'd expect.
"Crystal Halloway and the Forgotten Passage," Seanan McGuire (7/10): portal fantasy, with a Chosen One from our world battling to balance her two lives. Downer ending.
"An Empty House with Many Doors," Michael Swanwick: no rating, because I skipped this one, reading only far enough to confirm that it was Swanwick's usual depressing nihilism.
"Twenty-Two Centimeters," Gregory Benford (7/10): a first-contact alternate-Earth story, with an Earth so alternate it might as well just be any alien planet.
"Ana's Tag," William Alexander (8/10): a strong sense of place (impoverished rural America) in this tale, where the alternate world is the fae realm.
"Nothing Personal," Pat Cadigan (6/10): I found this slow-moving; it took a long time to get anywhere, and when it got there the destination wasn't, perhaps, completely worth the trip.
"The Rose Wall," Joyce Carol Oates (6/10): an inconclusive ending made this feel like the beginning of a story rather than a complete story. Well told, but I found it unsatisfying.
"The Thirteen Texts of Arthyria," John R. Fultz (7/10): reminiscent of sword-and-sorcery and at the same time of the odder kind of portal fantasy (I'm thinking of Eddison, though it isn't quite as strange as that, and fortunately lacks the ultraviolet prose).
"Ruminations in an Alien Tongue," Vandana Singh (7/10): a sense of age and decrepitude haunts this story, which moves back and forth in time and builds up a picture of an interesting life.
"Ten Sigmas," Paul Melko (8/10): I enjoyed the first of this author's alternate-worlds novels, and this story was just as good: a person with multiple selves who can communicate across their alternate worlds decides to intervene, at personal cost, to rescue someone.
"Magic for Beginners," Kelly Link (7/10): I've only read one other Kelly Link story that I recall, and that one was less of a story than a series of events, carefully depicted, which eventually just stopped. This is the same, but unlike the other story it's amusing rather than depressing. It has, for me, a tenuous connection to the theme of the book, but the connection is there.
"[a ghost samba]," Ian McDonald (6/10): tries perhaps a bit too hard to be very, very Brazilian. The story itself, under the layers of cultural reference, is simple, and I didn't find it particularly appealing.
"The Cristobal Effect," Simon McCaffery (7/10): a traveler across alternate worlds prevents the death of James Dean, which doesn't work out especially well for anyone.
"Beyond Porch and Portal," E. Catherine Tobler (7/10): springboards off the odd circumstances surrounding the death of Edgar Allen Poe, in a story which has resonance with his but isn't really a Poe kind of story. In mostly a good way.
"Signal to Noise," Alastair Reynolds (8/10): a poignant tale of a man given the chance to spend a last week with an alternate version of his wife, who has just died in an accident.
"Porridge on Islac," Ursula K. Le Guin (7/10): I'd read this before in the author's collected stories. It is, of course (given who wrote it), a strongly human story about lives in unusual circumstances.
"Mrs. Todd's Shortcut," Stephen King (8/10): I'd read this one elsewhere also, but re-read it because I remembered it being enjoyable. It still was. Reminded me of Roger Zelazny's "hellrides".
"The Ontological Factor," David Barr Kirtley (7/10): an unpromising title, but not a bad portal fantasy. Avoids the colonialist issues of the genre by positing that our reality is kind of average in its degree of realness, rather than being superior.
"Dear Annabehls," Mercurio D. Rivera (7/10): an amusing piece in which alternate versions of an advice columnist give advice on coping with a situation where people can move freely between alternate worlds.
"The Goat Variations," Jeff Vandermeer (7/10): the master of weird produces a thought-provoking riff on George W. Bush's seven-minute delay on September 11, 2001, in the elementary school where he was reading the kids a story about a goat.
"The Lonely Songs of Laren Dorr," George R.R. Martin (7/10): Martin's stuff is usually too dark and nihilistic for my taste, but this one is more poignant than depressing. Reminiscent of Fritz Lieber.
"Of Swords and Horses," Carrie Vaughn (7/10): I sometimes like Vaughn's stories more than this. It's from the point of view of the mother of the Chosen One who vanishes into the other world, and, while strong and realistic, it has the drawback of focusing on the person who isn't having the adventures.
"Impossible Dreams," Tim Pratt (8/10): a rather sweet story about a film buff who discovers that alternate movies are not the best thing he can find in a mysterious video shop from an alternate world.
"Like Minds," Robert Reed (6/10): somewhat rambling and ultimately despairing, with moments of cruelty.
"The City of Blind Delight," Catherynne M. Valente (6/10): like her first name, Valente's stuff is consistently overwritten and overornamented for my taste, but sometimes it manages to end up with a decent story half-visible through the fluff. This is not one of those times.
"Flower, Mercy, Needle, Chain," Yoon Ha Lee (7/10): I think I've read this, or another part of the same story, before; it has very much the feel of being part of a longer story, and is a well-thought-out exploration of an unusual variation on the alternate-world idea.
"Angles," Orson Scott Card (7/10): no lack of storyness here, though I was surprised to see such an experienced writer come out with "said Moshe nastily" rather than something stronger that dispensed with the adverb.
"The Magician and the Maid and Other Stories," Christie Yant (7/10): I anticipated the twist quite early, but not a bad story for all that.
"Trips," Robert Silverberg (7/10): an exploration more than a story, with Silverberg's characteristic obsession with sex, but, of course, well told.
Overall, my ratings average out to about 7/10; there were, for me, no truly earthshaking stories, but most of them I liked at least a little, and some quite a lot. And there are certainly plenty of them.
A good and varied exploration of the collection's theme.
In a parallel universe very close to this one, I didn't even see this book. In a world beyond the veil behind the secret door, libraries are guarded by demons and I was not allowed to see this book. But in this universe... Other Worlds Than These is present for my enjoyment, and yours.
Ace editor John Joseph Adams has created what looks at first like nothing more than YATA—Yet Another Theme Anthology. With its awkward mixture of typefaces and muddy images on the cover, it's not a very attractive package. But the contents are, while still a mix, quite a bit more attractive. Adams has assembled an anthology of otherness, an explicit combination of fantasy and science fiction that goes straight to the heart of one of the things that makes sf so appealing to so many of us: the idea that there are elsewheres that, if we're brave or resourceful or knowledgeable enough, we can get to. Places that make our humdrum, everyday existences look exactly as shallow and meaningless as they all too often appear to be. Magical worlds, some of them; exotic quantum-mechanical alternities for others.
I'm a sucker for this stuff anyway, and had been since long before I stepped into this timeline from a world without Nissans (long story, not nearly as interesting as the ones collected here)... but Adams has done some truly fascinating curation in this volume, bringing together stories by unknowns and by powerhouses in the field, many of which were—if not new to this volume—new to me, despite that longstanding interest. I recognized many of 'em, sure... stories like Kelly Link's "Magic for Beginners," Paul Melko's "Ten Sigmas" and Pat Cadigan's "Nothing Personal" should not be unfamiliar to anyone with an interest in these realms, and I recognized Yoon Ha Lee's "Flower, Mercy, Needle, Chain" from at least one other best-of collection. And Robert Silverberg's classic 1974 tale "Trips" ends this volume.
But others were entirely new to me, like Ursula K. LeGuin's loopy and atypical "Porridge on Islac" (the rumination on talking dogs is a hoot), Stephen King's unskippable Mainer yarn "Mrs. Todd's Shortcut," and Ian McDonald's stellar "[a ghost samba]," which reminded me strongly (and favorably) of Lewis Shiner's amazing novel Glimpses. Shiner himself isn't represented here, and I didn't like the Vandana Singh story all that much, myself, but I could definitely see how it belonged here.
The unknowns (or lesser-known, at least; unknown to me) were good as well, if not quite as memorable. I think Adams saved the better ones of these for later; David Barr Kirtley's "The Ontological Factor" contains a mathematical conceit as offbeat and entertaining as anything from L. Sprague de Camp and Fletcher Pratt, for example. "Impossible Dreams," by Tim Pratt, was a poignant tale of one lucky film nerd...
In sum, John J. Adams has done a marvelous job here, and if you are, as I am occasionally, convinced that this world isn't the one you were born in... you could do a lot worse than to check this one out while you're waiting to be rescued.
Actually haven’t finished yet but am starting review so I can write up each story as I am reading the book piecemeal as opposed to straight through
Moon Six by Stephen Baxter is a story where we first see two astronauts on the moon, doing what astronauts do. Then, suddenly, one disappears, the lander does to. Soon enough our lone astronaut discovers a Russian cosmonaut but he also realizes the geography of the moon is different. It comes to pass he is moving across time on the moon and is eventually rescued by those that have caused this effect
A Brief Guide To Other Histories by Paul McAuley is a much stronger story. With some similarities to The Man in the High Castle we see some soldiers from our world whose mission it is to go across a portal into an alternate America where a despotic figure rules. We learn that this specific diversion occurred pre World War Two. In this story, however, individuals can exist in two, and many more, dimensions. An interesting piece is when Americans in the rip criticize their “ rescuers “ saying they want to impose their history on them.
“ You sent troops through their Turing gates and helped defeat the Dear Leader. You told us that their agents had been visiting our history secretly before that, helping set up the revolution. You told us that you wanted to help us build a better America. But what you’re really doing is shaping us in your image.” “We really do want to help you.” “Your path is only one of an infinite number of paths. And no one path can claim to be better or more privileged than any other. All are equal.” “Except we have the Turing gates,” I said. “Which gives your history the ability to interfere with other histories, other America’s. But it doesn’t give your history moral superiority. you brought us freedom. Democracy. Fine. We’re grateful for it, but we’re not beholden. We have the right to make from that freedom what we will, whether you approve of it or not. If we’re forced to become nothing more than a pale imitation of your version of America, what kind of freedom is that?”
If that isn’t a citizen of a country America has “ made safe “ for democracy I’m not interpreting it correctly.
Crystal Holloway and the Forgotten Passage by Seamus McGuire is a pretty close rip off ? of the Narnia stories. As the story begins Crystal is in the other world with a young boy from that realm named Chester and a talking spider. She visits this world often but like a battery that misses her recharge goes home to her parents, her bed, where, as time is different there she has not been missed. This time when she leaves the spider gives her a dream catcher and tells her to make sure she uses it. When she arrives home she is so tired she forgets and so, in the night, she is visited by the evils of the Otherworld who erase her memories. Later the story tells of the world and places her parents visited in their childhood, all wiped, thus inferring lol of us have these adventures.
An Empty House With Many Doors by Michael Swanwick : Sad but at the same time hopeful story of a man who is living after his beloved wife had died. He sees a man in the town square being hung that, apparently, no one else sees. He reaches out to touch the man’s hand, to offer some comfort and, is thus transported to another place. He does not realize it at first. Things look the same. But when he returns home his wife is in the kitchen. But then. He himself appears. And he himself is not happy to see...um..he himself. The spouses argue but then the time police show up and send him back home. Sad as he is to leave his wife he takes solace in knowing that in another time, another place, she is not dead, but is yet alive.
Twenty Two Centimeters by Gregory Benford . Humans have discovers another dimension, just 22 centimeters from our own in which a similar but yet different time and space exist. Space travelers from our time have traveled to a distant planet and visit with these strange sea creatures. The science in this is a bit hard to follow for me but it becomes apparent that these tube like, snAke like, creatures are the remnants of an advanced, even beyond our own civilization. This universe, or “ brane “ as it is called had been sending signals for eons, but when we arrive we are in no position to help. At most it is a peak for our humanity of the future that our own universe will have in time.
Nothing Personal by Pat Cadigan : Strong story about a middle aged police detective, single Mom, sun grown and successful who is on the back side of her career. The paranormal element in the story comes on slowly and follows the fairly typical that each decision you make in life can and does go each way creating immeasurable alternate worlds. She becomes involved in a case where police of this alternate dimensions keep people from making changes in the worlds there in ( do overs for example). As is explained to her you can have second chances, third choices, as many as you can make happen but you cannot get a second chance at a first choice because that, that is what creates an imbalance in the worlds. Written with a very crisp police procedural dialogue that works very well.
The Rose Wall by Joyce Carol Oates is a less effective story. About a wealthy young girl raised on top of a town in a walled mansion we learn about how the girl breaks out of the gate one day. Happily walking to ten town, feeling freedom. Yet, later when tired and wanting to go home she cannot find her way home. When she sees her strict Father in the town, ready for her punishment, he recoils and throws her a coin like she is a common street urchin.
The Thirteen Texts of Arthurian by John Fultz is another weaker story. Hoping to be a quest kind of story we follow a boy to find thirteen books with the knowledge. Each set takes him to a different level of life until he ends up in the clouds becoming a King of some sort. Confusing.
The next two stories continue this fallow section in the book. Ruminations in an Alien Tongue and Ten Sigmas are worth no mention at all but then another fantastic story presents.
Magic for Beginners by Kelly Link is a lengthy story inside this collection. In itself it is not perfect but the parts that work, work extremely well. Centering around five teenagers, two boys, three girls, who share a love of a television series. This is not just a normal television series however, “ The Library “ is an underground show, appearing on no set schedule, with no set actors, which shows the events in a mythical library of immense size where on each of its many events supernatural events happen. The library, though a fantastic piece of imagery and the home of the characters such as the Prince and Faithful Margaret and Fox is really only the secondary viewpoint. What we are really watching here are a group of teenagers interact with each other and all the emotions that entails. Add on an inherited wedding chapel, a phone that appears to be answered by a character on the show, and a parents potential divorce and you have a strangely fantastic story.
Another story that didn’t work for me was “ The Ghost Samba “ but this was followed by two strong stories that dealt with famous people and their brushes with other worlds.
“ The Cristobal Effect “ by Simon Mccaffery has a time traveler revisit James Dean and prevent his auto accident. His motives end up not being entirely pure however, and we also end up having to watch James Dean grow old. The often quoted tropes about the benefits of dying young are well shown here.
“ Beyond Porch and Portal “ by E Catherine Tobler shows us the niece of Edgar Allen Poe discovering that her Uncle had been held captive by beings from other worlds and was haunted by them even in his time in her, his niece’s world. The science is comfy enough to diminish this one just a bit.
“ Signal to Noise “ by Alastair Reynolds : This story works but does so less as an other worlds story than as an example of what the end of a relationship can be. Man discovers wife killed in freak accident. At same time mans scientist friend has opened a quantum portal and he can visit his wife in her slightly different world where’s she is alive. It works but it doesn’t because people have different motives and singular feelings. In relationships and most other things you can’t go back, you can’t recreate, even for a limited time. Not and meet preconceived expectations. This story is sweet and sad and the science is well explained
“ Porridge on Islac “ by Ursula Le Guin : Fantastic story that serves as a warning of sorts. A person from our time visits an alternate space in which creatures have merged in on odd ways. Much has come about due to efforts to modify genomes. Good intent but now our visitor is having coffee with a woman who has literal corn tassel hair. And butterflies are gone. The comments about the talking dogs that humans created is hilarious
“ there are talking dogs all over the place unbelievably boring they are, on and on and on about sex and shit and smells, and smells and shit and sex, and do you love me, do you love me, do you love me.”
Mrs Todd’s Shortcut by Stephen King is a very old story of his. I read it probably thirty or more years ago. A simple idea, an old timer in Castle Rock, a caretaker for many of the homes and camps for those from away, tells the story of a young wife who became fascinated with finding the quickest way from Bangor to her summer house. He joins her for one of those rides realizing she was traveling in spaces and times others never saw.
A couple more unsuccessful stories, “ The Ontological Factor “ and “ Dear Annabel’s” are followed by “ The Goat Variations” by Jeff Vandermeer. A George Bush type figure exists as a Presidential type figure and is aware that some major event is to happen in the coming month of September 2001. In his world nothing happens but we as a reader do know something does in other universes such as ours.
“ The Lonely Songs of a Laren Door by George RR Martin is an effective story. We meet Sharra, a young woman on a quest. She walks between worlds. Always have to outwit or out battle the gatekeepers charged with stopping her. In this story we read just one chapter where she meets Laren Door, a man being punished by the same overlords that seek her defeat. In the end he fails on his mission which was to stop her but not in his mission to make her love him.
“ Of Swords and Horses “ by Carrie Vaughn : Lesser story about a Mother remembering her lost daughter. Horses, Fencing and other pursuits ruled her life from an early age. One day her car is gone, she has disappeared. A later visit shows where she went and why.
“ Impossible Dreams” by Tim Pratt : Cute story about a movie nerd who discovers a video store with slightly different movies. All the maybes and could have beens from our universe, different casting etc. the store though he discovers only appears for an hour each night and that time is shrinking. A loner in this world the girl who runs the store shares an affinity for movie culture but of course she is not of this time and space. What would happen in a movie script?
“ Like Minds” Robert Reed does not work for me. Too murky and confusing.
Actually as I read the last four stories not much worked there either. It could be I was tired of the subject matter I suppose but they all seemed murky and confusing.
Overall a solid collection though, with some neat ideas
• Foreword — Lev Grossman 5 […] reality is not where it's at, my friend, so get out by any point of egress you can find and get into somewhere better.
• Introduction — John Joseph Adams 5 very helpful. It probably would have impacted my enjoyment of the book as a whole having not had the information here in advance
• Moon Six — Stephen Baxter 3 interesting, but dry
• A Brief Guide to Other Histories — Paul McAuley 4 interesting and enjoyable. It was a cool idea that pulled me right in.
• Crystal Halloway and the Forgotten Passage — Seanan McGuire 3 I liked the idea and the message really resonates with me, but something about it irritated me. I don't think I could have read Crystal in a novel-length story. She felt very Mary-sue-ish
• An Empty House With Many Doors — Michael Swanwick 4 short and sweet
• Twenty-Two Centimeters — Gregory Benford 0 I think perhaps they didn't want her commentary on the mission because it sounds like one rushed, long run-on sentence. The descriptions in this story and weird and confusing. "It's internal rocket engine fired a bright orange plume against the sky's blackness. […] the living cylinder lay there, half in, half out, as if exhausted." Are you describing an animal or a piece of machinery? I honestly couldn't tell if there were actual animals or weird A.I. on the planet. Not helped by the fact that she is directly communicating with it via mores code. Then in her description of the planet she says that she can see dawn coming up as quickly as a "fast moving car." She says that she can literally see pure night and pure day at the same time because the sun is moving so fast. But then also says that it's been 22 hours since dawn. That is not possible. This was all in the first 6 pages - I DNF the last 9. Did it get better? Extremely doubtful.
• Ana’s Tag — William Alexander 5 Super enjoyable. Using graffiti tags to move between worlds has to be my favorite method in the whole anthology.
• Nothing Personal — Pat Cadigan 1 The actual story was mildly interesting, but nothing new. It would have been a 3 had the MC not been so unbearable. Honestly, she was a first class asshole. Who was also not very bright. She had an overly difficult time with the basic concept of identity theft, but then accepts and understands parallel dimensions with no questions? Those reactions need to be reversed.
• The Rose Wall — Joyce Carol Oates 3 Too short. It was a cool idea that felt half-finished.
• The Thirteen Texts of Arthyria — John R. Fultz 5 Cool concept with expert world building. I could easily have read a full-length version of this story.
• Ruminations in an Alien Tongue — Vandana Singh 5 This was beautifully written and I loved it. She writes in the same tone/style as Le Guin - and just as well. I immediately went looking for novels by Singh after finishing the story.
• Ten Sigmas — Paul Melko 5 Super cool idea. It's a concept that could have been really easy to over-complicated, but Melko's writing was clear, engaging, and enjoyable.
• Magic for Beginners — Kelly Link 5 completely excellent. I need The Library to be a real show, right now. I never wanted this story to end - but when it did it was perfectly done. I could gush about this story for a while - and bonus! Link mentioned Diana Wynne Jones in the story ♥
• [A Ghost Samba] — Ian McDonald 4 I really enjoyed this one, but the slew of undefined Brazilian/elitist musician slang kept me from 100% enjoying it. That being said, it was still an excellent story. The core concept was interesting and well executed.
• The Cristobal Effect — Simon McCaffery 2 meh. Too tech heavy with only a smattering of good explanations. Left me, unintentionally, with questions about how exactly it all worked. Also, the way the MC was obsessed with James Dean was just kind of creepy. And also not well explained.
• Beyond Porch and Portal — E. Catherine Tobler 4 I really enjoyed this one. The tone and descriptions pulled me right in and were perfect for a western-style story. It was very easy to imagine this world. The only reason I didn't give it a 5 was because the ending was a tad rushed.
• Signal to Noise — Alastair Reynolds 3 Interesting travel concept and story idea that was brought down by incredibly flat characters. I never felt invested in the MC and therefore had nothing but mild interest in what happened to him. Also I was confused as to why people could travel by nerve link, but not by planes anymore. I hated the alluding to some previous world changing event that was never actually explained. It would have been better to just leave it out altogether.
• Porridge on Islac — Ursula K. Le Guin 4 Written in Le Guin's characteristic easy-to-read style, I really enjoyed. I felt it could have been a touch longer though.
• Mrs. Todd’s Shortcut — Stephen King 4 A cool concept that could have benefited from some editing. I felt overwhelmed in descriptions sometimes.
• The Ontological Factor — David Barr Kirtley 3 Fun, but exceedingly average. Nothing to write home about.
• Dear Annabehls — Mercurio D. Rivera 5 This one was surreal and bizarre and I loved it. Definitely a stand out of the collection. I love the idea of using Dear Abby letters to satirize how ridiculous it would be to have multiple versions of ourselves running around.
• The Goat Variations — Jeff VanderMeer 3 interesting concept, but nothing that made it really stand out
• The Lonely Songs of Laren Door — George R. R. Martin 5 beautifully written - very easy to visualize.
• Of Swords and Horses — Carrie Vaughn 4 I was a little concerned because I really disliked the first Vaughn story I read in the Rogues anthology, but I ended up quite liking this one. I liked reading the story from the POV of the person who is left behind when our usual MC gets spirited away to a magical world. That is something we so rarely get to see and I think Vaughn did a good job of making you really feel a parent's anguish at it happening
• Impossible Dreams — Tim Pratt 5 I love movies as much as I love books so I get a real kick out of this one
• Like Minds — Robert Reed 4 an interesting concept that was well done, but I wasn't hot on the ending.
• The City of Blind Delight — Catherynne M. Valente 2 I normally a huge Valente fan, but felt totally phoned in. It`s like the empty outline of a story. I`m hard-pressed to remember what even happened, despite this being more of the stories I read most recently.
• Flower, Mercy, Needle, Chain — Yoon Ha Lee 4 I loved this one, but it was probably a mistake to put it directly after Valente`s. These two write in an extremely similar style, which I assume is why Adams put the two right next to each other. However, this only ended up accentuating how weak Valente`s story was. Lee`s story pulled you right in and I was sorry to see it end.
• Angles — Orson Scott Card 2 This one started out good with a super interesting premise. Unfortunately it then got bogged down in this never ending “science” lecture, and then wrapped up really fast. If was as if after writing the “science” part Card was like “oh is that the time? Uh, convenient bad guy confession, the end.”
• The Magician and the Maid and Other Stories — Christie Yant 3 Interesting idea with a so-so execution. I thought it was good when I finished, but when I actually thought about what happened I realized the story was full of holes
• Trips — Robert Silverberg 3.5 This one was well written with really well done world building. However, the MC felt empty and flat.
A fantastic anthology of short stories all about parallels worlds. The editor draws the distinction between science fiction stories and fantasy, which pretty adroitly defines the stories. You either get a scientific explanation for the alternate universe, or else a magical one, a la the closet door to Narnia. It gives the collection more room to run, so that you're not just reading about wormholes or quantum mechanics the whole time.
The stories themselves are all prize winners, almost literally. Names like Stephen King, Ursula K. Le Guin and Joyce Carrol Oates are joined by a who's who of contemporary short stories. In addition to such a rarified roster, editor John Joseph Adams does a fantastic job of arranging the anthology. Lots of anthologies on the same subject wind up becoming repetitive; even if the stories are top notch, you can only read so many zombie shorts before going cross-eyed. Here, I never felt subject fatigue. Length, tone, narrative style, perspective all shift from one story to the next in such a way that each feels fresh. The last story was as novel and engaging as the first.
As I read these stories I’m updating them here because I am lazy and don’t want to type this all at once. Some of these stories were good, some were bad, most were meh, and I skipped two almost completely. All of the star ratings for the individual stories added and divided comes closest to 3 so this is a three star compilation.
1. Moon Six by Stephen Baxter - ⭐️⭐️⭐️ I’m not a huge fan of technical sci-fi, and there’s a lot of technical terms in this one. I truly just glossed over them. The story premise itself was interesting though, and I sympathized with the main character struggles. The ending was certainly a choice. I had hoped it would be a happier ending but it wasn’t a bad one.
2. A Brief Guide to Other Histories by Paul McAuley - ⭐️⭐️ Not a lot happened in this one. Didn’t love it. Didn’t hate it. The writing was fine but it was kind of boring overall.
3. Crystal Halloway and the Forgotten Passage by Seanan McGuire - ⭐️⭐️⭐️⭐️⭐️ This was so good oh my god. I loved it. I’ve never read a story by Seanan McGuire before and I’m going to have to now. But why did it have to be so sad though!!!
4. An Empty House with Many Doors by Michael Seanwick - ⭐️⭐️⭐️✨ Cute. Kinda sad. A man wants to die after his wife passes, and is transported to an alternate universe where she’s still alive. This one was sweet.
5. Twenty Two Centimeters by Gregory Bensford - ⭐️⭐️✨ Interesting concept but once again very technical term heavy and kinda boring. I skimmed a lot. If you like sci-fi you might enjoy this more than I do.
6. Ana’s Tag by William Alexander - ⭐️⭐️✨ Cute but kind of meh. Didn’t love this one much but didn’t hate it. A story about a little girl going searching for her missing brother and ends up in Fey territory.
7. Nothing Personal by Pat Cadigan - ⭐️⭐️⭐️ I liked this one. It was a tad but long but the concept of the multiple worlds was interesting. Follows a cop that has this growing sense of dread that overtakes her and she finally finds out what is causing it.
8. The Rose Wall by Joyce Carol Oates - ⭐️⭐️ I’m confused? The other world in this one is very vague. Why doesn’t anybody understand this child when she speaks. What actually is beyond the rose wall? Why can’t she leave it? No explanation at all at the end either and not enough clues to figure it out yourself.
9. The Thirteen Texts of Arthyria by John R. Fultz - ⭐️⭐️⭐️⭐️⭐️ I loved this one. Would love a longer version. The concept and execution of the story leaves you wondering which world is real and which is false in the first place.
10. Ruminations in an Alien Tongue by Vandana Singh - ⭐️⭐️⭐️✨ This one was good. A little weird and the ending was a bit ambiguous, but I liked the concept of the alternate alien world.
11. Ten sigmas by Paul Melko - ⭐️⭐️⭐️⭐️ This one was unique and super cool. It’s about a man that can see all the other universe versions of him and knows when some drop off from making a different decision. The ones that deviate. Then he sees a kidnapped girl in a truck and becomes part of the deviated group. Really good.
12. Magic for beginners by Kelly Link - ⭐️⭐️⭐️✨ I like this one. It felt more like a coming of age story than an other world story. There’s a TV show that is ambiguous about whether it exists for real or not, and it clearly does, but not enough about the actual show. Cute story if you take it as a regular coming of age instead of an alternative universe story though.
13. [a ghost samba] by Ian McDonald - ⭐️⭐️ Eeeehhh I didn’t really like this one. I both liked and hated the end. Also thought it was too heavy on the explaining. I don’t care about the technicalities of science fiction at all and I definitely skimmed sections.
14. The Cristobal Effect by Simon McCaffery - ⭐️⭐️⭐️⭐️ I wasn’t sure at first but this one turned out interesting. A man goes through universes to save an actor from an early death so he can make more movies. Good ending. I like this one the more I think about it.
15. Beyond Porch and Portal by E Catherine Tobler - ⭐️⭐️⭐️⭐️ This one was good! About a woman that has an uncle (Edgar Poe) that tells her stories about a crazy land, and then he does and she finds herself swept into that world. It was good. The ending was good. Kinda tragic? And also weird? But good.
16. Signal to Noise by Alastair Reynolds - ⭐️⭐️⭐️⭐️ I almost didn’t read this because it’s sci-fi but I figured I’d give it a few pages, and I ended up really enjoying it. It’s a sweet, sad little story about a man whose wife dies and he gets a chance to spend a little bit of time with her in an alternate universe where she survived her accident, and he gets some closure.
17. Porridge on Islac by Ursula K Leguin - ⭐️⭐️⭐️⭐️⭐️ I really liked the premise of this one, with the genetic altering and the inter-plane travel. It was a pretty simple, cute story that played with the idea that generic modification has gone very differently in another universe.
18. Mrs. Todd’s Shortcut by Stephen King - ⭐️⭐️⭐️⭐️⭐️ Stephen King is really good at writing about things that are but should not be, and this story was great because of it. A classic little short story with all of King’s normal style woven on. I wouldn’t be surprised if somehow this story connects to one of his larger works somewhere.
19. The Ontological Factor by David Barr Kirtley - ⭐️⭐️⭐️⭐️ Also really liked this one. Love the concept of realness varying between worlds and how it affects how much damage you take when attacked.
20. Dear Annabehls by Mercurio D Rivera - ⭐️⭐️⭐️✨ Interesting. Multiple dimensions and variants of every person that can be swapped and reswapped for more agreeable versions, or replace a dead loved one. As told by the gossip advice column answers of the multidimensional Annabehls.
21. The Goat Variations be Jeff Vandermeer - ⭐️⭐️ I thought this one was boring. For something that could have had a cool concept, it was slow and focused so much on the president’s internal monologue that he really DIDNT seem all there, even to the reader, which made him annoying to follow. The ending felt like a version of the concept in Ten Sigmas from this collection, but less well done and kinda pointless.
22. The Lonely Songs of Laren Dorr by George R R Martin - ⭐️⭐️⭐️⭐️⭐️ This was phenomenal. Absolutely phenomenal. Wow. I loved it. I say this as somebody that has never seen Game of Thrones or read the books, and I loved this story and would ADORE a full version all fleshed our. I really like the slight bitter undertone of sadness in this one and the ending was great. Unexpected. So well done. Wow.
23. Of Swords and Horses by Carrie Vaughn - ⭐️⭐️ This was decent. Not enough background to make it really likable and the characters were not ones i could feel connected to. It was rather short but still too long for me to feel like I’m not connected to the characters.
24. Impossible Dreams by Tom Pratt - ⭐️⭐️⭐️✨ Ok this was cute. Once it got rolling I became invested in the characters, even though at first I wasn’t sure where the story was going. I really liked this one and thought the ending wrapped up well.
25. Like Minds by Robert Reed - ⭐️✨ Eeeehhhhh….this one wasn’t good. Let’s just say sometimes it’s super obvious that a story was written by a man. And what the fuck was the ending? As for the rest of the content, why am I expected to understand what anti-iron is and the consequences of dropping it into the water with absolutely no explanation, hint, or lead up? Too random, bad ending. Also didn’t like the premise. And everything was all over the place.
26. The City of Blind Delight by Catherynne M Valente - ⭐️ I did not like this one. Not sure what the hell I just read. It felt very vague and pointless and bleh. No thanks. Also there were a solid two pages that were all one paragraph with no breaks. I know I’m reading on kindle and the spacing is different, but in none of the other 25 stories have I had that issue. The writing was also really extra, imo.
27. Flower, Mercy, Needle, Chain by Yoon Ha Lee - ⭐️⭐️ Eeeehhh. I like the concept of the special gun that destroys lineages. That was neat. The story overall though was lacking. Ths last paragraph felt out of place, and im not sure why we needed to know about the renewal of the universe.
28. Angles by Orson Scott Card - ⭐️ This was boring and I skipped half of it and then skimmed to the end. Which was also weird and not good. Maybe because I skipped so much but idk man this one sucked. If you like the works of this author maybe you’ll like this story. I, for one, am convinced to never read anything by this rambling mess of an author again. Not for me.
29. The Magician and the Maid and Other Stories by Christie Yant - ⭐️⭐️✨ This was predictable but good enough. Not great and the ending was kind of abrupt. Like I knew how it was gonna end pretty much the whole time but this whole story is basically one big miscommunication trope, and that is one cliche I cannot get behind.
30. Trips by Robert Silverberg - ⭐️ Maybe this one was good. I was too bored to read past the slow slog of a beginnig. Also kinda burnt out on the topic at this point and ready to finish the book. Maybe you’ll enjoy this story. Maybe Robert Silverberg deserves more of a chance before I give him a 1 star. Alas, this story failed to grab my affection fast enough either way. Tragic.
I actually truly think that the fact that all of these were about the same topic kind of ruined the fun. You can only read about alternate universes so many times in a row without getting sick of it. And some of the stories were super unique and I enjoyed. Mostly, I was a little bored for many. Oh well. C’est la vie. On to the next thing.
I'm on an SF-anthology reading binge, and I enjoyed the other collection edited by John Joseph Adams that I read, The Living Dead. I picked this one up because I was allured by the cover art, the red-black-beige/white design, and the indication that it featured stories by Ursula K. Le Guin. It's a collection of portal fantasies and parallel universe stories, and I enjoyed that the editor's introduction compares these categories and talks about how essentially linked they are. Maybe another thing that drew me to this collection was that while I was certainly familiar with the trope of parallel universes in SF and fantasies about other worlds, I'd never sat down with a whole bunch of them and thought about what they had in common. Reading this anthology does give you ample fodder for doing your own analysis of what kinds of themes crop up and seem endemic to these types of stories, and that's a lot of fun.
As for the stories themselves, I found them to be of high quality, and the collection was consistently enjoyable. There were eleven stories that I thought were exceptional, and the top among those was Joyce Carol Oates' "The Rose Wall," a heartbreaking fable that is actually not SF at all, but is still very much a story about a portal that leads to a remote, parallel world.
There is of course, diversity among the stories that makes the anthology as a whole engaging, even when they encroach on similar terrain. Reading these stories, you'll spot two stories of girls on the cusp of growing up who must choose between this world and another, more adventure-filled one--but the outcomes are very different and interesting to compare. Still other stories explore the temptation that parallel worlds with different histories pose to music and film fanatics--what if that legend hadn't been cut down in his prime?--and the questionable and high-stakes risks taken to lay hands on such precious media. And there are stories about love and loss.
I recommend this collection. There's a tremendous amount to enjoy, compare, and of course, ponder.
If possible, I would've given this book more than 5 stars. Each & every story was well written, filled with creativity, and had not a dull moment anywhere. Although I loved the entire book, certain stories struck me as A+ standouts. The first was The Goat Variations, written by Jeff Vandermeer. If after reading this story, you find yourself still not a fan of the fantasy genre, go back and re-read it. I can almost assure you, this one will make you a fan. The second story I mention because I personally believe it is the best of the collection, Impossible Dreams, written by Tim Pratt. This is another gem hidden away in this collection of tales. Not that they're not all terrific stories, mind you, it's just that this is one of those rare pieces you come across once in awhile that makes you so happy to be an avid reader.
I really like reading anthologies like this. They are perfect for reading a story or two before bed. I wish I would take the time to write down my impressions after I read them but I usually just fall asleep. Some of these stories definitely touched my dreams. The following is a synopsis of the stories as I remember them after reading the book. Contains spoilers and definitely does not capture the essence or quality of the writing.
• Moon Six — Stephen Baxter I recall liking this, an astronaut gets transported to different realities where the space program has gone through different levels of success, meets other astronauts from other times and knows about the eventual end of the earth. A Brief Guide to Other Histories — Paul McAuley Ok, a soldier is charged with guarding the gate to alternate dimensions, and deals with the prejudices it causes for the people in those realities, especially while meeting his alternate self. Crystal Halloway and the Forgotten Passage — Seanan McGuire Liked this, a girl is deciding to stay between two worlds, one where she is a hero and the other she is normal. However, the “truth fairy” final caught up with her and made her forget the other world, just like all the adults before her. An Empty House With Many Doors — Michael Swanwick Liked it, a man whose wife died and is trying to drink himself to death because he misses her, travels to another universe where she hasn’t died. Contemplates staying but is taken back by people in white jumpsuits (one of whom he tried to save which is the reason he is there). In the end he is better because he knows in infinite realities, there is another world his wife is alive. Twenty-Two Centimeters — Gregory Benford Ok story, ending didn’t resonate with me. 2 people travel to an alternate world (22 centimeters away) where a homing beacon brought them. The world is frozen, except on the day side. Sea creatures try to communicate with them, using a translator on their ship. Turns out these creatures are not the ones that built it, they were long ago. And thus foreshadowed what was to come of earth. Ana’s Tag — William Alexander Kinda weird. Brother (Rico) was caught up in a debt with other-world characters to play a song or something. Sister tries to figure out what is going on with him, high school, graffiti. Nothing Personal — Pat Cadigan Didn’t enjoy. A police officer trying to figure out when a sense of dread started. Turns out she has a sensitivity of timelines being crossed or something. The Rose Wall — Joyce Carol Oates Didn’t do much for me. A privileged girl escapes her yard over a rose covered wall and can’t get back. The Thirteen Texts of Arthyria — John R. Fultz Was ok, a man finds a book which leads him to find others and he truth of other kingdoms he had forgotten, eventually saving them. Ruminations in an Alien Tongue — Vandana Singh Don’t recall this. Must not have made an impression. Ten Sigmas — Paul Melko Interesting. A person who can see all his alternative selves, stops a truck who in some realities kidnaped a girl, in many of those he dies. In only one reality does he succeed, he decides I was still worth it. Magic for Beginners — Kelly Link Don’t recall this. Must not have made an impression. Or maybe I skipped it because it was longer than I wanted to read. [A Ghost Samba] — Ian McDonald Pretty good, A music lover gets to hear the lost unfinished master tapes of a dead musician. And then a friend of his uses a new super computer to fill in the holes from alternate realities. This friend has a theory you can live forever if you have an observer watch you playing Russian roulette, then in some reality you will always survive. At the end he is robbed at gunpoint and the gun goes click, click, click… The Cristobal Effect — Simon McCaffery Mediocre – A guy stops James Dean from dying, by being a time-traveler to a different reality. Does not turn out how he expected. Beyond Porch and Portal — E. Catherine Tobler Didn’t touch me. A girl’s uncle is dying. A mysterious figure keeps appearing and disappearing and telling her to go to her Uncle. Turns out “fairies” have been taking her Uncle, using his dreams and then returning him. She goes to their world and then returns older with the city destroyed. Signal to Noise — Alastair Reynolds I loved this story. A man whose wife dies has a chance to visit an alternate universe by taking over his “twins” body and be with her “twin” who still lives.. He can’t stay forever, the signal degrades. The counterparts know and invite him. She is kind to him, he feels better. Porridge on Islac — Ursula K. Le Guin Cute story. In a world where you can take airplanes to different “planes” A visitor, finds one where genetic modification got out of control and there are lot of strange creatures. He falls in love with a girl who is partially made of maize. Mrs. Todd’s Shortcut — Stephen King Good writing, enjoyable story. A woman is obsessed with finding the shortest way to wherever she is driving. She disappeared several years ago. Her old handyman tells a story about when he went with her on one, and he believes she was able to drive through un-real places. She looked younger whenever she was driving like that. At the end, she comes back and takes him with her. The Ontological Factor — David Barr Kirtley Liked this. A man finds doors to alternate worlds. These worlds are numbered 1-10 with the bigger numbers being “realer”. So that if you hit someone for a 2 with a weapon from 6 they will disappear. He (a 5) helps a woman (10) fight a bad daemon from stealing the reality from the worlds. Dear Annabehls — Mercurio D. Rivera Fun. An advice columnist gives advice to people in a world where you can grab people / stuff from parallel universes. The advice gets more bizarre as the damage to the universe becomes apparent. The Goat Variations — Jeff VanderMeer Ok. A perspective of George Bush on Sept 11, 2001 at the school, when he could see alternate realities thanks to a machine and people that are being kept in a bunker, miles underground. The Lonely Songs of Laren Door — George R. R. Martin Pretty ggod. A woman travels between worlds looking for her lost lover who 7 bad beings stole. She is in a world where a man is being held captive alone on a planet the same bad guys. They can only go out during the day, at night the bad people will torcher the. She stays a month, thy fall in love, he sings her songs. At last she leaves. Of Swords and Horses — Carrie Vaughn Good. A girl grows up learning how to fence and ride horses instead of wanting to be a princess like her mom did. She vanishes and her parents are distraught. But one day her mom sees her again, she has been fighting to keep evil away from their world on a ship that appears in a mist on the lake. Impossible Dreams — Tim Pratt Loved this. A movie fanatic finds a video store from another reality where movies are slightly different. He can’t rent anything because only nickels work and the video formats are different, but he falls for the clerk. The window the store is accessible keeps getting shorter and shorter and he finally tells the girl about here he is from. They live happily ever after. Like Minds — Robert Reed Good, interesting Not satisfied at ending. – A person can pay to a place where you can ask a “computer / lake?” for three items from different worlds, they mostly ask for things from their other selves like books, movies, etc. Since there are infinite realities whatever you ask it always is able to bring it back. Of course this is addicting and becomes self-destructive. From the perspective of many different selves of the narrator. The City of Blind Delight — Catherynne M. Valente Weird, ok. A train that goes to every possible city, takes a man to a weird city where streets are made of bread and river of bourbon. A whore with golden insides shows him around, then takes his ticket out so he can never leave. Flower, Mercy, Needle, Chain — Yoon Ha Lee Really liked. A woman who is in charge of a unique gun which kills the ancestors of its victims is asked by a robot to kill the descendant of the gun’s maker (and 3 other unique guns). She evaluates the pros and cons as well as how she got here in life. Angles — Orson Scott Card Good story. A Japanese descendant wants to travel to a world where Japan was still able to live on their Island, finds someone who did the same for the Jews. The way to do this was discovered by a scientist who investigates poltergeist phenomenon despite warnings from his friends. It ends up being a trap, but the trappers were double crossed. The Magician and the Maid and Other Stories — Christie Yant OK story, predictable end. A girl is trying to get back to her own world, where her lover lives. Has to deal with a cranky old magician, there are other fairy stories that tie them together. Trips — Robert Silverberg Decent. A man visits different worlds of San Francisco. Has adventures, meets alternate versions of his wife.
This entire review has been hidden because of spoilers.
2,85* is the average for all stories taken together. There were some pretty nice ones, and some I really didn't care for at all. Individual ratings down below.
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1. Moon Six 3,5* Rough start, gets clearer and more interesting along the way.
2. A Brief Guide to Other Histories 3,5* Short, bit bland, written well enough.
3. Crystal Halloway and the Forgotten Passage 3* Cute at first, bit of a depressing ending. Not a very fulfilling read, a sort of allegory for growing up.
4. An Empty House with Many Doors 4* Short, writing style is good, suits the story very well.
5. Twenty-two Centimeters 4* A bit of a difficult read, but interesting. the descriptions are clear enough that you can imagine what this world looks like, even though it's completely alien.
6. Ana's Tag 3* Didn't particularly like the characters, setting or plot. Writing style was good though and the story is nice enough.
7. Nothing Personal 2* Quite badly written, predictable, boring characters, cringeworthy, and apparently everyone younger than the protagonist (and writer?) seems "incredibly young". a man with a full mustache looking like a 12-year old? Thats just disrespectful.
8. The Rose Wall 1* Theres no point to the story, no real explanation for the "other world", and the writing style annoys me.
9. The Thirteen Texts of Arthyria 1* Incredibly boring, flat characters, no plot, and the fantasy world doesn't seem interesting or extremely original.
10. Ruminations in an Alien Tongue 2* Incredibly boring once again. Nothing happens.
11. Ten Sigmas 5* I don't really get the title, but I really like the story. One of the shortest ones, but it really was very good. The ending made me smile.
12. Magic for Beginners 2* Makes little sense. The characters were developed well, but there's no real plot. Also, the characters seem way younger than 15 years old, a bit too childish.
13. [A Ghost Samba] 3* Ending was a bit predictable, it was all right though.
14. The Cristóbal Effect 2* Kind of boring, took a while to get into it and then it was already over.
15. Beyond Porch and Portal 2* Dislike the writing style, didn't really care for the main character or the plot.
16. Signal to Noise 4* Starts off quite interestingly. Accessible writing style, solid plot. A much simpler story than most in the anthology, but it's kind of cute and I like it.
17. Porridge on Islac 3,5* Sure, people are 4% corn in the future. That's definitely how genetic engineering works.
18. Mrs. Todd's Shortcut 3.5* I don't like the writing style, do like the story.
19. The Ontological Factor 3* Protagonist seems like a really lame nerd, which is something, coming from me. The story concept was pretty neat, but I didn't feel like a lot happened with it.
20. Dear Annabehls Eh, a bit too exaggerated for my liking. 2*
21. The Goat Variations Already read this one in "The third bear", I believe. Not a favourite. 3*
22. The Lonely Songs of Laren Dorr Alright, tiny bit predictable. Didn't feel original, writing style was okay. 3*
23. Of Swords and Horses 2* predictable
24. Impossible Dreams It was pretty sweet, I liked the ending. 3,5*
25. Like Minds 3*
26. The City of Blind Delight 1* no
27. Flower, Mercy, Needle, Chain 2*
28. Angles 4* Solid plot, bit of history as well. Nice writing style.
29. The Magician and the Maid and Other Stories 3,5* predictable but a nice enough read.
30. Trips A long one, but luckily it wasn't bad. Again, some predictable stuff, but an overall enjoyable read. 3,5*
With anthologies, I usually comment on each story. Not for this one. I skipped thru too many of these, found too many of them unreadable--not for bad writing but for unpleasurable content. Others, especially by names I recognized, I definitely liked, but didn't find memorable.
Nevertheless, I'm going to use my tiny soapbox for one objective: To inveigh against Joyce Carol Oates.
"The Rose Wall" suffers from the same problem of everything of hers I can remember that's allegedly in the genre. It starts out seeming very much like a story, and then fails, apparently intentionally. This is not, so far as I can see, a subversion, inversion, parody, send-up, or any of the other possibilities I learned to recognize during and after my long-ago B.A. in English. And no, it's not even "New Wave" SF.
A while ago, there was a joke that New Yorker stories had become like stories except missing their last paragraphs. This one is missing at least a last page. Unlike "literary" fiction, SF&F is required to answer the most basic question of narrative, viz., What happened? And unlike the New Yorker-style story, in this case there is no intellectual pleasure in answering it for oneself.
I do not know why Oates keeps doing this. I really do not know why anthologists keep letting her.
Ah, its been a long time since I read this one. I have read all the stories, but in my opinion, the others cannot compete with King.
And lets be honest, I read it for the Stephen King short, Mrs Todd's Shortcut, which is a part of the dark tower universe.
I might be weird, but I like going back and reading older stories, sometimes I find that I enjoy it even more while being older, but there are ones where you read it and think that you must be misremembering the whole thing.
Shortcut is kind of in the middle of the two extremes. It does not read as good as it did, but its not the most egregious story that King has written. (When reading in the now and all that we have learned about sexism and racism, I mean)
Like, I hate now how she is described and all that, but I still enjoyed the tale.
Anyways, go into this story knowing it was written a long time ago and I think it can be enjoyable.
Some really good stories in this collection, which I've been reading piecemeal since April but finished the last one today. I particularly appreciated the bibliography in the back of the book, listing many other 'other worldsy' stories and books out there. This will be useful in the future.
Most of the stories in this book were very quantum reality-ish, but not all. Some were quite long for short stories, but I soldiered through each "in one sitting" as I like to do with short stories. My favorites:
Crystal Halloway and the Forgotten Passage (very strong ending) - by Seanan McGuire Twenty-Two Centimeters by Gregory Benford The Rose Wall - by Joyce Carol Oates A Ghost Samba - by Ian McDonald (maybe my top pick of the anthology) Of Swords and Horses - by Carrie Vaughn (okay, this is my other top pick; sweet story) Angles - by Orson Scott Card Trips - by Robert Silverberg
2,5 but closer to 2 (a 6-6.5/10). Almost all the stories are good(ish), but none memorable enough to remember 3 days later. Plenty of great names on the cover, no great story inside - not even King's or Martin's; it is obvious the editor chose the names with selling power, not the texts, so we get a very forgettable collection. Also, the anthology is too big for its own good - about 30 stories on just 2 subjects (parallel worlds, portals), so it gets rather boring to read after half. Not really a waste of time, but not a book to recommend, either.
Every time I read a compilation book of short stories, I tell myself that I will never buy one again. Unless the stories are all by the same author, already know and liked by me, these books are always disappointing, and sometimes worse. Tim Pratt, Carrie Vaughn, Alastair Reynolds, David Barr Kirtley, and a few others had good stories in this, but for the most part, the rest of them resulted in a huge "WTF did I just read?", or just didn't have anything that felt like a proper ending. Six or seven out of 30 just feels like a poor ratio
This was a good anthology of stories about crossing into other universes. Talk about escapism! Like any anthology, some stories are better than others--outstanding stories like Kelly Link's "Magic for Beginners" are balanced by clunkers like Robert Reed's "Like Minds." (Your mileage may vary, of course.) Many stories are more notable for intriguing ideas than great writing, but that's pretty typical in this genre. Recommended if you're seeking some escapist reading.
I good collection of alternate world stories, including one by Ursula K. LeGuin (sadly, recently departed) that I had never read before. (I'll have to get her book "Changing Planes" where this story came from.) It was a mixed bag of stories, some I liked more than others, but that's a good thing--shows the breadth of stories chosen and how writers can be so creative in playing with the idea of "other worlds." Very enjoyable.
This is a great collection of stories. John Joseph Adams knows how to put anthologies together. The only reason I didn't give it 5 stars is because one story left such a bad taste in my mouth. The one about a pirate tv show that everyone watches. I didn't misunderstand it, I get what the story is about. My issue, and this is my feeling, is that the author really copped out on the 2nd part of the story. Actually made me angry when I finished it.
The anthology certainly had its ups and downs, but what an impressive variety of short stories! Personal favorites were William Alexander's "Ana's Tag," Pat Cadigan's "Nothing Personal," Kelly Link's "Magic for Beginners," Ian McDonald's "[a ghost samba]," Ursula Le Guin's "Porridge on Islac," and Yoon Ha Lee's "Flower, Mercy, Needle, Chain."
I don’t typically like short stories, as they generally don’t have enough space to develop a premise or characters, no matter how interesting. This holds true for even the better stories in this collection. In total, there were a couple of good stories, a couple of decent ones, a couple of mediocre ones, and a whole lot of bad ones.
Every story was a jewel. Each one uniquely interesting and provocative. My favorites were written by Gregory Benford, Orson Scott Card, Stephen King, Ursula K LeGuin, George R R Martin, Paul Melko, Seaman McGuire, Tim Pratt, Vandana Singh, Michael Swanwick, Carrie Vaughn, and Christie Yant. This was a most excellent collection.