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128 pages, Paperback
First published May 1, 1997
1The stories balance on the edge of fiction and essay and it is never clear how much Tapahonso is the character in them. She makes a point of mentioning in the preface that in the storytelling tradition from which she comes, everything is assumed to have happened at some point if the story is being told and that she is not necessarily the one these stories happened to--in fact, she says that in many (if perhaps not all) she is not.
Long ago the Holy Ones built the first hooghan for First Man and First Woman with much planning and deliberation;they they started in the east doorway, blessing the house for the protection and use of Navajo people. They moved clockwise from the east and offered prayers and songs in each direction. They taught us in hope that when we moved into a new apartment or home, we would do the same. They taught us this so that any unhealthy memories the house contained would leave; this was taught us so that the house would embrace us and recognize our gratitude. The Holy Ones knew that houses need prayers and songs, just as we do. To acknowledge a new home in this way ensures that the family will be nourished and protected. You can ask a medicine or clergy person to do this. And the Holy Ones appreciate it of you must perform this yourself. They understand English, too.
"The water from the sink is no good for making pottery.
It just ruins it," my children's Acoma grandmother would say.
Thereafter, she sent the kids to replace the full bowls of rainwater
that had filled since it began to rain.
Her son said that when he was a child, the rain smelled
and tasted so good--he and the other kids played outside,