Julius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play’s evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller.
Chapters in this theoretically savvy and global study consider productions such as Orson Welles’s groundbreaking examination of European Fascism, Joseph Mankeiwicz’s Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media.
I am something of an expert on CAESAR: DEATH OF A DICTATOR, produced, adapted, directed by, and starring Orson Welles. Chapter 2 covers that production, and I found some inaccuracies. Furthermore, Hartley's study of the production is superficial. He did not make himself an expert and so did not include pertinent facts that would have changed some things he wrote. Sadly, I cannot assume the best about the other chapters in this book.