Addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media?
Interesting book, somewhat provocative, but quite frankly I found its writing organization and explanation-style a bit stilted. He didn't have to elaborate in detail on many of his examples. I could have scanned through most of the book and still get the general point. Though I found his arguments somewhat compelling, I think he could have done a much better job explaining them. He would beat around the bush for pages before he finally made his case. And other ideas needed more thoughtful explanation, like his disingenuous assumption that we know what he means by "representation," when so many Poststructural theorists have debunked this whole contradictory notion of re-presence. He does vaguely come to this conclusion that our notion of "liveness" as "that which cannot be represented" is problematic, but he only does so indirectly. On a positive note, I did enjoy his clever integration of thinkers like Baudrillard, Benjamin, and Derrida into his arguments. It introduces new ways to look at their theories in terms of performance, though I would personally rather just stick with the philosophers' writings themselves. In short, I think this book would have been more successful as a long essay.
Highly thought-provoking, there's so much here that demands consideration. It's a shame there's a gaping void in the central argument which fails to anticipate virtual performance but that doesn't diminish the force of the writing.
read this for an essay that i had to write for school.... did i read the entire thing no i did not but i am gonna count it bc it was a tough mod and i need some wins HAHAH
not sure if I should bother re-reading this. A book about liveness that is written just pre-internet and talks about performance without any mention of online performance. It's just not that useful. And it's hard to care about discussions of rock concerts and other kinds of televised performance aren't contextualized in terms of all of the performance we are all doing with our digital technologies. I had high hopes.