Content:
Profanity: None.
Violence: Mild. Minor blood depictions from cuts. Scars from old wounds. Past battles talked about.
Sexual: Mild. One scene with a naked woman (she's all scrunched and covered up and it's not sexualized at all, she needs help). A male character has no shirt a few times when working outside. Hand-holding, hand-kisses, hugs, forehead/hair kisses, a few on-the-lips kisses described only as 'fevered' and the like. One scene with a married couple waking up in the morning together in bed talking. The man is bare-chested, but nothing else described.
4.5 rounded up
I was not expecting to like this as much as I did. It took a while for me to get into the tone and vibe of this story. It was a type of story-telling I hadn't read in a while, namely that we get zero insight into any of the main character's thoughts. It's all show. We see what they do and say out loud, and at first I was so frustrated. Then...it became so addicting to figure out what was going to happen, because I had to infer a lot of what the characters were feeling and thinking through what they did and said.
Wow. It's been a while since reading something so purely 'show', and after I realized what was happening, I got a deep thrill at it.
Galahad (no not that Galahad) Stormcrane had a little cameo in the previous book, and I took him for one of those arrogant egotists that nevertheless was loyal and dedicated to his job. This story proved me wrong, and every chapter I got to see his character bloom and deepen in my mind. And, like the best fiction, I fell a little in love with him as I came to understand him.
Dedicated, yes, but his silent communication and steady presence to our Little Mermaid, Meira, is what had me pausing at my first impression of him from the previous book. He was so...cautious and careful with everything he did. He was not impulsive, but restrained in all areas. I kept wondering what it would take for him to lose some control. Even when he did, he still deliberately lost his control. It was fascinating. And I adore his character.
Meira was harder to figure, but the pure fun of figuring her out and how creatively Rackham delivered her story without being able to have her speak...wowzer. I loved being able to see how Galahad interpreted what Meira said and did, and as a woman myself, be pretty sure he was reading her all wrong. Haha.
The tone of the entire story is one of longing and belonging, with an ethereal setting on an island surrounded by ocean. It was thoroughly enjoyable, and I swear I could hear the ocean roar at times with how well it was described, and see the foam from the tide and smell the salt. My goodness those descriptions were great. Sometimes a bit more than I'd normally expect or enjoy, but it leant itself to the tone so well that I can't regret or reprove the decision of the author to do so.
My only confusion was the random addition of some knights of Camelot, and yet Galahad was not the Galahad of Camelot (at least not in this book). It took me a bit to realize that it may be part of the next and final book to have a nod toward Arthurian lore. Tristan and Isolde, Lancelot and Guinevere, and Gawain are introduced in this, but have little but side character roles in it, and I'm intrigued to see what Rackham is going to do in the last book in regards to Camelot in general (which is mentioned by name).
But my need to know how Rackham was going to play out that ending with all the nuances she introduced had me feverishly racing to the last page. And how delighted I was to see that all my suppositions about what could happen were wrong. I got a few details, but the whole of it surprised and delighted me. The satisfaction I felt has had me buoyed up in an endorphin high since I finished an hour ago.
Such a great addition to The Little Mermaid retellings!
AUDIOBOOK
This is narrated with Virtual Voice, an AI company. As computer voices go, this one is pretty good. There were a few oopsie moments of mispronunciations, like saying 'bow' as a bow in your hair, instead of taking a bow. But overall it did pretty well once I sped up the playback. It's better than having Alexa read it to me, but not anywhere near a real human's rendition. It's nice to have an audio option, and I know it's way less expensive for the author, so I'm glad she has most of her books with Virtual Voice at least. This one did better on not having humungous gaps when songs were on the page in stanza form ("Ghost" was horrible that way).