The Book That Flashes Before Your Eyes at 3AM
I have a confession. I’ve been averse to Indian fiction for a decade.
My first encounter with Indian writing was The Artist of Disappearance by Anita Desai. I was in college and boy did I struggle to understand the writing or the context. After that, I picked up Interpreter of Maladies by Jhumpa Lahiri. Same. Then I picked up the celebrated God of Small Things.
Same.
Now, I grew up reading the likes of Stephen King, Sidney Sheldon, Lee Child and Ken Follet. American towns, European settings, straight-forward plots, and sizzling suspense felt more at home.
I bit my own toe off when I picked up One Night At The Call Centre by Chetan Bhagat (do not get me started on that one!). Immediately, my young-adult-brain swore off Indian fiction for good.
In hindsight, I realise that my tryst with Indian fiction was dangerously akin to the trajectory of my dating life. The ones I attracted were basic boys while the ones I was attracted to were too cerebral to handle.
Sigh.
Anyway, in the wake of my debut novella’s release this fall, I decided to deep-dive into the Indian fiction scene again. Check out the local competition, y’know?
I’m blown away. Up in the air. Like a stray polybag. Filled with invisible wonder. Soaring in the sky. Grazing against rooftops. Pushed further by a surprised flap of wings. Still fattened with intangible elixir. Of hope and love, excitement and despair.
My first pick was The Mysterious Ailment of Rupi Baskey. The author, Hansda Sowendra Shekhar, is a doctor working with the government. Being a tribal himself (and I say ir with pride — please no cultural attacks), his writing is loaded with deep insight into his people.
Like Orhan Pamuk, Hansda writes only about what he knows by heart. He writes about villages he grew up in, forests he wandered in, and rivers he had to cross in scary, moonless nights.
Here’s what I loved about the novel.
The Plot:
The story is a multi-generational saga about the women who walk into the prestigious tribal clan — the Baskeys — by marriage. The characters belong to the Santhal tribe, an ethnic group native to east-India. Hansda begins with the protagonist, Rupi Baskey, the daughter-in-law of the family who gives birth in a rice field.
Rupi is strong, fair skinned, and thin. She is one of the best looking women in the village. She works hard in the fields and keeps an immaculate home. But then one day, Rupi falls on the cot with a strange illness that cannot be cured by doctors. The story starts with her ailment and branches off to other women of the Baskey clan and how they view Rupi’s mysterious ailment.
The Characters:
Though the clan belongs to men, the star cast is entirely female. The story essentially revolves around the protagonists Rupi, her rival and best friend, Gurubari, Rupi’s alcoholic mother-in-law Putki, Pukti’s best friend and heartbreak, Della, and other women of the village.
What’s unique about this story is that here, the community is an important character of the story. The events of the Baskey clan unravel in front of the village women and everyone watches with eager eyes.
Make no mistake, this novel is about black magic. Who-does-what will turn into a spoiler so I’ll let you unravel it for yourself. But it’s the un-alive characters of the book who stay with you long after you’ve finished reading.
There’s a scene in the novel where Rupi wakes up to go to the garden for a nocturnal pee. They didn’t have toilets in the village then. She squatted behind a bush and noticed this man walking around her house. He was painted jet black and taller than the house.
That scene, in all its mundanity, is terrifying.
The novel is peppered with similar eye-popping events. Women dancing in circles on moonless nights, reaching down and stuffing their faces with… something. Men frozen knee-deep in river in the middle of a forest. Babies gone missing. Little white children swinging in lawns at midnight. Women with rolling eyes.
Creepy delicious.
The Writing:
Hansda’s writing is effortless and elegant. There are a lot of tribal words used which further elevate the story.
The story is divided into chapters from each character’s POV. The novel frequently goes into non-linear timelines but they’re easy to follow. Hansda goes into enough detail to give the right context but no more. So, there’s this sense of mystery that sits on your shoulder and travels with you as you turn another page.
The Mileu:
Perhaps the most important character of this novel is the tribal culture. The Santhalese people, their traditions, their poems, their dances, their dressing, their paddy fields, their festivals, their jungles, their Gods, and their rivers are all as much a part of the story as Rupi herself. And this is what gives this novel a rare sheen that you only see once in a while.
Hansda brings about scenes of tribal dance-and-song and ritual worship with great reverence. Being a Santhali himself, Hansda calls the reader home and shows him the history of his people and their cultural and political struggles. It gives his work a distinct edge, and for me, a sweet sonder about how diverse people’s lives can be.
Final Thoughts:
The Mysterious Ailment of Rupi Baskey was Hansda’s debut work. For this work, Hansda won the Yuva Sahitya Akademi Award in 2015. The novel was shortlisted for the Hindu Literary Prize and longlisted for the International Dublin Literary Award.
This story deserves its accolades. And much more.