Set in wartime London and Paris and 1950s Hollywood and Acapulco, Collins' second novel is a breezy tale of vengeance that begins during World War II and culminates during the filming of a movie epic nearly a dozen years later, laced with large dollops of sex, both lurid and lusty. Collins' knowledge of the British theatrical world and studio-era Hollywood comes in handy as backdrops. Unlike "Prime Time," her debut, which leaned heavily into her experience as femme fatale Alexis on "Dynasty"—and also seemed to borrow a plot from her younger sister, Jackie Collins—"Love and Desire and Hate" seems the actress's own concoction. Better written than the first, "Love and Desire and Hate" features an evil Nazi villain (displaying shades of the Stephen Berkoff character of "Sins" miniseries she'd starred in several years previously), a call girl with a heart of a gold, an ambitious movie director, a handsome and perennially unfaithful stage actor, and a highly sexed teenage starlet among its main characters. Although neither as brisk and sly as her sister's works, it is still an entertaining, escapist read.