The Passionate Spectator: Essays on Art and Poetry

Poets on Poetry

by John Yau

The Passionate Spectator collects essays, reviews, and art criticism by John Yau, an internationally lauded poet, critic, and curator. In this wide-ranging collection, Yau explores the intersection of art and poetry, dissolving boundaries between the artistic traditions and reimagining what it means to see and to write. Whether he is interpreting the poetic use of titles in Jessica Stockholder’s paintings, reviewing the collaborative book project between American poet Robert Creeley and German artist Georg Baselitz, or considering the significance of Frank O’Hara’s decision to have his portrait drawn wearing nothing but army boots, Yau is consistently daring, original, and contemporary.
 
Yau’s diverse critical sensibilities permeate The Passionate Spectator as he moves seamlessly between the visual and literary arts. Highlights of this collection include an essay on the poet as art critic, a study of the relationship between Kevin Young’s poetry and the paintings of Jean-Michel Basquiat, and an imaginative piece in which Yau speculates about what Jorge Luis Borges would have created had he been a visual artist. In the title essay, Yau lays out the duty of the spectator—a duty shared by viewer, reader, critic, and artist: “it is up to us to experience art, to engage and believe in its power.”.

144 pages, Paperback

First published January 1, 2006

About the author

John Yau is an American poet and critic who lives in New York City. He received his B.A. from Bard College in 1972 and his M.F.A. from Brooklyn College in 1978. He has published over 50 books of poetry, artists' books, fiction, and art criticism.

Reviews

[Dawn · Rating 4 out of 5]

Yau knows how to connect enthusiastic non-academic passersby to art-world legends. Thank goodness someone is defending the place of poets as legitimate seekers/ curators/witnesses of visual, curatorial and performative play. They (poets) are the humble and under appreciated translators of experience…and they’re glad nobody cares.

[Mitchell · Rating 4 out of 5]

The first two essays are very slow and rambling, but the remaining essays make up for it.