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688 pages, Paperback
First published September 1, 1985
“Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring.”
“If you’re gonna be two-faced, at least make one of them pretty.”
“Honey, we all got to go sometime, reason or no reason. Dyin’s as natural as livin’; man who’s afraid to die is too afraid to live, far as I’ve ever seen. So there’s nothing to do but forget it, that’s all. Seems to me”
“I’m selfish, impatient and a little insecure… I make mistakes, I am out of control and at times hard to handle. But if you can’t handle me at my worst, then you sure as hell don't deserve me at my best.”
“I don't mind living in a man's world, as long as I can be a woman in it.”
“Beneath the makeup and behind the smile I am just a girl who wishes for the world.”
‘She did originate something. She was the first person I know of who was truly unconventional. She was a sixties person before it started—way before it started—like ten years.’
—ARTHUR MILLER
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Marilyn Monroe Pictures
‘I saw that what she looked like was not what she really was, and what was going on inside was not what was going on outside, and that always means there may be something there to be worked with. It was almost as if she had been waiting for a button to be pushed, and when it was pushed a door opened and you saw a treasure of gold and jewels. She was engulfed in a mystic-like flame, like when you see Jesus at the Last Supper and there’s a halo around him. There was this great white light surrounding Marilyn.’
—LEE STRASBERG, MONROE'S ACTING TEACHER
‘Oh, yes, there is something there. She is a beautiful child. I don’t think she’s an actress at all, not in any traditional sense. What she has—this presence, this luminosity, this flickering intelligence— could never surface on the stage. It’s so fragile and subtle, it can only be caught by the camera. It’s like a hummingbird in flight; only a camera can freeze the poetry of it. But anyone who thinks this girl is simply another Harlow or harlot or whatever, is mad. I hope, I really pray, that she survives long enough to free the strange lovely talent that’s wandering through her like a jailed spirit…’
—CONSTANCE COLLIER, MONROE'S ACTING COACH
‘You’re right about her not being easy to know. One sees her with intensity—sees her more than one sees almost anyone; but then one discovers that that isn’t knowing her.’
—HENRY JAMES "The Wings of the Dove"
‘I can’t tell the whole story…Talk to Robert Kennedy.’
—DR RALPH GREENSON, MONROE’S PSYCHIATRIST

"...twenty years later, in 1982, the Los Angeles District Attorney reopened inquiries into a case that had never ceased to be the subject of rumor and controversy. His brief was limited. Was there sufficient evidence to open a criminal investigation? Could Monroe have been murdered? After four months the DA was advised that the evidence ‘fails to support any theory of criminal conduct.’ This, though, had been only a ‘threshold investigation.’ It was indeed; the investigators did not even interview the detective who attended the scene of the death[...]The 1982 report acknowledged that ‘factual discrepancies’ and ‘unanswered questions’ had surfaced during the Monroe inquiry. Privately, officials today make it clear that they felt they had stumbled into a morass of untruth and obfuscation. Marilyn Monroe may, they surmise, have died by her own hand. Yet they feel something was indeed covered up in 1962."


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.."‘I got a call from Joe Schenck. He said, “I’m indebted to her, and if you can give her twenty-six weeks, I’d appreciate it.” I went to see Harry Cohn, and he said, “Well, if he needs it that bad, give it to him. Put the girl on.”’ Amy Greene, Marilyn’s close friend in the mid-fifties, said, ‘She did give me the impression she slept her way to her start.’ Marilyn talked of this time, said Greene, using an obvious allusion: ‘I spent a great deal of time on my knees.’ The final word on this subject should be Marilyn’s. When British writer W. J. Weatherby asked her whether the stories about the casting couch were true, she responded, ‘They can be. You can’t sleep your way into being a star, though. It takes much, much more. But it helps. A lot of actresses get their first chance that way. Most of the men are such horrors, they deserve all they can get out of them!’"
At the Actors Studio, in NYC, Marilyn would appear in baggy sweater and jeans, without makeup, and seek out the most obscure place in the room. Actor Kevin McCarthy hardly noticed her at first, as they sat side by side watching a badly acted scene from Chekhov’s Three Sisters. When he did recognize her, he observed Marilyn’s disconcerting ability to switch her Monroe persona from ‘off’ to ‘on,’ from obscurity to the white light of Strasberg’s perception. ‘This tousled piece of humanity was sitting on my right,’ McCarthy remembered, ‘looking like nothing. Then, fifteen minutes later, after I’d interrupted the scene with some fairly rude comments, I looked again. I realized that a breathing, palpitating Marilyn Monroe had developed out of that nothing … I remember looking and thinking, “My God, it’s her” — she’d just come to life.’


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