Cyrus Parker’s Masquerade is a collection of inspiring vulnerability. Broken down into three parts, Parker focuses on issues of childhood, discovery of self, gender dysphoria, relationships with family, exes, their current relationship, and finally, societal expectations. I love this framework. We go from very introspective, very personal, and slowly zoom out to others and then society. The vulnerability sucks you in and the need to understand keeps you going as a reader.
Parker’s own drawings are used throughout the collection. From my perspective as a reader, they laid out an extra beat, some kind of extra emphasis that I really enjoyed. Furthermore, the images added to an atmosphere that felt like a journal. Coupling this with Parker’s mention of their own journals, I thought this was deliberate and well done. The drawings just added to the realness that permeates this collection.
Were I to give one criticism, I thought that the poem The Final Masquerade could go at the end. When I came to it, it felt like a natural end to me as a reader. However, it was just a shift into the true final part of the collection. With this in mind, I completely loved the true ending and the flow of the collection as a whole.
There were two poems I really appreciated: expanse and fault lines. Both spoke to me deeply and I really appreciated Parker’s vulnerability in these moments. Purely as a reader, and not as a reviewer, I adored the words they said. I needed those words as a person and I am grateful for that.
I have to say I enjoyed this collection even more than Cyrus Parker’s first collection. I think they have only grown as a writer since then and I am awaiting the next poetry collection. Overall, I would recommend Masquerade to fans of Amanda Lovelace, Nikita Gill, Rupi Kaur, and anyone who has even the slightest interest not just in poetry, but in vulnerability.
Rating: 4.5/5 Stars
Thank you to Andrews McMeel Publishing and NetGalley for a copy of this eARC in exchange for an honest review.