The characters in this book, but especially Erica and Alison, are complex and consistent, but what is remarkable for this YA book is the depth of nuance and skill in how they are portrayed. Both girls are strong personalities but in very different ways. Erica is on the brink of genuine self-awareness, but she is still blinded by entitlement and insecurity. Alison possesses a deeper understanding of people and herself, which is shaped by her own lived experience. The contrast between the two is handled with remarkable subtlety.
One of the best things about this book is how its messaging and themes explored in a way that feel totally organic and real. I think a lot of YA fiction can force themes and messaging with a heavy hand. This book does not do that, and that is something I think Robin Klein knew how to achieve.
Erica’s narrative voice is brilliant. It’s sharp, funny, intelligent, and completely engaging. She begins with a total lack of awareness of how entitled she sounds. The humour in the story comes from her wide-eyed observations. Reading Erica as an adult, she feels how I imagine Hyacinth Bucket could be as a child. Self-important, socially anxious, desperate to signal superiority, and utterly convinced of her own refinement.
The author wrote this book with the intention of trusting the reader to understand the messaging on their own terms. Growth in this story happens through discomfort and self-recognition, not revelation. It make the story economical, but also perceptive and deeply funny.
I think in some ways this book feels more sophisticated than a great deal of contemporary adult fiction and shows that YA literature, when done properly, can at times be sharper, braver, and more honest than books trying much harder to be serious.