The story of New York City’s first two and a half centuries is told in sweeping fashion in Gotham: A History of New York City to 1898. This ambitious book goes over Gotham’s culture and history from the 1600s through 1898 with a fine tooth comb, informing readers of the good and bad in a Pulitzer Prize-winning tome which seemingly leaves little out in the way of detail.
The story begins with New Netherland's seventeenth century foundation by the Dutch East India Company. The municipality of New Amsterdam would eventually become New York City, while New Netherlands would become the state of New York. This was unfortunate for the tribes on the middle/upper east coast; the Mohawks “People of the Flint” as well as the Mohicans “People of the Waters That Are Never Still” did not always get along with one another, but they were displaced in a big way by the arrival of the both the Dutch and English.
Peter Stuyvesant’s 1647-1664 governor-generalship of the colony figures prominently in the opening chapters of the book. Early drivers of the colony’s economy, which was based around trade in everything from furs to wheat to iron ore to timber, made its desirability as a target for acquisition by other empires an obvious layup. Authors Mike Wallace and Edwin G. Burrows did a fantastic job researching New York City's colonial economy and communicating its intricacies to their readers.
New Netherland’s 1664 passage to the British, when it was subsequently renamed in the Duke of York’s honor, kicked off a new phase in management of the colony. As evidenced by its 1,400+ pages of length, Burrows and Wallace do not speed through any aspect of the city’s development in Gotham: A History of New York City to 1898.
The story of New York’s early Jewish presence is told through the story of Asser Levy. Working at one point as a butcher and at others as a trader in tobacco, grain, and salt during the mid to late 1600s, Levy did his best to undo the perception of a group which Stuyvesant at one point referred to as “repugnant.”
Before Emancipation Day in 1827, New York had a sizable slave population.
According to the book, 15 percent of the city’s population was enslaved in 1712, the year in which an April rebellion caused a clash between slaves and militia. Another rumored 1741 uprising in the city, alleged to be a plot between poor whites and slaves, ended up with over thirty slaves and the supposed white linchpin of the planned uprising, John Hughson, put to death.
Another anecdote from this era involved the conflict between Governor-General William Cosby, appointed by Britain to run their New York colony, and Supreme Court Justice Lewis Morris. Their disagreements resulted in New York Weekly Journal printer John Peter Zenger taking the side of the justice, producing a libel trial which provided an early test of free speech measures in colonial America.
Zenger would be found not guilty in this highly publicized trial, and it is one of many recountings which Wallace takes time to flesh out in the pages of his voluminous book.
New York City was not, as was Boston and its environs, at the epicenter of rebellion against Britain in the 1770s.
While it is accurately presented as the largely Loyalist stronghold that it was in the early days of Lexington and Concord, the book nonetheless shifts its focus to the Battles of Long Island and Fort Washington which temporarily centered fighting in Gotham. Revolutionary era Federalist New York luminaries such as Alexander Hamilton and John Jay appear in these sections.
The 1777 fire (of still dubious origins) which leveled much of the city during the Revolutionary War is one of several blazes which find their way into the narrative.
Following the war and independence, Gotham regales readers with the sort of interesting stories that make it such an immensely readable book.
Politicos like George Clinton, the first governor of independent New York, as well as James Duane (who was the first mayor of post-Revolutionary War New York City) appear alongside looks at more pulpy aspects of life in the Big Apple.
The 1788 Doctor’s Riot was one such offbeat tale; this fatal riot stemmed from a mob of New Yorkers attacking doctors and medical students who were digging up corpses from graves for purposes of experimentation.
Shortly after this, the Buttonwood Agreement among the metropolis’s high fliers went a long way toward ensuring that, from the last decade of the eighteenth century onwards, New York (and Wall Street) would be, as the authors put it, a city of capital long after it ceased being the nation’s governmental capital in 1790. While it did not pioneer the idea, the existence of the ‘confidence man’ in the confines of New York City was taken as a given by the first half of the 1800s.
Societal groups like the Knickerbockers and Yacht Club brought an almost old-style European form of snobbery to Gotham. Snobbish though they were, the Knickerbockers helped to popularize and mainstream baseball on the east coast, a base from which it quickly spread to the rest of the country.
‘The 400,’ the nickname given to what were believed to be the four hundred individuals out of a million plus who “really mattered,” did in fact have an outsized influence in the economy and culture of the area.
The populist attacks on Nicholas Biddle’s Philadelphia-based Bank of the United States-and its subsequent dissolution at the hands of Andrew Jackson’s administration in the 1830s-had the unintended effect of further cementing New York, and not the City of Brotherly Love, as the nation’s banking and financial capital. This portion of Gotham tied into a broader look at the long-running battle against Tammany Hall and its corruption.
William ‘Boss’ Tweed was a fixture of Tammany’s Democratic control of New York City, and the Locofoco movement which emerged to oppose Tweed’s political machine got a good look from the authors. This movement, a populist one against Tammany, would battle against patronage politics and the suspicion that much of New York City’s ruling class was bought and paid for.
The 1822 yellow fever outbreak and subsequent cholera outbreak of 1833 underscored how far the city had to go in advancing sanitary practices and dealing with epidemics. Bellevue Hospital had the quite unenviable role as a repository for New York City’s extremely ill.
The chapter on New York City’s growth as a newspaper and literary hotspot was particularly well-written by Burrows and Wallace. It looks at the city’s legendary newspaper editors ranging from Horace Greeley’s New York Tribune to James Gordon Bennett’s New York Herald. Although he entered the newspaper scene later on, Joseph Pulitzer’s publishing of the New York World marked a huge moment in the industry. Its headquarters, the World Building would, at 309 feet tall, be the largest building in the world when it was completed in 1890.
The early growth in publishing thanks to organs like Harper’s was also delved into, as was the 1836 Helen Jewett murder trial and the manner in which this supercharged the sort of coverage provided by Gotham’s penny press.
The writers who spent substantial time in New York City were granted a lot of analysis by Burrow and Wallace. Herman Melville, Walt Whitman, Stephen Crane, and Edgar Allan Poe all make guest appearances in Gotham’s pages.
The Young American writers of mid-century, among whom was counted John O’Sullivan of “Manifest Destiny" term coinage as one of their numbers, went a long way toward romanticizing the American West then being in the process of being founded.
The performances of ‘Buffalo’ Bill Cody also helped to spread a not-always-factual presentation of western life to the denizens of the metropolis. P.T. Barnum’s initial forays into entertainment took place in New York City, and the extension of this into the first American three-ring circuses made it natural that this would have been where Barnum got his start.
In accordance with its growth as a publishing and literary capital, the rise of Broadway as a lodestar of the theater and consumerism also takes up a lot of paragraph space. From Brooks Brothers to Tiffany and Young Company to A.T. Stewart’s department store trailblazing at the Marble Palace (280 Broadway), this book pulls out all the stops in creating a well-rounded analysis of Gotham.
A frequent theme in this era is New York city’s role as a haven for both the elite and for immigrants. The arrival of large numbers of German and especially Irish immigrants during the middle of the nineteenth century forced the city to deal with this dichotomy on numerous occasions.
By 1855, over fifty percent of the city’s population was foreign born.
This loomed especially large during the 1860s. With the outbreak of the South’s secession and the Civil War, New York City’s ties to the cotton economy were placed front and center. The authors catalog just how torn New Yorkers were in the early days of the conflict, with Mayor Fernando Wood briefly considering pulling the city out of the Union and giving it a Hanseatic-like independent status so trade could be maintained with the southern plantation economy.
Thankfully, this course was not taken.
But Gotham goes on to recount in vivid detail the draft riot of July 1863, a violent multi-day outbreak led by enraged New Yorkers who did not want to be drafted into the Union army. This section pulls no punches in describing the horrific violence meted out to African-Americans and Republicans in particular. The rioting was largely led by what had become a sort of immigrant underclass, led by Irish who had long since become disenchanted with Lincoln and the war effort.
This immigrant-based urban disorder would flare up constantly during the second half of the nineteenth century.
With areas like The Bowery, the Tenderloin, and Five Points, New York more than once found itself in riotous conditions. The 1857 Dead Rabbit Riot featured a clash between the Dead Rabbit and Bowery Boys gangs, while the bizarre Astor Place Riot, which took place eight years earlier and left over twenty dead, was set off due to an odd rivalry between stage actor Edwin Forrest and his British counterpart William Macready.
Feats that changed the physical landscape of course loom large in Gotham. John Roebling’s construction of the Brooklyn Bridge, which proved a mammoth feat of engineering, was recounted by Burrows and Wallace. Frederick Law Olmstead’s selection to design Central Park also fell within the book's purview, and the creation of this oasis within a concrete urban jungle was one of numerous compelling aspects in its pages.
Tensions between reformers influenced by contemporary European socialist thought defined much of the 1880s and 1890s. Progress and Poverty author and mayoral candidate Henry George certainly made the propertied class uncomfortable, while reformers such as Mayor William Strong and his Police Chief Theodore Roosevelt sought to be responsive to the calls for change without going as far as the likes of George and his followers.
The 1880s also saw a large influx of eastern European Jews fleeing pogroms in Russia. They often did not mesh well with the currently established Jewish population in the city, a friction the authors looked at toward the end of Gotham.
The relationship between the five boroughs of New York was an unsettled one through much of the book, and the smaller Brooklyn often looked on the larger Manhattan as the bullying next door neighbor. But the final portion of Gotham (and the reason it ends in the year it does) analyzes how the five boroughs combined into a three million resident strong Greater New York in 1898.
Gotham was certainly deserving of its 1999 Pulitzer Prize in History. Burrows and Wallace put together an outstandingly detailed dive into New York City and seemed to leave few stones unturned in their quest to fill readers in on its complex past.
The characters, controversies, and tales of Gotham which it reveals are richly told within the context of a book which sets out to cover nearly three hundred years of history. It brings in a huge cast of individuals, groups, and organizations and weaves them together in a story that never becomes bogged down despite the huge array of New York City-based topics it hits.
It is difficult to find fault with the book, and owing to this it is hard to justify not giving it a five star rating.
Readers should not be intimidated by its 1,400 plus page length. The writing style is ideally suited to an enjoyable walk through New York City’s history from colonial times through 1898.
-Andrew Canfield Denver, Colorado