Hit Them Where It Hurts is the last novel James Hadley Chase published before he died. It is also the final volume of his work for me to read. I have been going through his books, all 90 of them, for almost nine months to the day. So, here are a few things in general to say about JHC:
1) Although in terms of academe it has become something of a false boundary no longer enforced, the dividing line between "fiction" and "literature" is one some people still pay attention to. While Chase would mostly fall on the side of fiction, it is also fair to say that a great deal of his work also manages to achieve the level of literature, especially his stories published right after World War II and going into the early 1950s.
2) Chase could move between many genres: mysteries, crime thrillers, psychological studies, adventure stories, and spy thrillers.
3) His favorite setting, Paradise City, eventually became a complete abstraction, mixing elements of time (1940s and 1950s) in to his present day. He also seems to deliberately confuse American and British idioms and slang. Overall, JHC is a master of atmosphere and mise-en-scene. You perspire in his novels, out of fear or humidity, just like the lead characters. His European tales, meanwhile, often become places of dark, coldly brittle landscapes.
4) A James Hadley Chase character is most likely to eat seafood or steaks. He or she usually work off their carbohydrates through "having a swim."
5) For all the times he fell back on a set piece for his stories--kidnapping, blackmail, white slavery, infidelity, corruption, greed, murder--he nonetheless managed usually to write a fresh story, with a new twist even if often set among used plots. He did this right to the very end, even in his last few novels.
6) JHC could write effective comic novels and stories. And not only that, he was capable of injecting comic situations even into his darkest tales. Tom Lepski, perhaps the character to most often appear in a Chase novel, and his wife could always be counted on to lighten the scenes.
7) Chase had a 45 year career, publishing some 90 volumes. Two and sometimes three novels per year came from his hand. But he always seemed to have a new take on the situation. JHC was also a master of responding to the times in which he wrote, focusing on white slavery early on, post Word War II psychological decay, evolving race relations, even putting in place an occasional feminist hero, populating his stories with hippies, rich sociopaths, heirs and heiresses with psychopathological tendencies. And, a couple of times, he even made self referential allusions to his own works.
Now, what about Hit Them Where It Hurts? For the last time, we see Tom Lepski of the Paradise City PD get a role, albeit a limited one, in a Chase novel. Two new characters, Dirk Wallace and Bill Anderson, whom he had introduced in Hand Me a Fig Leaf, came back for another go round. And Chase seemed to be setting them up as a new source to develop for his fiction. Mix these people in with a cold, aloof and inhuman matriarch who has raised a drug dealing son and psychologically malformed daughter, both of whom enjoy mixing with the lumpen elements along the wharf, and you have the classic elements of a JHC thriller. Private Investigators begin trying to unravel a simple tale of blackmail, but it ends up leading to exposing the sordid workings of Paradise City's entire elite. The usual Chase pace of storytelling combines with multiple story lines to produce what is almost a ready made film treatment. This book was not made into a movie. But it should be.
Well, now I'm done. I'll miss spending a few hours every night with yet another Chase thriller. James Hadley Chase himself turned out to be an admirable writer. The 90 novels weren't enough. I wish there were more.