I never encountered Patricia MacLachlan as a younger reader (mostly because when MacLachlan was first becoming popular in the mid to late 1980s I was in fact no longer a younger reader but an undergraduate university student reading and also writing detailed term papers about German, French and English literary classics). And therefore, with Patricia MacLachlan (for whom we are doing a retrospective in the Children’s Literature Group in May and June 2022 due to her recent death), I also do not really have any fond and special memories perusing her novels as a child, and that yes, this might well have made me more critical in general approaching Patricia MacLachlan’s novels. For although I was hoping to greatly enjoy reading MacLachlan, I do have to admit that thus far I have been rather majorly disappointed, finding a writing style that is often removed and distancing and texts generally much too short and choppy, with huge story gaps, feeling more like outlines and sketches than finished tales.
And indeed, because of the above, I was naturally rather hesitant to even try Patricia MacLachlan’s Newbery Award winning Sarah, Plain and Tall (since this story seems to be rather universally loved by many of my Goodreads friends and I was definitely worried not finding it to my reading tastes, I was worried that the short number of pages for Sarah, Plain and Tall would also and once again mean that in particular with regard to the featured penmanship, I would be finding Sarah, Plain and Tall frustrating and gap filled). But no, I am happy to say that (even though I do find it a wee bit annoying that there is not more to be read and enjoyed in Sarah, Plain and Tall) Patricia MacLachlan’s writing for Sarah, Caleb and Anna’s story (and also of course for the father) is not only intensely beautiful and poetical, there is a delightful sense of completeness regarding Sarah, Plain and Tall and that everything that needs to be described within its pages (love, loss, homesickness, joy, laughter and acceptance) yes indeed Sarah MacLachlan manages to completely textually achieve this with Sarah, Plain and Tall and also in less than seventy pages.
Furthermore and finally, while Sarah, Plain and Tall is obviously meant for and geared towards young readers, I really both as an older adult and equally from the point of view of my inner child am delightfully happy that even though Patricia MacLachlan writes simply and concisely, her writing style and narration never in Sarah, Plain and Tall once feels in any way as though MacLachlan is trying to talk down to her audience, that Sarah's story never feels too childish with regard to style, syntax and penmanship (something that I do very much appreciate and that for me and my reading tastes, Sarah, Plain and Tall is even with the story being quite short and not overly expansive a piece of writing suitable and appropriate for both very young and considerably older readers listeners, and a wonderful and warmly recommended five star reading experience).