খুব বেশিদিন উপন্যাস লিখছেন না শ্রীজাত। কিন্তু ইতিমধ্যেই পাঠকমহল তাঁর কলমে পেয়েছে অন্য ধারার গদ্য, নতুন ভাবনার প্রকাশ। সেই স্রোতেই সংযুক্ত হল তাঁর এবারের উপন্যাস ‘যে-কথা বলোনি আগে’। ধ্বংসের সম্ভাবনার মুখোমুখি দাঁড়িয়ে এই গ্রহ যখন হঠাত্ই মেতে ওঠে গোপন কথা বলার খেলায়, ব্যক্তি থেকে সমষ্টির জীবনছবি ভাঙচুর হয়ে যেতে থাকে লহমায়। এই আপাতনিরীহ অথচ বিপজ্জনক খেলার আবর্তে জড়িয়ে যায় অর্ক’র জীবন। ঘটনাক্রমে প্রভাবিত হয় আরশি’র বেঁচে থাকাও। বহুস্তরীয় এই উপন্যাস শেষমেশ বলে এক নিরুচ্চার প্রেমের রূপকথা, যার পরতে পরতে ছড়ানো নিরীক্ষা ও নতুনত্বের বিস্ময়।বিষয় ও আঙ্গিক, দু’দিক থেকেই পাঠককে চমকে দেবে শ্রীজাত’র এই লেখা।
Srijato Bandopadhyay (born 21 December 1975 in Kolkata), is an eminent poet of the Bengali younger generation. He won the Ananda Puroskar in 2004 for his book Udanta Sawb Joker: All Those Flying Jokers. He has also attended a writer's workshop at the University of Iowa.
His notable works include Chotoder Chiriyakhana: The menagerie for kids (2005), Katiushar golpo: Tales untold (2006), Borshamongol : The monsoon epic (2006), Okalboisakhi: Storms unprecedent (2007), Likhte hole bhodrobhabe lekho: Write politely, if you have to (2002), Ses Chithi: Last Letter (1999), Bombay to Goa (2007), Coffer namti Irish : Irish Coffee (2008), Onubhob korechi tai bolchi : Revealing the feeling (1998).
Having worked as journalist, he is now on the editorial board of the magazine "Prathama". He lived at Garia and spend his childhood at Kamdohari, Narkelbagan.
Srijato is the grandchild of classical vocalist Sangeetacharya Tarapada Chakraborty and nephew of musician and the Khalifa of Kotali Gharana Pandit Manas Chakraborty; his mother is also a classical vocalist Gaan Saraswati Srila Bandopadhyay.
Other than poetry he has also penned the lyrics of many popular playbacks in several movies like Autograph (2010 film,)Jaani Dyakha Hawbe, c/o Sir (2013 film),Mishawr Rawhoshyo,Iti Mrinalinee, charulata, Abosheshe etc.
Interesting. Style of writing is impressive. Reader will connect different eras through some small incidents and objects as well as the story is very elegant. But in my opinion characterisation are weak. It could be more clear.
"There are no secrets that time does not reveal." — Jean Racine
The first half of this book is breezy and refreshing, presenting unique angles and cinematic descriptions. The cinephile in Srijato is apparent in the cinematic intercuts of similar frames tieing up time and space, and is very enjoyable.
However, the beginning of the second half, as two of the three secrets have been revealed, the repeated news coverages tend to break the flow of the plot due to undesired interruptions at poignant moments.
The moonlit ending in slow-motion, however, is sublime and is worthy of the high standards that the poet in Srijato had previously set.