This is the story of Aadarsh Ahuja and Raphael. Andy, as Aadarsh is referred to, creates an artificially intelligent agent which is the best in the world. The brain of this entity, Raphael, is stolen from the lab and the reasons for this lead to a frantic search. How was he taken? By whom and for what? Andy is held complicit it the crime, because Raphael is corporate property, not his. Is it for reverse engineering by a competitor? Release by activists who want Raphael to be considered a person? Is Raphael complicit in his own disappearance?
The real story here is the ongoing debate over highly intelligent agencies and whether or not they should be granted autonomy. While the main drama is told from the first person perspective of Andy, the truly provocative parts are where Andy and others interview Raphael in regularly scheduled interviews, trying to find out his level of development. These are interspersed flashbacks to a corporate boardroom, told in the past tense. And they are the main meat of the arguments about AGI, or artificial general intelligence. In the discussions between Raphael and (especially) Andy, the issues of ethics, morals, and rights surface, and the discussions progress higher and higher each time. Finally, it is noticed that Raphael has better possible arguments for his person-hood that his creator has. In a way, this is a debate by the author through his characters, on the issues. And they are wonderful, thoughtful and insightful discussions.
Should an artificial entity with self-awareness have the same guardian laws as humans? If Raphael can determine right from wrong, should he be given protection in society at large as a free agent? Should he be allowed to stay 'alive' and develop his intelligence? What are the blessings, what are the curses? Such debates are vitally important if we are to accept the creation, by our own hands, of such entities. While offered as a scifi novel, Zeroglyph is in fact a disguised treatise on those morals, ethics and rights for what we would deem to be sentient beings. In this sense, the novel works very well, and I highly recommend anyone interested in such a topic to read this one. In a universe where so many people question if something can come about from nothing, where do moral laws arise? From what notion of zero, or 'zero glyph'?
I give Vance Pravat full praise for raising this like he has. Such books do not come along this way, in this intelligent (if I may use the word again like that) manner very often. It raises a lot of questions, which everyone may not agree with. For example, I rarely agreed with the conclusions that Raphael arrived at. Understanding the coming world of super AGIs, he suggests the only 'god' suitable for humanity (out of three choices: tyrannical monster, benevolent meddler , or indifferent) is the last one. He promotes agnosticism. But an agnostic god (staying with the small g god here) would only promote the horrors that humans would fall into. I elect for the engaging savior god, or God. Others may differ on that. But 'gods' are what we have, in super-technology. Should they live with us or rule us?
Pravat also divides duty and obligations of humans into four categories and four sub-categories. He wrongly, I think, describes duty apart from obligation, when they are the same thing. But at least he introduces us again to these arguments. Space does not permit me to go on at length about his argumentative points... all are quite interesting. I will only say that in reality, I do not foresee such an entity being created any time soon, and I would never prescribe person-hood to such a thing. Created machines, no matter how “intelligent”, have no morals; only living humans have those. We had better beware of monsters springing out of our sometimes monstrous desires and souls.
The author says he is not a philosopher, but the philosophy of morals needs no experts, it simply needs our thoughts and reasoning. As a presenter of that, Pravat does extremely well. As a writer of detective fiction, he does less well. Late in the novel, at the phrase “It's time to come clear”, I found the structure of the novel falling apart badly. Without revealing the ending, Pravat commits a grave literary error throughout the remaining 15% of the book by releasing information about himself and the plot which should have been made known all along to the reader. When you, the reader, are placed in the first-person POV of the main character, you should be privy to everything about him, otherwise it is a betrayal to the reader, and we cannot trust the character any further. It is a very sloppy conclusion. But the essential arguments are brilliant to behold. Read this book, and tell others about it.