Ever since Madoka, I've been curious about what other deconstructions of the magical girl genre were out there. And while they're not all winners, I've found some surprising diamonds in the rough, like the ultra-violent, ultra-fanservice-y, yet unexpectedly engaging Magical Girl Apocalypse (at least, up until the time skip), or the melancholy but somewhat more grounded Yuki Yuna is a Hero (which I still need to finish). But most of those series take place during the otherworldly threat; Magical Girl Spec-Ops Asuka is the first deconstruction I've seen that occurs (mostly) after that threat has been defeated. And it's a very interesting approach.
It's clearly a metaphor for soldiers returning from war, with all the difficulties readjusting to normal life, figuring people out, and PTSD (loads of PTSD) that must come along with that. Some of the magical girls here do try to just forget everything and move on, struggling with the idea that a threat might be lurking around every corner. Others just shifted their focus to other foes, taking work as mercenaries and contract killers. All of them, however, are still being monitored by government agencies, because they're too powerful and potentially dangerous to ever truly be free. There is some monster-fighting, since there's a shadowy group that's trying to resurrect, or reverse-engineer the alien invaders for their own purposes, but the primary focus in this volume is on the characters. And it works.
From the cover of this, and other volumes, I was expecting the focus to be more on war-torn action, and most likely fanservice, and while there's some of each, it always seems to fit the situation without being gratuitous. And yes, that even applies to the fanservice. Bear with me.
So, there's a scene a relationship seems to be starting between two of the characters--a lesbian relationship, at that. These two have more or less been through hell together, and now that they finally have a quiet moment together, three years after the war, one of them opens up about how she feels. As she's leaning in toward her friend, there's a cutaway to presumably the next day, where the friend and some of her classmates go swimming after school--and that's where we get what's really the first fanservice in the volume. It's not as blatant symbolism as the "train going through a tunnel" scene they used to use in old comedies, but it does hint that maybe these two actually decided to give the whole relationship thing a try. Or maybe I'm reading too much into it, and it's just girls in swimsuits, but I like my interpretation.
All in all, I was very pleasantly surprised by this volume, and I look forward to seeing where the series goes. And I didn't even mention the art, which is another strong point in its favor; it's still very much in the clean, digitally enhanced style of modern manga, but there's good use of shading, and occasionally some rougher line work added in to give it character. When there is action, it's easy to follow, faces are expressive, and the artist doesn't skimp on the backgrounds. A solid package, all around.