The white pigs are at it again.
The delegitimizing of law-abiding citizens. The deliberate internment of legal residents. The unregulated sale and servitude of newborns. The forcible conscription of children into war.
The false patriotism and artificial gentility through which the dominant race articulates its policy of self-entitlement bleeds into everything. Indeed, the reason nobody does anything about it is due to its ubiquity -- because their bigotry is so obvious and their bias so absolute, why bother? The white pigs have won.
Or have they? EIGHTY-SIX is a surprisingly cohesive light novel whose opening and parting salvos aimed at exposing institutionalized prejudice are frightening . . . for when juxtaposed with the needs of the real world, such fearless rebukes of illiberal democracy feel needed now more than ever.
Here, readers encounter a nation that has walled itself off from the world; degraded, interned and conscripted an "other"; and proceeded to turn its back on those few remaining solutions-oriented citizens who might actually live up to the nation's credo: freedom, equality, brotherhood, justice and nobility.
Major Vladilena Milizé is the commanding officer of a unit of throwaway soldiers. She is a noble. But her slow and agonizing realization of her country's two-facedness abruptly skews her loyalty away from the platitudes of the state and closer toward the survival of her cohorts: the Eighty-Six, those soldiers relegated to subhuman status. Lena's optimism gets in the way and her confidence occasionally reeks of ignorance . . . but she is willing to put her ego aside and listen to those who have suffered most.
Captain Shinei Nouzen, codenamed "Undertaker," is the squadron leader of the most resilient band of Eighty-Six. He is intelligent, unflinching in battle and emotionally withdrawn. But when his new handler, Major Milizé, pops into his earbud and takes responsibility for her actions (or rather, her inaction), Shin's heart begins to thaw . . . if only a little.
EIGHTY-SIX moves quickly but doesn't find that perfect groove of emotional investment and charismatic action until the third act. This isn't entirely problematic, however, since the book makes a strong effort to humanize characters who have been treated like garbage all their lives, while likewise exposing the dirty underbelly of a citizenry and nobility whom have lost their humility. Readers may cringe at the title's heavy-handed application of slave labor, mass incarceration, infanticide, forced starvation and child soldiering, but if there's one thing the author, Asato Asato, wanted to get across, it is that the horrors of racial bias polity can happen anywhere, at any time, to anyone.
Elsewise, the book's emphasis on character development is clouded by a weak and confusing narrative structure ("head hopping," as they say) and the novel's attempt to render real its semi-futuristic mecha conflicts barely makes the cut on account of the author's delirious failure to adequately design and scale technology. To this first point, for example, observe Chapter 03 ("To Your Gallant Visage at the Underworld's Edge"), in which the narrative point-of-view changes an astounding 30 times over a span of less than 40 pages. Ouch.
To this second point, of poorly designed mecha, consider the absurd-to-impossible designs the author conjures. The different "tank class" variations are inconsistently applied and make zero sense. Further, the technical specifications are fantastical. How does a 50-ton mech discharge a single sabot at over 5x the speed of a common tank round? The mech would be ripped apart. And why in the world does one mech have "liquid micromachine" arms? Where did they come from and how were they manufactured? EIGHTY-SIX is fun, but there's a plethora of overwriting worth noting.
If one can stomach the author's amateurish overreliance on first-person narrative and can step around the kitschy tacti-cool nonsense, then EIGHTY-SIX becomes something worth digging into. Emotionally, the book is worth the time. Intellectually, the book makes for a difficult but well-intentioned gamble. Thematically, EIGHTY-SIX is a novel that will age well precisely because humankind will not.