If you're looking for an exciting new mystery series featuring a rebellious, brilliant, tough as nails reporter like Lois Lane or Veronica Mars then look awaaaaay from
The Echo Killing.
** Some spoiler-y bits ahead **
The opening chapter introduces us to Harper McClain, who, along with her photographer buddy, gets caught in the crossfire of a trio of gang bangers.
The purpose of this ridiculous, trite and poorly written scene straight out of a How-to guide on how to make characters look cooler than they are, is not to demonstrate Harper's rebellious streak and willingness to break the rules.
It's to introduce her love interest, Luke Walker, who bursts onto the scene in all his cheesy, swaggering glory, to save Harper's life.
Yes, readers, there is a love story involved, and to make matters worse, there is no chemistry, no character development of Luke, their rapport or exposition on how and why they 'connect.' He's just there because...well, a woman needs a man, right?
When a single mother is murdered with aspects mimicking her own mother's death over a decade ago, Harper insinuates herself into the investigation, breaking all the rules and regulations because...you know, she's quirky like that.
This is when it gets REALLY silly.
I know what you're thinking. You're shaking your head and saying, "What else is there?"
Well, I'm glad you asked.
There are just too many moments in which I had to force myself to suspend disbelief that I just threw my hands up in surrender. I give up.
First, Harper sneaks into the backyard of the crime scene to scope out the details to make sure it looks just like what happened to her mother.
She managed to do all this with a swarm of police officers and media surrounding the scene. Yeah, right.
Then, when the investigation into her mother's murder stalls, despite having been a crime reporter for several years, Harper has no idea what to do. Her photographer buddy needs to give her a Murder 101 lesson on why people kill: motive, means and opportunity.
Maybe Harper needs to watch a couple episodes of How to Get Away with Murder so she can educate herself. I'm sure the brilliant Annalise Keating could teach her a thing or two. Or 1,000.
Yes, thank you. You see, I'm just a dumb ol' woman, tee her hee. I need a man to save me and show me how to do my JOB!
When the showdown between Harper and the obvious bad guy arrives, she calls Luke to tell him she's scared and needs him. He arrives to save her life (again) even though he was on an undercover assignment yet he managed to get away.
Huh. I didn't know it was that easy to break your cover and run off to protect your kinda secret girlfriend.
I don't know what the author is trying to say with the creation of Harper McClain but it sure wasn't a strong, independent, intelligent woman.
Instead, Harper comes off as a hackneyed stereotype of what a reporter is supposed to be; a tenacious loudmouth who doesn't know how to do her job and makes wild accusations without any proof.
I found her immature, bratty and, at times, petulant. It was as if she had regressed to her tween self once she discovered the murder was similar to her mother's.
You don't have to be Sherlock to know I won't be following this series in the future.