روائع القصص

by Carl Spitteler

Text: German

Unknown Binding

First published January 1, 1971

About the author

Carl Friedrich Georg Spitteler (24 April 1845 – 29 December 1924) was a Swiss poet who was awarded the Nobel Prize for Literature in 1919 "in special appreciation of his epic, Olympian Spring". His work includes both pessimistic and heroic poems.

Spitteler was born in Liestal. His father was an official of the government, being Federal Secretary of the Treasury from 1849–56. Young Spitteler attended the gymnasium at Basel, having among his teachers philologist Wilhelm Wackernagel and historian Jakob Burckhardt. From 1863 he studied law at the University of Zurich. In 1865–1870 he studied theology in the same institution, at Heidelberg and Basel, though when a position as pastor was offered him, he felt that he must decline it. He had begun to realize his mission as an epic poet and therefore refused to work in the field for which he had prepared himself.[1]

Later he worked in Russia as tutor, starting from August 1871, remaining there (with some periods in Finland) until 1879. Later he was elementary teacher in Bern and La Neuveville, as well as journalist for the Der Kunstwart and as editor for the Neue Zürcher Zeitung. In 1883 Spitteler married Marie op der Hoff, previously his pupil in Neuveville.

In 1881 Spitteler published the allegoric prose poem Prometheus and Epimetheus, published under the pseudonym Carl Felix Tandem, and showing contrasts between ideals and dogmas through the two mythological figures of the titles. This 1881 edition was given an extended psychological exegesis by Carl Gustav Jung in his book Psychological Types (published in 1921). Late in life, Spitteler reworked Prometheus and Epimetheus and published it under his true name, with the new title Prometheus der Dulder (Prometheus the Sufferer, 1924).

In 1882 he published his Extramundana, a collection of poems. He gave up teaching in 1885 and devoted himself to a journalistic career in Basel. Now his works began to come in rapid succession. In 1891 there appeared Friedli, der Kalderi, a collection of short stories, in which Spitteler, as he himself says, depicted Russian realism. Literarische Gleichnisse appeared in 1892, and Balladen in 1896.

In 1900–1905 Spitteler wrote the powerful allegoric-epic poem, in iambic hexameters, Olympischer Frühling (Olympic Spring). This work, mixing fantastic, naturalistic, religions and mythological themes, deals with human concern towards the universe. His prose works include Die Mädchenfeinde (Two Little Misogynists, 1907), about his autobiographical childhood experiences, the dramatic Conrad der Leutnant (1898), in which he show influence from the previously opposed Naturalism, and the autobiographical novella Imago (1906), examining the role of unconscious in the conflict between a creative mind and the middle-class restrictions with internal monologue.

During World War I he opposed the pro-German attitude of the Swiss German-speaking majority, a position put forward in the essay "Unser Schweizer Standpunkt". In 1919 he won the Nobel Prize. Spitteler died at Lucerne in 1924.

Carl Spitteler's estate is archived in the Swiss Literary Archives in Bern, in the Zürich Central Library and in the Dichter- und Stadtmuseum in Liestal.

Works:

Prometheus und Epimetheus (1881)
Extramundana (1883, seven cosmic myths)
Schmetterlinge ("Butterflies", 1889)
Der Parlamentär (1889)
Literarische Gleichnisse ("Literary Parables”, 1892)
Gustav (1892)
Balladen (1896)
Conrad der Leutnant (1898)
Lachende Wahrheiten (1898, essays)
Der olympische Frühling (1900–1905, revised 1910)
Glockenlieder ("Grass and Bell Songs", 1906)
Imago (1906, novel)
Die Mädchenfeinde (Two Little Misogynists, 1907)
Meine frühesten Erlebnisse ("My Earliest Experiences", 1914, biographical)
Prometheus der Dulder ("Prometheus the Suffering”, 1924)

Reviews

[Mohamed Salah · Rating 2 out of 5]

القصص مضللة نوعا
كثيرا ما افقد خط الوصل بين الاحداث
الكتاب عموما لا يستحق اكثر من نجمتين
قصتي قصف آبو و الفصول والاولي من عودة القاضي الي موطنه و اجزاء من الكولونيل تستحق ال 5 نجوم بجدارة.
و لكن تضليل باقي القصص جعل التقييم مضطرب.

[Dave Carroll · Rating 3 out of 5]

Some things Swiss age better than others

I must confess I was looking forward to reading the #nobelprizelibrary collection featuring #carlspitteler , who won the #nobelprizeforliterature in #1918 because, as far as I can remember, this would be the first works I had read from an author from #switzerland which, despite an extremely literate people, has a diminished literary tradition in comparison to most of its European neighbors. In fact, in it's 123 year history the #nobelcommittee has only given the prize for literature to Switzerland twice.

Of course, once I began reading the works in the Nobel collection, I began to understand that part of the problem is the pictorial beauty of the nation can't make up for the general tedium of its authors. I am perhaps being unfair because I am reading an #englishtranslation of #germanpoetry where some of the glory may be lost in translation. But, as I read more on Spitteler himself, my reservations seem to be common. He had been placed in nomination numerous times going back to the first awards and, by 1918, his work was mostly long out of print and he generally obscure. But, in the final year of #worldwari , #swissneutrality was a much desired quality in an extremely polarized nation so, awarding Spitteler the #nobel was a safe and unoffending option.

I certain aspects his poetry is quite beautiful as his Swiss environs inspired the backdrop of many of his poems. But, being self published in his late 30's with an epic poem that took him 14 years to write didn't lend his work to popular acclaim. This wasn't an easy read but certain passages were quite beautiful. Unfortunately, not memorable.
#readtheworldchallenge #nobelprizereadingchallenge #globalreadingchallenge #readtheworld #swisspoetry #switzerland #swissliterature