At the conclusion of the second installment of this mystery series set in contemporary Appalachia, Trial by Twelve (which won the Grace award in 2015), series amateur sleuth Tess Spencer got a phone call from her mom, Pearletta Vee Lilly, announcing the latter's impending release from the Federal women's prison at Alderson, WV. In the first book, she'd already been there for several years, serving a sentence for drug dealing (she was both a dealer and user). The main narrative of this book opens with Tess' daughter about to turn two, and Tess about to head for Boone County (which actually is a real-life county, in southern West Virginia) for yet another visit to her mom, to help the latter navigate her continuing re-integration into the outside-the-bars world. But the discovery of the dead body of an apparently drug-overdosed teen --at the side of Pearletta's trailer-- soon takes this visit outside the realm of the ordinary. Tess' sleuthing skills will be needed; and one mystery to explore is whether Pearletta Vee is really as reformed as she wants Tess to believe.
West Virginia has the highest per capita drug-related death rate in the U.S. Its destructive drug culture isn't confined to urban areas; it permeates the economically depressed rural areas as well, blighting community life and destroying countless lives in all age groups, not just the unfortunates who succumb to overdoses. This reviewer has personally observed the ravages of the drug epidemic; I live right on the border of West Virginia, and conditions in similarly-depressed southwest Virginia aren't a lot different. (So I have a somewhat different perspective on the subject than the smug politicians and pundits who push legalization, and less tolerance for the drug trade's slick PR efforts to burnish its image with the clueless.) To her credit, in this novel Gilbert focuses her attention --and the reader's-- squarely on the drug problem, and she treats it with a hard dose of realism instead of smiley-face attempts to legitimate it. Granted, her treatment is more descriptive than deeply analytical. But where both authors and readers of Christian fiction are routinely accused of wanting to simply ignore social problems around them, Gilbert refuses to do that.
In many respects, this series entry has much in common with the two that preceded it. But the Boone County setting takes Tess into less familiar (to us, that is --she grew up there) territory, though several series characters, Tess' family and others, still play key roles in the plot. Also, we get much more of a look than before into the dynamics of her dysfunctional birth family, and her unresolved issues with her neglectful mom and long-absconded dad. (We're subtly reminded that at its heart, the Christian faith is about forgiveness; though Tess isn't a plaster saint and not all of her baggage is necessarily going to be magically resolved here. But the author allows Tess and others to be dynamic, not static, characters.) Also, structurally, this book is almost entirely Tess' own present-tense narration; rather than snippets from a trove of decades-old writings at the beginnings of chapters, here we have instead a prologue in another (and unnamed) narrative voice, giving us subtle clues to what's going on in the main book. They're not self-evidently easy to decipher, however; in this case, I didn't identify the primary villain until the denouement.
Some nits could be picked in places. In one chapter, lunch seems to follow breakfast with unlikely rapidity. Near the end, Tess benefits considerably from some stupid behavior on her adversaries' part. And here, she packs her Glock in her purse, and plans at one point to get a more practical belt holster --but she already had one of the latter in the previous book. But those are minor quibbles; Barb and I both found this a great read. Tess is a heroine with a lot of heart, and the depiction of her strongly loving relationships with her hubby, her daughter, and the extended Spencer family are a major plus.
Some reviewers might apply the label "cozy" to the series. (And this book, like the second one, has an appended recipe --I can't remember if the series opener did or not-- which is sometimes seen as a "cozy" characteristic; homemade food is characteristic of country cuisine in Appalachia, and I see this as just a touch of local color.) Personally, I've never cared much for the term "cozy" as applied to murder mysteries --it seems incongruous for explorations of the callous extinguishing of human lives as a result of serious darkness in the psyches of other human beings. But I do value the distinction between "traditional" mysteries, which presuppose moral order in the universe and view crime as an aberration that can be set right by the efforts of the hero/heroine and the community, vs. "noir" mysteries, which tend to presuppose moral anarchy and anomie and to view crime and injustice as the norm which no activities by the protagonist can really alleviate. In terms of that dichotomy, Gilbert's literary vision is squarely in the "traditional" camp. That's the camp with which my taste is aligned; and if yours is too, you may find this series right up your alley.