What do two dead drug dealers, two dead cops, a dead prosecutor, the mafia, missing evidence, and internal affairs have to do with one another? Nichelle Clark, crime reporter for the Telegraph, has the story!
Front Page Fatality, the first installment of LynDee Walker’s Nichelle Clark series, is a fast-paced, action packed, and even humorous trip through the intrigue and danger that typifies the exposure to and of the criminal element.
We meet 29-year old Nichelle Clark, a crime reporter with a Virginia newspaper called the Telegraph. Nichelle is tough, smart, ambitious and, most importantly, dogged in her determination to get the story and expose wrongdoing.
And boy is there some wrong being done in this one.
One thing I found refreshing was the fullness of Nichelle’s life; she has friends, a colorful work family, a job she loves, an impressive collection of discounted designer shoes, and an adorable dog named Darcy.
Though she eventually wants to find love, she has enough self-worth that she resists the advances of all of her would be suitors.
She is comfortable in her own skin and has managed to avoid the trap of assigning blame to herself for why she is single.
Far too often, heroines of crime thrillers spend paragraph upon paragraph lamenting the lack of a husband and children, waxing pathetic about biological clocks and citing their ambition and unconventional beauty as things that need fixing.
They have almost no meaningful interactions with anyone outside of work, something that only changes in the event that they become romantically involved
Aside from a quick mention of her eventual desire for love, you’ll find almost none of that here.
To continue, if you’re looking for insta-love as a vehicle for the damsel in distress trope, keep moving, because Nichelle has stilettos, and she knows how to use them. She calls in reinforcements when she knows she’s licked, but for the most part, she holds her own, and in hand to hand combat with men more than half her size.
Walker continues her break with convention through Nichelle’s backstory. Most heroines of crime thrillers I’ve read are haunted or broken women who’ve come through some sort of trauma. This often means wading through a great deal of exposition that, while critical to the overarching story, tends to slow the momentum of the narrative encapsulated in the installment.
We get a full picture of Nichelle’s history but aren’t mired in the details.
She comes from a broken home but has a loving relationship with her mother, a strong woman in her own right who has survived cancer, as well as being abandoned by her own parents for daring to raise Nichelle.
Nichelle’s ambition isn’t all bound up with a need to outrun a tragic past but is instead born of a long-held wish to join the Washington Post.
Finally, I’m not entirely sure why the author of the blurb felt the need to use JD Robb or James Patterson’s names to lure readers in. I, for one, didn’t need to be assured of the quality of Walker’s writing via the implication that it was comparable to their work. To be frank, Walker, in my opinion, writes circles around Robb. Also, the similarities between Walker’s Nichelle Clark and James Patterson’s Cindy Thomas and Lindsay Boxer aren’t significant enough to make a case for their comparability. Bottom line, the writing is good enough to stand on its own under Walker’s name.
All in all, I enjoyed this first installment very much and am looking forward to tearing through what remains of the series. Five stars.