Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama.
Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama’s distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth.
The publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong in 2019, Marcel Crossing the Line is available in both English only and
Marcel Dzama is a Canadian contemporary artist known for his surrealistic, colourful depictions of characters and creatures. He uses a wide variety of materials to create his artworks. He works in collage, paint, sculpture, film, and other mediums. His work has been exhibited in a number of prominent museums in Europe and North America, including the Museum of Modern Art in New York and the Richard Heller Gallery in California. Dzama has also illustrated album covers and a children's book, Bed, Bed, Bed, for the band They Might Be Giants.