Picked up at the dollar store without realizing it was a sequel until a few pages in, but I was so immediately compelled by the case and setting that I didn't care. The manor home on the edge of New Forest, the forest itself, the historical barrows (a.k.a. "Hound Butt," which I am not immune to laughing at); all came alive. And of course, the case itself -- a young woman buried in a shallow grave below the title objects, possibly linked to another girl gone missing 30 years earlier -- was instantly intriguing and stayed that way to the final page.
And yet, the flashback chapters to 1913 were almost better than the present day! I loved seeing the estate, only just built in 1888, at the height of its original glory, as well as meeting the Chorleigh family (other than its unpleasant patriarch) and visiting history/archaeology student Edwin. Catch me immediately falling for the friendship between Peter & Edwin, too, and then not only picking up on but running with the first subtle clue that I could (and should) ship them. Which is rarely if ever my first instinct, especially when there is a pretty 17-year-old sister of the best friend a man could be making eyes at instead!, so kudos for being Just That Excellent. And, um, shipping goggles aside, I really was fascinated by their excavation of one of the mounds, eager to see what they might find.
Back to the personal side of the modern day -- I did not care about her mom at all, but I loved Sage's relationship with Nick and after about 27 references to him having been stabbed in the previous book, I am definitely going to have to go back and watch them fall in love. I wish they hadn't been separated for so much of this book by distance and Sage's incessant "sorry honey I can't even think about moving in together, too busy with constant work at all," because every time he would express frustration about how he just wants to get married and officially be Max's Dad, my insides would liquefy anew.
Bummed this appears to be a duology rather than series, but also kind of hopeful it means they'll settle down and have their happy ending offscreen, too (while simultaneously thinking: okay, but if you didn't have to delay their happy ending to pad out a series-length timeline then WHY WOULD YOU).
...thought I was done but wait, a few more thoughts. I didn't actually mind Sage being at work all the time, because the case was fascinating! I've never read a book that featured an archaeologist working with crime scene evidence, for one, and not since the CSI novels have I seen so much attention paid to the examination of evidence. But I like that there's still kind of a detective angle to it, between talking to the actual detectives and the way she starts going back to speak with Chorleigh, in a less formal capacity, to learn more about the history of the barrows and the rest of the property. I couldn't figure out if I trusted him or not, just like I couldn't figure out where basically any part of the case was going to go. I had a pretty good suspicion about who had killed River that turned out to be right, but the rest was all a beautiful surprise.
I'm honestly very close to 5 stars, except the plot includes some highly unpleasant animal abuse and also, I'm still annoyed at the main's character's dumbass trait of hooking up with/having a baby with a married man who already had a family, though fortunately they do not factor into this story at all.