Joseph Bologne, Chevalier de Saint-Georges was one of the pre-eminent gentlemen of Parisian society of the late eighteenth century - violinist, composer, conductor, athlete, soldier and widely regarded as the finest swordsman in the whole of Europe his position was all the more remarkable as he was the son of a white plantation owner and his black slave.
Sadly, this biography does not do him justice. It is poorly written in a style that is more suited for a teenage school essay or casual letter to an acquaintance than a serious biography. There are many diversions for inconsequential and unnecessary anecdotes, including a whole chapter devoted to the Haitian revolution in which Saint-Georges takes no part at all. It shows no signs of any form of editing as the text jumps between time periods, places, characters and events seemingly at random as if the author is writing a stream of consciousness story rather than a well considered and organised narrative. The author's style frequently drifts into that of the romantic novel leading to him making statements of seeming fact which can only be at best speculation and at worst pure fiction. I cannot vouch for much of the author's research but his description of Saint-Georges' musical career is woefully incomplete: for instance one of Saint-Georges' main achievements - the commissioning and first performances of Haydn's six Paris Symphonies - is, unforgivably, completely omitted. Walter Smith briefly comes into his own in his comical description of a real duel between Saint-Georges and an elderly cross-dressing male member of the aristocracy and his vivid depiction of the French Revolution although, unfortunately, the latter is only given the most tenuous of links to Saint-Georges.
I can't recommend this except to the most persistent of readers who, like me, are determined to discover more about the amazing Chevalier de Saint-Georges.