A study of the major writers and artists who were grappling in 1930 with socio-political issues still central to our lives today, ranging from the dangers of mass culture to the rise of a politics of irrationality. The year 1930 can be seen as the dawn of a period of darkness, the beginning of a decade that Auden would style “low, dishonest.” That year was one of the most reflective moments in modernity. After the optimism of the nineteenth century, the West had stumbled into war in 1914. It managed to survive a conflagration, but it failed in the aftermath to create something valued. In 1930, Europe was questioning itself and its own viability. Where are we heading? a number of public intellectuals asked. Who are we and how do we build moral social and political structures? Can we continue to believe in the insights and healing quality of our culture? Major thinkers―Mann, Woolf, Ortega, Freud, Brecht, Nardal, and Huxley― as well as a number of artists, including Picasso and Magritte, and musicians such as Weill, sought to grapple with a wide range of issues, Arthur Haberman sees 1930 as a watershed year in the intellectual life of Europe and with this book, the first to look at the contributions of the public intellectuals of 1930 as a single entity, he forces a reconsideration and reinterpretation of the period.
Arthur Haberman is University Professor Emeritus of History and Humanities at York University. He is the author of The Making of the Modern Age, and the co-author of Private Lives/Impressionism and Post-Impressionism and The West and the World: Contacts, Conflicts, Connections. He is also the editor and senior author of Civilizations: A Cultural Atlas and the editor or co-editor of three anthologies. Most recently, he is the author of 1930: Europe in the Shadow of the Beast, published in September 2018.
Arthur Haberman has done extensive work for the National Humanities Faculty in the United States and for the Advanced Placement Program in European History. He is the recipient of a number of teaching awards, including from York University, the Ontario Confederation of University Teaching Associations, and the 3M Award from the Society for Teaching and Learning in Higher Education in Canada. In 1998 Now Magazine designated him the Best Professor in Toronto.
In retirement, in addition to continuing his scholarly work, Arthur Haberman began writing mysteries set in contemporary Toronto. The first, Wild Justice, was published in 2018. A sequel, Social Justice, will be published in March, 2019.