After a demonic domestic dispute, Cate and Kate Harrow are visited by their estranged mother, leading to revelations about how the sisters got dragged into the dark world of deals and devils.
Multiple Shuster Award, Harvey Award and Eisner Award nominee and an Eisner Award–winning comic book creator best known for his work as the lead writer on Simpsons Comics and Futurama Comics for Matt Groening's Bongo Comics. Boothby has written more Simpsons Comics issues than any other writer. He is a regular writer for MAD Magazine. He has also worked on various Canadian television series and is a well known stand-up, sketch and improv comedian working in the Vancouver area. He co-created Free Willie Shakespeare for the Vancouver Theatresports League which won the Jessie Richardson Theatre Award for Excellence in Interactive Theatre.
A writer for multiple television series including CBC's Switchback, Street Cents, "Big Sound" and Popular Mechanics for Kids. He is the co-writer of the DVD film Casper's Haunted Christmas and screenwriter of the Cartoon Network special Scary Godmother: The Revenge of Jimmy.
The creator of the sketch comedy series The 11th Hour, called "The funniest sketch series since SCTV" by the National Post, as well as the creator of the TV pilots Space Arm, Vancouver PM and I Dig BC and the co-creator of Channel 92 along with Dean Haglund and Christine Lippa. Boothby founded the Canadian Comedy Award-winning sketch group Canadian Content. He currently performs with the sketch comedy group Titmouse! and "The Critical Hit Show: a Live Dungeons & Dragons Comedy Experience," writes for CBC Radio's The Irrelevant Show, and co-hosts the podcasts Sneaky Dragon, Compleatly Beatles, Totally Tintin, The Fansplainers and Full Marx - a Marx Brothers Podcast with David Dedrick. He has also written the ebook It's About Tolerance Stupid : essays on improv & how to make things better without making yourself crazy. He is the writer of Sparks! a graphic novel series for the Scholastic Corporation's Graphix line with art by Nina Matsumoto, and Exorsisters, an ongoing series from Image Comics with art by Gisele Lagace.
He also appeared in the Adam Sandler film Happy Gilmore.
Ian Boothby is married to Y The Last Man co-creator and artist Pia Guerra and regularly contributes cartoons with her to MAD Magazine and The New Yorker.
I love how Exorsisters is one of those series that can be easily underestimated. At a quick glance it looks sort of goofy and casual, but the deeper you dive the more you realize that there’s so much more going on than meets the eye. At the end of the last issue they hinted (well, flat out told us) that the girls aren’t really twins…or even sisters. This issue continued on that theme, but they took a while to get there. The buildup was worth it though. I’ll admit I was a bit shocked by how horrified I felt. The implications of it…not to mention the person that would be willing to do that to anybody else…if you could see me now you’d know I just shivered. But don’t worry; there are plenty of humorous points as well. Granted, most of those are at the beginning of the issue, but that’s okay. I’ll admit that I did like the explanation for what the girls really are, as well as the whole story telling us the how and why of it all.
Sometimes you just like something for no reason you can put your finger on. The drawing here is a little cartoony, the dialogue is snappy enough but not exactly Oscar Wilde, and the demonic action is fairly predictable. But It just amuses me and I'm happy when a new issue comes out.
In this one we find out Cate and Kate's backstory and get hints about a darker arc to come. Fine.
(Please note that I had a chance to read a free ecopy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)
I enjoyed everything until the backstory about Cate and Kate's origin story. I hope the book either builds up and improves on what this offers or we just accept that this is what it is and move on.
I think the art is excellent, and how they're offering the interaction of the spirit world and the corporeal world is fun.
This one was a bit better than the first issue. It is mainly backstory for the characters, and explores their relationship with their mother. It felt really short, and surface level, but still revealed enough that I want to know more.