The centrepiece of this issue comes from the celebrated French film magazine, Cahiers du Cinema. For their 500th issue Martin Scorsese contributed material not only about his own work - including his relationship with Robert de Niro - but also about film-makers he admires: those of his generation (Coppola, De Palma, Lucas and Spielberg), as well as those film-makers whose legacy enriches cinema today (Ford, Raoul Walsh, Ida Lupino, Hitchcock, John Cassavetes). He celebrates the glories of the British cinema, and concludes by posing five essential questions about film.
Other contributors include:
Jamie Lee Curtis - In Conversation with Janet Leigh and Lillian Burns Hippolyte Girardot - Never Forget Mastroianni Frances Mcdormand & Willem Dafoe - Acting is Believing Robert Mitchum - Looking Like Nothing Matters Brian Cox - Manhunter Leslie Caron - The L-Shaped Room Sylvia Syms - Victim Teresa Wright - Shadow of a Doubt Jaco van Dormael - Life Lessons Bebe Barron - Making Music for Forbidden Planet Christopher Porter - Photographing Dead Man Frank Capra/Douglas Sirk - A Centenary Tribute William K. Everson/Marcello Mastroianni - In Memoriam
John Boorman is an English filmmaker who is a long time resident of Ireland and is best known for his feature films such as Point Blank, Deliverance, Excalibur, The Emerald Forest, Hope and Glory, The General and The Tailor of Panama.
'John Huston especially detested Burt Lancaster, and he also detested golf, which Lancaster loved. Huston was well known for playing cruel jokes on people. Lancaster held a golf tournament, and Huston and a friend went out and bought a thousand ping-pong balls, wrote dirty slogans all over them, rented a helicopter and spread them all over the course in the middle of a match. Of course, no-one could find their ball after that, and the match had to be postponed.'