Having read and enjoyed both of Colette McBeth’s previous psychological thrillers, particularly The Life I Left Behind, I was keen to read An Act of Silence. The basic premise of this novel is based around the difficult relationship that exists between a mother and son which is tested to the limit when the son is embroiled in the matter of a murder. However this isn’t simply a test of a mother's love, it is an examination of unspoken mistakes of the past and their cumulative impact. Former Home Secretary Linda Moscow ended her career as a disgraced politician after the expose of the ‘cash for contracts’ scandal saw her retreat from public life and become a virtual recluse. The early hours and abrupt arrival of her son, Gabriel, anxious and dishevelled, sees her faced with a moral conundrum and forces Linda to tackle head on a undisclosed secret that has the potential to change everything. Now a successful comedian, Gabriel and his sexual conquests are never far from the tabloid headlines. When he tells Linda about meeting a woman called Mariela and taking her back to his bed for the night, the news that she has since been discovered murdered in the allotments that back onto his property sends Linda reeling. Gabriel insists that he is being framed and begs his mother for help, leaving her faced with a momentous decision. Having prioritised her son and compromised her principles in the past, how sure of her son's innocence can she be? Due to report to Camden police station in six-hours, the evident doubt writ large on Linda’s face results in an furious outburst from Gabriel and sends him running from the situation.
The arrival of DS Jay Huxtable from the Met Police attempting to ascertain Gabriel’s involvement sees him urging Linda to vacate her home in case her son returns and poses a threat to her safety. Meanwhile Linda’s own interest in a story that has become her life's work and a chance to rectify some of her previous mistakes regarding the shelving of a scandal into the sexual abuse of minors is at a crossroads. Prominent party donor and film-maker, Curtis Loewe, is the man under investigation and the abuse of his reputation as an respected political ally when Linda was in a position of power is unforgivable. Assisted by one of her former party colleague, Henry Sinclair, Loewe successfully backed Linda into a corner and ensured that any future investigations into his dalliances with underage girls were stifled. Encouraged by the former journalist who was instrumental in attempting to highlight the abuse claims, Linda has a choice to make. Having once let the young women in question down, whether Linda will have the chance to begin to repair her mistakes is at issue. Crucially, when faced with the question of choosing or damning her son which way will Linda turn and how will her actions be affected by the chequered history that they share? Due to the full extent of Gabriel’s situation not becoming clear until Linda’s own circumstances are brought to light it takes a while to fully immerse yourself in this novel and digest how circumstances have conspired to once again leave Linda facing the ultimate catch-22.
Whilst it is admittedly hard to ‘enjoy’ a novel which has at its origins the shameful legacy of the sexually abused children cared for by the state, this is the novel of McBeth’s which I found least satisfying. Perhaps this is because of how sickeningly familiar the whole subject matter feels after being dragged extensively through the media. Indeed it is a travesty that this story bears such a resemblance to real life events and will fail to surprise so many readers. That this went on and the fact that other such incidents will no doubt belatedly be discovered makes it a rather divisive subject matter. In this sense I was certainly uncomfortable with the fact that those whose experienced the abuse and were failed by the system are now presented as bit part players in a wider exploration of what is frankly a mother-son bond. The extensive media coverage that such miscarriages of justice have recently attracted means that McBeth adds little fresh food for thought to the subject matter. First hand reading of accounts of those involved and the whistleblowers who campaigned for recognition is more emotive than any fictionalised account can ever be and Linda’s self-interest and the associated repercussions on son Gabriel were not my prime concerns.
Although the book intuitively reads well without paying attention to the specific dates and narrators who recount the story, it is fair to say that the narration is all other the shop, not just between two timelines but back and forth as the two individuals story play out. Some readers may find these constant breaks in continuity detract from the power of the story, and I confess that I found it countered against the building of tension. I certainly did not feel the same urgency in the story as in in Colette McBeth’s previous novels and I suspect this is largely because the plot does become fairly transparent and an astute reader will be capable of inferring the majority of the historic storyline, so McBeth’s continued return acted as a brake on plot progression. That the same incidents are shown from several perspectives also necessitates repetition and this wasn’t a story that I found myself transfixed by and keen to return to. In comparison, I had similar issues with Peter Robinson’s When the Music’s Over which borrowed so heavily from prevailing events and relied on little imagination.
In summary, and rather contrary to prevailing opinion based on early reviews, I found this a bleak and unedifying read from Colette McBeth and although the denouement drew everything together cleverly, it felt like too little, too late. The fact that the reliability of the majority of the narrators is questionable sees the reader continually reassessing just what they are witnessing and is a factor that increasing starts to become evident as the story heads into its climax. However, I did appreciate McBeth’s sensitive and realistic observations that briefly tackle the aftermath and the associated collateral damage of such a storyline but this is a book that I would struggle to recommend as my overall feeling was one of being hugely underwhelmed.