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多多良的下一位舞伴會是……？重新回歸基礎，致力於個人練習的多多良，為了參加比賽，勢必得找到一位搭檔的舞伴。同班同學緋山千夏雖然曾有跳舞經驗，卻連一起練習都不願意，多多良的舞伴人選究竟會是……？
192 pages, Paperback
First published April 17, 2014
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Displaying 1 - 8 of 8 reviews
July 20, 2019
Welcome to the Ballroom, Vol. 6 continues where the previous tankōbon left off and contains the next five chapters (22–26) of the on-going manga series.
This first half of the tankōbon covers the back story of Chinatsu Hiyama, a strong headed individual with a cold and reserved demeanor, who once loved dancing. With few male practitioners in the sport of competitive dancing, it is not uncommon that two women team up to dance as partners, which is the case for Hiyama, who generally took the lead in couple dances. Her partnership with Akira Koumoto was broken up, because she found a new male lead, but Hiyama couldn’t and quit the world of competitive dancing, until Tatara Fujita came into her life.
Tatara Fujita managed to get Chinatsu Hiyama to try to be partners, but they were ill-suited for each other. Fujita is a timid person and feels uncomfortable being too forceful on his partner to lead properly and Hiyama is a forceful person who is used to taking the lead, who hates to be lead around. Despite their incompatibilities, they partner up for the Novice Competition and came in second right behind Masami Kugimiya and Tamie Idogawa, and promoted to D Rank.
This tankōbon is written and illustrated by Tomo Takeuchi. Chinatsu Hiyama is developed more as a character with a believable back story to match her demeanor. Her partnership with Tatara Fujita is an interesting one with an equally intriguing twist from the traditional male lead. The tankōbon closes with the promise of Tatara Fujita to become a more forceful lead and presents the challenge of Chinatsu Hiyama to be lead around.
All in all, Welcome to the Ballroom, Vol. 6 is a wonderful continuation to a series that seems intriguing and I cannot wait to read more.
This first half of the tankōbon covers the back story of Chinatsu Hiyama, a strong headed individual with a cold and reserved demeanor, who once loved dancing. With few male practitioners in the sport of competitive dancing, it is not uncommon that two women team up to dance as partners, which is the case for Hiyama, who generally took the lead in couple dances. Her partnership with Akira Koumoto was broken up, because she found a new male lead, but Hiyama couldn’t and quit the world of competitive dancing, until Tatara Fujita came into her life.
Tatara Fujita managed to get Chinatsu Hiyama to try to be partners, but they were ill-suited for each other. Fujita is a timid person and feels uncomfortable being too forceful on his partner to lead properly and Hiyama is a forceful person who is used to taking the lead, who hates to be lead around. Despite their incompatibilities, they partner up for the Novice Competition and came in second right behind Masami Kugimiya and Tamie Idogawa, and promoted to D Rank.
This tankōbon is written and illustrated by Tomo Takeuchi. Chinatsu Hiyama is developed more as a character with a believable back story to match her demeanor. Her partnership with Tatara Fujita is an interesting one with an equally intriguing twist from the traditional male lead. The tankōbon closes with the promise of Tatara Fujita to become a more forceful lead and presents the challenge of Chinatsu Hiyama to be lead around.
All in all, Welcome to the Ballroom, Vol. 6 is a wonderful continuation to a series that seems intriguing and I cannot wait to read more.
December 7, 2021
دونستن داستان چیناتسو و رابطه نه چندان سالمش با پارتنر قبلیش، رفتارش تو جلد پیش رو خیلی منطقیتر میکنه و از قالب تسوندره رو مخ درش میاره. از اون طرف باعث میشه با تاتارا واقعا جفت فاجعهباری بسازه. دوتا آدمی که با نقشهای به شدت جنسیتیشون توی رقص نمیسازن و باید تغییر کنن تا بتونن به جایی که میخوان برسن.
برام جالبه نگاهی که مانگا از طریق تاتارا به این نقشها میکنه؛ اینکه نمیتونه بپذیره توی یه رقابت تیمی دونفره تنها کسی باشه که در مرکز توجهه و مسئولیت کامل به عهدهاشه هر چند در نهایت مجبور تغییر کنه اما واقعا انتظار دارم راه حل بهتری پیدا کنه. واقعا این بچه خیلی عاقل و شیرینه. (￣︶￣)
برام جالبه نگاهی که مانگا از طریق تاتارا به این نقشها میکنه؛ اینکه نمیتونه بپذیره توی یه رقابت تیمی دونفره تنها کسی باشه که در مرکز توجهه و مسئولیت کامل به عهدهاشه هر چند در نهایت مجبور تغییر کنه اما واقعا انتظار دارم راه حل بهتری پیدا کنه. واقعا این بچه خیلی عاقل و شیرینه. (￣︶￣)
August 6, 2017
Declaro público mi amor por Hyoudou ><
October 11, 2017
This volume sees Fujika finally have to go into the world of competitive dancing the proper way. He gets a partner who is more experienced, but less patient. And now he is finally grasping the hints folks were laying down for him in earlier volumes. He does not have as many triumphal moments here as in earlier volumes, but he gains more substantial wisdom and really re-dedicates himself to being a competitive dancer.
September 13, 2022
Have now been enlightened re: what is going on with Chinatsu, the more you know.
August 12, 2023
This is the first volume in the series I’ve really enjoyed!
I like the various subplots and new characters intro. Can’t wait to see where the story takes me next.
I like the various subplots and new characters intro. Can’t wait to see where the story takes me next.
October 2, 2023
I love how willing Tatara is to learn and make mistakes. He just always want to get better ❤️
This entire review has been hidden because of spoilers.
October 19, 2022
I've said this before but the art gets better and better. I just love how it shows the drama of dancing. It's hard for manga to compete with anime, but the art holds it's own here. Plus we are getting into my favorite part of the series!
Displaying 1 - 8 of 8 reviews