"There are no miracles in Milestone."
My previous experience with Burke's work is through Blanky (5star) and Tent (3star) so I already know I enjoy Kealan's work, even when the subject matter isn't normally my cup of tea. So I knew I was ready to dive into a collection of novellas about the town called Milestone.
Having bisected my youth between the bustling city of Miami, and a small horse-farm town in Central Florida's swamps and forests, I know a little something about the difference between city and country living. While I found myself miserable for most of the time I spent living in Ocala, I do have a deep appreciation for a run-down southern town. Milestone is a town that runs itself, inviting strangers to its doors, but only the ones who weren't looking for its borders. The town features an odd cast of characters: an old man who counts pennies, cops who don't want to fire guns, a woman around whom electronics don't work, and a cast of people mired in lives they can't escape. Milestown collects sinners and won't let them go. This collection features four different stories about the town, unrelated, but connected by their place.
The collection opens with "The Witch," a story which immediately invested me in this sense of space. It rooted my curiosity about the town early and with firmness. It left my questions hanging. And while this wasn't my favorite story in the collection, I think it was a great opener. I found the middle stories were my favorites: "Saturday Night at Eddie's" and "Thirty Miles South of Dry County" didn't hold back in explaining the town's ruthlessness. I learned a lot about the townspeople in these pages, and it was that character study, reminiscent of "Blanky," that I felt most drawn to. The central figure of the town that appears in "Thirty Miles," The Bicycle Man, is going to haunt me like only The Silence (Buffy The Vampire Slayer) could. I think "Thirty Miles" is easily my highest rating, because I enjoyed the lore, the ancient ritual, and the shock of being an outsider that I felt in those pages. The final story, "The Palaver" felt the least strong to me, in that I didn't quite grasp how the story provided a sense of finality. But, it will certainly make you distrust barbers, and if you're grossed out by body horror, this is the story for you (or maybe it's not).
Burke's prose sings in this collection, and it's no shock to me that he's been awarded a Bram Stoker Award. It's clear that Burke knows how to weave a setting into the horror of the story. Lore writer, Aaron Mahnke, has previously stated that all horror can be divided by where the horror originates: in the people, the monsters, or the place. This book is about a place. It's a place somewhere equally as weird and ancient as the likes of NightVale and Derry, Maine, and also a fly trap of a town, where all the signs of welcome mats are present, but you still don't belong. I immediately find myself wanting to read Turtle Boy to get more of this place. I'd like to see a collection of more, shorter, varied stories about this place. There are so many people I still want to hear about: Iris, Cadaver, the Bicycle Man...
But as usual, the language and storytelling were flawless, and this fits nicely into a canon of awful horror towns. This book felt fresh and familiar, all at once. My only caveats were some issues with what felt like cliched endings, but I feel the need to clarify that. There were times when I encountered "it was all in his head" moments, or a twist on the "but she'd been dead the last thirty years" motifs, and when I can see them coming, it takes me out of the story. I'll clarify that they didn't bother me that much, because the implications of those motifs, how the plot affected the characters, I still didn't see coming. These people have deeply human lives, beyond the reach of the creature that is Milestone. Even when the monster rips off its ghostly sheet, and you can see the Scooby-Doo-esque reveal, Burke forces these characters to confront, instead, their alcoholism, their deep-seeded fears of their fathers, their faithlessness, their relationships, and their place int the world. It's a way the twist works. I'd just rather not see that twist when what comes after is so strong. So that's probably just personal preference.
Final thoughts: read this book and share it like campfire lore. We need more myths like these.
"So take a good look around, son... Because Milestone wants you. And you're already here. Welcome home."