As I reach the conclusion of this book, I'm a little in awe, a little annoyed, and mostly confused. Let me start, though, with what I really love about this.
The Intricate World
The Uztari are built on a society of falconry. They catch birds of prey, train them, sell them, use them as weapons, messengers, companions, and guides. The beginning was a bit heavy on backstory building this world, but it really left no day-to-day detail untouched. From their greetings, the two-winged salute, to their language, calling kids hatchlings, and the rules of battle, this really felt like a genuine society built around birds, hence the well-deserved comparison to Pokemon.
Gayness
One of our main characters, Brysen, is openly gay and his gayness is NOT used as a plot point. He simply is and everyone is cool with that.
"Who can tell a heart on which branch to land?"
Kylee
Okay, so we've seen Kylee before, the young, teenage girl who feels responsible for the protection of her family. However, Kylee has this awesome ability to command birds...even though she suppresses that ability which we will get into shortly
THE THINGS I DIDN'T LIKE
The World-Building at Large
As detailed as the day-to-day, village life is described and organized, beyond that, I can't tell who is in charge. There's Altari (??), Kartami (religious extremists), and the Uztari (the falconers.) Then there's the council of 40, the Sky Castle, and the Tamir family. I *think* the Sky Castle are the rulers and the council of 40 are part of the Sky Castle, and if that's the case then I don't understand why Kylee and Bryson would care about the Tamir family. They're not royalty, so can't Kylee and Bryson just tattle to the real powers that be? Full disclosure, I listened to this as audiobook so maybe I'd have a better handle on things if I'd read it on the page.
The Structure
This is mostly told from Kylee and Brysen's perspective...but, then there are one-off chapters interspersed from random people who aren't really important to the story. I would spend most of those chapters trying to figure out who they were and why they mattered. There are also some back-in-time chapters that discuss events long past, and rather than grant understanding, they pull the story backward. There's this budding war between the Kartami and the Uztari that felt a little like "Winter is Coming." They keep talking about it building, but I would have liked to SEE that in an attack on the village or with an explanation as to why now? Why, in a society with a history of tension is war coming now? I would have preferred more history about their mother, (who is Kartami and married a falconer. Why?) than some of these other chapters.
Brysen
Is the worst. He shows up to work late and hungover, can't manage to write down the bird weights (his one task) and forces Kylee to suppress her wonderful bird-voice gift to protect his fragile ego. Then he goes and volunteers her for a life of debt to save his loser boyfriend on an impossible task.
This is not a new story for us, ladies. We have a thousand year history of suppressing our skill, intelligence, and hard work in order to shield masculinity. While Kylee trains the birds, feeds them, takes care of their mother and manages their debts, he blows money on drugs and his boyfriend, and then takes the glory for Kylee's diligence, wasting never a second to throw her under the bus.
The only reason this is NOT getting the ridiculously-sexist tag is because of the Owl Mothers, a women-led society in the mountains. I also think the author meant well. I feel like he was trying to create unique characters,(which he did) and to make unique characters, sometimes you have to make them unlikable. But for unlikable characters, I personally either like to see them have a complete turn around or end up in the bottom of a pit.
All in all, this is amazing writing, interesting characters, a great concept, I just hate Brysen and want more detail on the overall world structure and budding war.