The Windrose Chronicles -- specifically, the first two books -- are some of my favorite comfort reads ever, and Antryg Windrose is one of my favorite fictional characters ever. (Joanna Sheraton is also up there, as far as awesome, competent, nerdy heroines go.) I like to reread them every year or so, and you know a book's good when I do that, right? Fair warning to anyone picking the series up: the first two are a very tightly-linked duology, and the ending of The Silent Tower is an extremely evil cliffhanger. If you're reading this for the first time and you like it, make sure you can lay hands on a copy of the second one.
Right. These books are a portal fantasy, I think the term is, and that automatically gets them points from me because "person from our world ends up in fantasy world" is actually a genre I really, really like. Stop laughing.
We actually begin the book in the fantasy world, the empire of Ferryth, which I find is actually a refreshingly non-generic fantasy world, poised on the beginning of the Industrial Revolution. It feels like Hambly has done her worldbuilding from history rather than filtering it through Tolkien, and it's a really nice touch. Also I love how she always describes the fabrics, colors and materials of the world in such detail.
There is magic, although magic of the high-magic sort is waning in influence (possibly thanks to the Church and its Witchfinders) and many people don't believe in it, instead trusting in dog wizards who read cards and tea leaves. Saliently, this world is also heavily scarred by the depredations of the evil wizard Suraklin, who was caught and executed twenty-five years ago. We are introduced to the world through the POV of Caris the sasenna (a sort of samurai bodyguard for the Council of Wizards) who is suddenly losing the little magic he has, and is seized by fits of depression. And weirdly, everyone else seems to be too, and there are monsters from the Void between worlds, and then a murder. Suraklin, it seems, knew all about the Void. And only one living man knows as much about the Void. That would be Antryg Windrose, his former apprentice, who has been locked up in the Silent Tower for years. It can't be him, can it?
The dimension-traveler from our world is one Joanna Sheraton, a computer programmer in 1980s LA. Strange things are already happening in her world -- the same fits of depression, strange marks on the walls, and a unknown man who tries to attack her at her work. But one weekend she ends up at a party at the house of her boyfriend Gary whom she doesn't really like much, and Antryg comes through the Void, with Caris chasing him. But then she gets kidnapped -- by whom? she doesn't know! -- and they all end up going back through the Void to Ferryth. While in Ferryth, there are people who would be happy to hunt down all of them, and so she and Antryg and Caris are on the run while trying to figure out what's going on. And none of them are sure how much they can trust each other. This is a problem, given that Joanna is falling for Antryg. Who, you know, may have kidnapped her and may be behind all of this.
Antryg is really, seriously awesome. He is one of the more unique fantasy heroes I have ever read; he is middle-aged, near-sighted, eccentric, brilliant, and also sort of insane. In a charming way. (Picture the Fourth Doctor.) He is basically an unfailingly kind human being, but also possessed of terrifying wizardly powers and an even more terrifying past (Suraklin was not good to him) that clearly haunts him to this day. And he still wants to do right by the universe.
Joanna is also likewise brilliant and competent and gets to be a heroine and has to do some awful things herself. (I do like how the book doesn't romanticize that she has to learn to kill people. Because, hey, wouldn't you freak out too?) Also I am really glad to read a book about a geeky woman where that is important and her knowledge is valued and it's really just... excellent.
There is definitely romance building between the two of them, which... well, it doesn't actually help them out plot-wise, let's say. But it is so great. Why, yes, I ship it. (Yes, sometimes I do enjoy books about straight people.) It makes the ending even more of a gut-wrenching cliffhanger than it could have been. I think the ending hits pretty much all my fiction kinks ever. I think it may have given me my fiction kinks.
I am not as big a fan of the secondary characters in this book; I think Caris et al. develop more in the second book. And I know one of the things that throws people about this is the 1980s tech. This does not bother me in the slightest; it's the 80s, so what? The thing that does bother me, though, is the Prince Regent Pharos, who is definitely the fantasy stereotype Mincing Evil Sadistic Gay Villain. (He is not the ultimate villain, but I think anyone who creepily sexually harasses Joanna and then whips Antryg in the face definitely counts as a villain of some stripe.) He shapes up a little and starts developing a personality and some rationale by the end, but oh God no. It doesn't help that both Joanna and Antryg are negative about the kinky queer thing specifically (Antryg insults him with "you know you haven't any use for a woman," and Joanna thinks of him as a pervert). So, yeah, I could really have done without that. Thanks, 1980s fantasy!
Other than that, really, I love this book. I love this book so very much. I am not claiming that it is the greatest work of literature, but Antryg and Joanna just make me so happy.