3,5 stars
The basic plot of James Herbert's "Shrine" is far from ground-breakingly original. However, that isn’t necessarily a negative aspect. Some of the most spectacular and haunting novels have come from reworking, redesigning and reinventing classic ideas. In this sense, we’re ultimately talking about a plot pretty much involving demonic possession and a mass misguided belief and far little else. However, what Herbert does, is really ramp-up the tension that lurks behind the saintly façade of the protagonist, making the whole crux of the somewhat simplistic tale, far more focused on the escalating tension that will surely be vented in a dramatically explosive revelation.
Herbert is capable of granting a fine evocation of rural Sussex as it was at that time and as a sympathetic but realistic portrayal of the Catholic Church and its servants. Then there is that horror, so close to William Peter Blatty's enormous success, which builds up on a premise of ancient supernatural evil working its way into the world through innocent faith even if the ending becomes something that just has to end a little absurdly because there is nowhere else for it to go.
The book is interesting not because of its horror features, but mostly because Herbert seems genuinely interested in the issue of the relationship between the Church and simple and desperate folks' faith when that faith may prove to be naive and dangerous.
The question is not whether the manifestation is real or not in this case but whether what is manifestly seen to be real (although Herbert cleverly emphasises psychic power over sorcery to create doubt even of that) is good or evil. This is a novel about belief encased in the horror genre.
We are moving here from witchcraft as the magic of supernatural powers to a more "cultist" kind of magic, where powers are, in fact, natural and merely more evolved. It is left open how the Church and we might deal with that in the future.
It is, nonetheless, a novel suffering from some flaws: an ending perhaps a little hasty and leaving us with more questions than answers; the protagonist, Alice Pagett, is not always at the centre of the stage as she would deserve. Her character and her entire storyline should have been granted more space and development. Still, it is a well-constructed horror/supernatural thriller with great suspense and atmospheric scenes and the right amount of cultural references, so indebted to "The Exorcist" or "The Omen", iconic cults whose success will never fade, because the black side of creed and religious practices will never stop catching our eyes.