As a Hungarian, I can attest to the fact that most people (at least in the US) don’t know much about my country or culture even though we’ve been through a lot and persevered. Diane Pearson explores the life of a fictional bourgeois Hungarian family during WWI and WWII in “Csardas”.
Pearson aptly named her novel “Csardas” as this is our most popular folk dance style and was used by the Hungarian army as a recruitment theme song. We associate many emotions and feelings with these music notes. Similarly, “Csardas” follows the feelings of an upper-class Hungarian family (notably the “enchanting” Ferenc Sisters); with the most important worries being ball gown colors…until WWI strikes and then things will never be the same.
“Csardas” is a combination of “Gone with the Wind”, “Anna Karenina”, a classic film one would see on the AMC channel, and a historical fiction war novel. Initially, the novel feels slightly too gimmicky with the characters living a much too “Leave it to Beaver” lifestyle. However, this may have been precisely Pearson’s intent, as it makes the transition into dramatic wartime life that much more emotional and effective on the reader. In fact, Pearson successfully evokes various sentiments from laughter to tears, from love to hate; allowing the reader to ‘live’ the story.
Pearson’s writing is very detailed and vivid and can understandably be too detailed for some readers. For others, this heightens the dramatic flair and impresses with its creativity. Despite this, “Csardas” is neither slow nor boring with a readable, strong, and steady pace which envelopes the reader. Pearson’s novel is definitely one which can’t easily be put down. Although Pearson doesn’t overuse foreshadowing, there are some predictable moments. Fortunately, these don’t limit the story or affect it in a negative way and therefore, “Csardas” isn’t weakened.
One of the main strengths of “Csardas” is its capacity to give each character a distinct persona which grow and mold with individual character arcs while not overshadowing another.
On the other hand, my biggest qualm with “Csardas” is that it doesn’t truly capture Hungarian people or ways of life with all its Hungarian nuances. Although some of the characters are quite convincing such as Roza and Uncle Sandor; the family overall could be any Eastern European family or even British as they feel very British to me (which makes sense due to the author). At the same time though, Pearson strongly captures war life and the historical environment of the story. Plus, my complaining aside, Pearson does successfully capture the stubbornness and resilience of Hungarians.
“Csardas” becomes increasingly emotional and builds with strength as it progresses. Both the characters and Pearson’s writing gain confidence which fuels the plot and adds twists and turns. Furthermore, Pearson keeps a strong ratio of romance/love to war/pain allowing the novel to seep in depth and maintain the momentum. As the wheel rotated into the second half, events felts too contrived and unnatural plus some weird angles were present. However, they ease slowly and the tension was once again smooth and compelling along with the growth of characters not as focused on previously.
Pearson’s coverage of the Second World War is impressive with her ability to present a perspective (an upper-class Jewish family) which isn’t always portrayed in ‘usual’ WWII HF novels. Plus, as a Hungarian with Jewish blood in my veins, “Csardas” not only taught me some new facts but successfully evoked strong emotions and boiled my (Jewish) blood. Any book which can cause a reader to feel so strongly—especially decades after its published date—is a success in some sense of the word.
Uniquely, “Csardas” doesn’t have a specific climax, with the entire last quarter of events serving as such. Although these weren’t as dramatic as I expected from the novel, the emotional character/emotional study was complex and a compelling facet of the plot. Like many other reviews, I wasn’t pleased with the ending of “Csardas” which was much weaker than the rest of the novel being flimsy and best described as “wimpy”. This resulted in the novel lacking a memorable ending point, affecting the entire novel.
As a note: Pearson does include some sources and further reading books which is more than can be said of most HF authors.
Despite the poor conclusion and some issues overall (plus spelling and editing errors I.E. “her” instead of “here”); “Csardas” is a strong HF novel covering three generations of a family in the middle of WWI and WWII. It is recommended for those seeking a look varying from concentration camps and at a country (Hungary) which isn’t often discussed. Pearson’s work is gratifying, well-written, and will certainly entertain.