Containing a stunning array of romantic paintings, this book brings together two important aspects of Victorian culture--the Pre-Raphaelite movement and the meaning of flowers.
Few artistic movements capture classic notions of beauty as romantically as the Pre-Raphaelites--a group of nineteenth-century painters and poets who aimed to revive the purer art of the late medieval period. In this beautiful volume, Debra N. Mancoff, an expert on Pre-Raphaelite art and the floral lexicon, presents forty breathtaking works, which illuminate the meaning of flowers in all aspects of Victorian culture. She offers brief commentaries on individual paintings as well as biographies of the period's leading artists and their models. This book is both a romantic keepsake as well as a captivating introduction to an artistic movement.
A really sweet book for all fans of the Pre-Raphaelites. I only wish it was a bit longer (I can think of several important Pre-Raphaelite paintings featuring flowers which could have been analyzed) and that each analysis was a little lengthier, but overall a charming and interesting read!
An interesting take on Pre-Raphaelite painting, that is exactly what it says it is - a focus on the flowers and their symbolism in their work. Not only is the text informative, but the art assembled to showcase it is superb. One of the more interesting parts was an analysis of a Rossetti painting - there was honeysuckle for passion, and monkshood for poison, indicating the dangerous nature of his infatuation. Or so it would have meant, had Rossetti known his flowers - Rossetti's brother said that he had meant to paint larkspur for longevity, but he didn't know enough botany to get the right flower for the model!
Easy and interesting read on the symbolism of flowers and their significance in the narrative of the picture. It really added depth to some of my favourite pre-raphaelites along with a brief background story on the pictures.
I have a different print/edition than this one, but I found it to be a good source of bite size information for some of the more famous artists and craftspeople of the time! Definitely not a full overlook of Pre-Raphaelite artwork however if you’re looking to dip your toes into that and analysis of paintings it’s a great start!
A few gripes with the printing itself was that there were several spacing errors throughout the text (no space, too much space, or a combination of lol) and I wish that some of the paintings weren’t printed so that it got caught in the binding because I found it took away from the image as a whole.
Overall I love the explanations and the overall book design, just got knocked down a star for the above mentioned issues.
Overall, I quite enjoyed this one. Focusing on flowers made for an interesting perspective and I liked the paintings picked out. I personally don't have much context on the Pre-Raphaelites so I couldn't say if this is missing important paintings of the time but as far as I can tell, this made for a nice little selection.
I also think this has great formatting which is one of my pet peeves when it comes to this type of book. It's not that hard to be well made as this book shows.
I do want to point out that there is one painting in this with a quite racist description. To be fair, part of it is that the painting itself has a racist connotation but I think the description didn't seperate itself enough from it.
An easy and interesting read that provides insights into the lives, influences, and work of the Pre-Raphaelite painters. I think a few other important works could have been included, such as Millais’ “The Huguenot”, but it is overall lovely and insightful. I only wish it were longer and even more detailed.
I love Pre-Raphaelite paintings. I love flowers. Needless to say, I greatly enjoyed reading this book- both for the aesthetics and the information. The paintings chosen were absolutely gorgeous- and the research was quite enlightening.
meh. me lo compré en el tate como souvenir y me ha ido bien como lectura ligera antes de irme a dormir (1 página por cuadro) pero siento que generalmente no he aprendido nada.