I'm not sure I got all the references in this satire, and sometimes it felt as though we were moving scene to scene rather arbitrarily. But it's an interesting satire nonetheless. There seemed to be a bit of a homophobic equation of homosexuality with decadence and corruption, although maybe I'm being unfair. It's very inventive and sharp, in any event, especially as it builds to a dramatic and ironic conclusion. The ambivalence of Idi, the protagonist, about his opposition to aspects of his culture and society --which he opposes and yet feels like an outsider for opposing--is handled interestingly, though his countrypeople are mocked quite savagely. The real venom, though, is saved for the "Generous Partners," the white European neo-colonial exploiters (offset interestingly by the fact that he finds love with a white Jewish French woman, with the suggestion that relations could conceivably be otherwise). The brief interlude in South Africa, at that point only beginning to emerge from Apartheid, helps throw the dynamic into relief--at the same time as offering some little hope of moving beyond it.