Mercy de Lara Santoro CRÍTICAS DE IMPRENSA «Anna, a correspondente de guerra e jornalista veterana nascida em Itália e a viver em Nairobi, do primeiro romance comovente de Santoro, sucumbe rapidamente à “dor e aos tumultos” de uma África “incendiada e sangrenta”. Bebendo excessivamente, mantém dois amantes e vai adiando qualquer compromisso; enquanto suplica ao seu director para que este a transfira, ela parece empenhada na sua autodestruição. É então que Mercy, uma “gigante miraculosamente espremida num top cor-de-rosa e numa contrafacção de calças de cabedal de marca”, persuade Anna para esta lhe dar trabalho como empregada doméstica…» Publishers Weekly
Various is the correct author for any book with multiple unknown authors, and is acceptable for books with multiple known authors, especially if not all are known or the list is very long (over 50).
If an editor is known, however, Various is not necessary. List the name of the editor as the primary author (with role "editor"). Contributing authors' names follow it.
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Lasciamo perdere La mia Africa, o noi che entriamo in queste pagine: siamo in ben altro territorio. Vero, siamo sempre nella serie “l’Africa vista dai bianchi”, ma anche nel filone “inviati di guerra”. E, soprattutto, siamo davanti a ben altra altezza, senza le meravigliose vertigini del capolavoro della Blixen.
Il personaggio della muzungu protagonista è piuttosto irritante e insopportabile (come si vedrà meglio nel seguito ambientato in New Mexico, Fine estate): giornalista italiana inviata nel continente nero, divide il suo amore, o meglio, il suo interesse erotico e sentimentale, tra un reporter americano impegnato e serio, e un inglese godereccio e colonialista.
Mercy, che presta il titolo all’originale, è un personaggio grandioso come il continente che l’ha generato, ma poco originale: è una Mamie un po’ alternativa, corpulenta e kitsch, dal gran cuore e acuta intelligenza pratica, che dopo un passato da spacciatrice di alcolici diventa leader politica e arriva a guidare una marcia di un milione di donne contro le case farmaceutiche per chiedere la liberalizzazione del brevetto dei farmaci anti AIDS. Altro bel personaggio è quello del prete, meno stereotipato, liberamente ricalcato sul missionario comboniano Alex Zanotelli.
Romanzo d’esordio abbondantemente autobiografico (al 90% afferma Lara Santoro), un po’ melodramma e un po’ romanzo di denuncia, ha sviluppo d’intreccio consolatorio e improbabile, scrittura mediocre e dialoghi sciatti.
so, this one's getting a little better. it's a first novel by a former journalist who reported from Africa. not surprisingly, the book (written in first-person) is about a journalist reporting from Africa. to which i say, sigh.
anyway, the writing is just ok. ms. santoro tries too hard sometimes, and the strain of it shows up in phrases like this: "As if on cue, the women started singing and a low melody of almost intolerable sweetness rose to the highest corners of the room. It rose above the dancing flames, into the grooves of the metal roofing, onto the back of the night."
note the exquisite "almost intolerable" and the evocative but ultimately meaningless "back of the night."
still, it is my opinion that we all should read more about africa. we should think more, and talk more about africa. certainly, we should do more. so i hope people read this book.
Expected a bit more from the book, but it takes a look at Africa and it's fight against AIDS and what these people have to go through compared to the Western world. It shows the courage and determination of one African woman to make changes in her country.
This is our book club read for March. It wasn't a compelling read. The characters weren't engaging to me althought the issues discussed in the book were important and heartbreaking.
The atrocités that go on in Nairobi are upsetting and I. Ant fathom what it would be like to live in such a volatile country. I can I angine how distressing it would be to be a journalist and how so many end up crushed and ruin their own life. A book with multiple levels however I found it a little confusing at times and not sure what was going on very sad
This book was recommended by a friend who lives in Africa. I really enjoyed reading it. There are some great characters. The main character is pretty problematic, and I could see how that could be an issue for some readers, but I really liked the fact that she was messed up, and that her actions didn't always follow from rational thought. She is a foreign war correspondent, and the sense I got from the book is that you have to be crazy to do that kind of work. The people she works with are intense and difficult. I liked hearing some background, albeit fictionalized, on the people who send over news stories from distant countries. The character of Mercy is interesting too, well-drawn, believable, and extremely individualistic. This is a good, sad, story about Africa and how messed up things are there. It's not preachy or formulaic and I liked that.
What a great book. I really enjoyed it. It is very raw hence so powerful. The main character is totally fucked up yet you can't help liking her or at least being intrigued by her. The images are beautiful, stripped of any pretense just like the main character. It definitely grabs you and leaves you thinking.
Enjoyable - one of those books where you wonder if its semi autobiographical. A story of a female journalist's self destructive tendencies and how an unexpected connection draws her into the fight against AIDs
Not a fan. Main character really unsympathetic. Narrative doesn't pick up until the middle. Too bad, because the premise of the story is good, and the characters have potential.
Loved this book! Great love and self story of a women's life and thought provoking learning about Africa and other lives. Gives one much to think about and nice writing.