Vivaldi

Master Musicians Series

by Michael Talbot

Vivaldi jest jednym z niewielu znaczących kompozytorów, do których pojęcie odkrycia „na nowo" odnosi się w najbardziej dosłownym znaczeniu. Vivaldi zmarł niemal 250 lat temu, a jednak jeszcze przed 50 laty świat muzyczny był całkowicie nieświadom istnienia większości jego dzieł — w sumie ponad 770, jakie mogą mu być obecnie przypisane. Do owego czasu wydawało się, iż nie przetrwała ani jedna opera czy kościelny utwór wokalny, które uczeni mogliby badać, a publiczność słuchać. Obecnie nic ma nawet roku, aby nie ogłoszono nowego odkrycia — i tak wspomnieć by tu można autograficzny częściowo zbiór dwunastu sonat skrzypcowych (siedem z nich zupełnie dotąd nie znanych, a pozostałe znane jedynie w formie niekompletnej lub wariantowej) oraz dwa koncerty skrzypcowe odkryte w 1973 w Manchesterze, jak również niezwykle oryginalną Sonatę na skrzypce, obój i organy obbligato, której autograf, przechowywany w Dreźnie, został wydobyty na światło dzienne dopiero w 1976.
Ponieważ biblioteki dostępne dla badaczy i bibliografów nabywają coraz więcej prywatnych zbiorów dawnej muzyki, należałoby oczekiwać zawężenia możliwości dalszych odkryć. To, że w wypadku Vivaldiego tak się nie działo i nie dzieje, dowodzi jego ogromnej płodności twórczej i niespotykanie szerokiego obiegu jego muzyki za życia kompozytora.

Genres: Music, Biography

256 pages, Hardcover

First published October 19, 1978

About the author

Michael Talbot is a British musicologist and composer.

Reviews

[Isabella Leake · Rating 4 out of 5]

This is the most recent Vivaldi biography—oddly, since it was first published in 1978, updated (slightly) a few times over the next few decades, and this most recent edition (2000) is already 25 years old. I am surprised that in such a young field as Vivaldi studies a nearly 50-year-old biography remains the most up-to-date! It seems that outright errors were corrected in the text itself, but endnotes were added in the 1990s to deal with more complex reassessments. You can see the author in those notes (also reflected in his more recent Vivaldi Compendium) becoming more charitable over the decades and less likely to assume the worst of Vivaldi. A nice thing to observe! But I think by now the world needs a complete overhaul and expansion of the biography.

Nonetheless, it's a good book, divided as is customary into a "life" section and a "works" section with a chronology, catalogue of works, and other useful materials at the end. Though I found the biography a little underwhelming, I was greatly impressed by the analysis of Vivaldi's music, which occupies three chapters (general characteristics, instrumental music, vocal music). I am beginning to appreciate how musical analysis allows you to see, in concrete terms, how and why something that sounds good really is good. I loved gaining an understanding of what is special about Vivaldi's music, what to listen for, and what works in each genre are most significant. (It should also be noted that I didn't have the background to understand some of the analysis, but I understood enough that it was enriching and exciting to read.)

Though the biography was disappointing in length and scope (I wanted it to be three times longer), it did have many good points: it presented a beautiful picture of 17th-century Venice, provided a good amount of historical context for the political and musical scenes in Italy and Europe more broadly, and deftly dealt with the knowns and unknowns of the composer's life.

I wish Michael Talbot had produced a thoroughly new biography that incorporates (rather than tacks on) all the new Vivaldi scholarship produced in the last 50 years. To some extent the Vivaldi Compendium does this, but that is a book geared toward research, not to leisure reading. So for the time being, this is the best we have, and I'm not sorry to have added it to my library, because I imagine returning to the analysis chapters again and again.

[Drunken_orangetree · Rating 4 out of 5]

Well-written, scholarly, but accessible account of Vivaldi's life and work. Some musical technical language.

[Jude King · Rating 5 out of 5]

An excellent biography that is both personal and musical (just like Vivaldi), Michael Talbot brings us the very latest on Vivaldi scholarship and compends it into a contiguous story of his life.

Vivaldi is at once apotheosised as we learn the extant of his musical achievements (recognised during and after his life) and is at the same time made a tangible person like us by exploring his humble origins and little foibles. He is a priest, he is a musician, he is badly tempered and he is a lover and all of these at the same time, in that way Talbot makes Vivaldi as human as the rest of us.

Talbot also takes time to give attention directly to Vivaldi's music specifically in later chapters making this work a very good handbook to all things Vivaldi, thoroughly recommend for anyone interested in him, his music and his life.

[Carol · Rating 3 out of 5]

This biography gave me exactly what I was looking for - a readable scholarly rundown of Vivaldi's life and works. It was exactly the right length and level of depth. Talbot's prose was clear and engaging throughout. He especially excelled in preventing the two chapters on Vivaldi's works from becoming tedious laundry lists, instead providing through-lines about the features and development of Vivaldi's music.

[Cormacjosh · Rating 5 out of 5]

I borrowed this one from the college library. Very informative biography.

[Monica · Rating 5 out of 5]

I registered a book at BookCrossing.com!
http://www.BookCrossing.com/journal/14822180