This is a deeply disappointing and flawed work of History which by regarding an entire age through the single lens of 'cant', that is, hypocrisy, provides a narrow view of early nineteenth century society that ignores much of the people and most of the more noticeable social changes.
Ben Wilson has not so much written a History of England in the Regency Age, as a study of London society as seen through contemporary commentators, whether they be writers, journalists, poets, or politicians. His approach is not only mono-focal but also refracted by the media upon which he relies for evidence, with the result that his analysis lacks context, ignores almost entirely the demographic, economic, and technological changes of the period, and fails to recognise the vast material developments which underlay and indeed determined changes in public mores and attitudes.
Wilson measures every word by his calibration of 'cant' and rejects those writings and deeds which do not accord with his hypothesis, thereby creating a narrow and pejorative reading of the past, often conveyed in prose which is not only sententious, and even didactic, but also subject to the cardinal errors of not just applying the standards of today to the past, but also of holding historical. agents up against modern values, so as to find his subjects wanting without regard to the mentalities and context of their time. In this, he lacks empathy for the period he has studied and has no sympathy for people of a different time, facing material struggles and intellectual challenges with which he cannot sympathise. Cobbett is therefore chided for holding opinions which are intentionally taken out of context so they can no longer deemed be acceptable, while Place is lauded because his outlier attitudes are in accord with today's opinion, as though voices of the past are to be given validity only in so far as they speak in ways which conform to twenty-first century thinking. This is not Histpry, but polemic.
The concept of 'cant', as articulated by contemporaries, is a useful means by which to explore parts of early nineteenth century culture, but it is one strand of historical discourse, and to pursue it singularly to the exclusion of other, contrary methods is to do an injustice to the past and those who lived in so different an age. And whoever heard of a History of this period which gives one sentence to Luddism and ignores the Swing Riots completely, while giving a whole chapter to the 'Don Juan' of Byron and the dissipations of Edward Kean? This is therefore not a popular History, but through its single focus upon 'cant' and its exclusive use of elite literature, an elitist interpretation of a popular age that fails to do justice to its subject.