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Photo Poche #56

Edward Steichen: In High Fashion - The Conde Nast Years, 1923-1937

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The most extensive collection of Steichen's legendary Vogue and Vanity Fair work ever brought to the public. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair .Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography. 242 illustrations

288 pages, Hardcover

First published January 1, 2007

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Todd Brandow

4 books1 follower

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Displaying 1 - 7 of 7 reviews
Profile Image for Spiderorchid.
230 reviews16 followers
August 22, 2012
Interesting essays and lots of gorgeous, full-page photos (plus additional small photos in the text). The majority of Steichen's fashion-photography featured in this book shows professional models but there are also pictures of celebrities like Noel Coward, Katherine Hepburn, Greta Garbo, Gary Cooper, Ginger Rogers, Gloria Swanson, Charlie Chaplin etc.
Profile Image for Frank McAdam.
Author 7 books6 followers
January 4, 2017
In 1923, Edward Steichen was struggling with what would today be termed a "mid-life crisis." Living in near penury in France, the photographer had grown disillusioned in his career as an artist. He was then in his mid-forties and had long ago left behind the exuberance with which he had first traveled to Europe. In Paris, he had succeeded in meeting the twentieth century's foremost artists, many of whose works he had enthusiastically shipped back to Stieglitz to be shown in the latter's 291 Gallery in New York City. In so doing, though, he had had to face the painful realization that his own paintings would never reach the heights of genius shown by those artists, such as Picasso and Matisse, among whom he had moved so easily. His discontent had only been exacerbated by the horrors of World War I, which he witnessed first hand, as well as the failure of his marriage. It was no surprise then that he had no qualms in giving up the life of an artist and returning to New York City where he eagerly accepted a position at Condé Nast and quickly became the world's most highly remunerated photographer.

Edward Steichen: In High Fashion by William A. Ewing and Todd Brandow is a through documentation of the photographic work that Steichen created over a fifteen year period for both Vogue and Vanity Fair. While it might be assumed that the photographer left behind him the art photography he had practiced so assiduously in Europe upon joining Condé Nast, this is not the case. Although Steichen's portraits had even in his days with the Photo Secession shown a tendency towards unadorned naturalism (witness his famous 1903 photo of J.P. Morgan), he maintained the use of pictorialist techniques in his fashion photography for quite some time. Indeed, it was only when Mehemed Fehmy Agha was hired as art director of Vogue that Steichen fully embraced straight photography in depicting fashion. No matter what his style, however, Steichen's mastery of technique and lighting never wavered. One has only to look at White (plate 221) from 1935 to begin to comprehend the extent of his ability. The photo is a study of three models all dressed in white standing with a white horse against a white tiled wall. To anyone who has ever attempted a photo in which each element is pure white without losing any detail and all the while preserving a full range of tonal values, this deceptively simple image is a tour de force.

Looking at the photos themselves, one has the sense of having stumbled across a lost world. Here are the most newsworthy actors, writers and society figures of the 1920's and 1930's, the celebrities whose extensive fame was the primary cause of their appearance in such magazines as Vogue and Vanity Fair in the first place. And yet so thoroughly forgotten have the majority of these once renowned personages become that it has been necessary for the authors to add a "Who's Who" as an appendix to the book. In a way this is fitting, for Steichen himself has suffered a somewhat similar fate. Though at one time he was, along with Stieglitz, America's preeminent photographer, his reputation has been so eclipsed in recent decades that he is little remembered today. This is a great injustice and one that this book will hopefully help correct.

The book itself is an extremely handsome and well designed volume. The photographic reproductions are all uniformly excellent and are generally shown in full page format. There are three essays by William A. Ewing, Carol Squiers and Tobia Bezzola respectively that are all intelligently written and not only provide a great deal of information and insight regarding Steichen's tenure at Condé Nast but also display a deep respect and sympathy for Steichen's work and the creative processes he brought to bear upon it.
Profile Image for Meghan.
88 reviews17 followers
October 8, 2008
OMG. Absolutely gorgeous book, gorgeous photographs. Quintessential 30s. I almost fell off my chair when I saw this book. I must have it for my own.
Profile Image for Raquel.
193 reviews29 followers
March 24, 2009
Gorgeous, gorgeous photographs. The essays left a little to be desired...
Profile Image for Danie P..
784 reviews6 followers
August 14, 2009
beautiful photographs/portraits from the photographer of vanity fair and vogue. This book has tons of inspiration for people who love the fashion of the 1920's and 1930's.
Profile Image for Jeanne.
14 reviews
June 26, 2011
If you are addicted to the the fashion of the thirties you will truely love this photo collection.
Displaying 1 - 7 of 7 reviews

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