CR: The New Centennial Review 18, no. 2

by Scott Michaelsen (Editor), David E. Johnson (Editor)

IN THIS ISSUE

Editors’ Note

Special   Music & New Ontologies, Politics, and Materialities

Claire Colebrook, "Escaping Meaning, Escaping Music"

Carolyn Chen, "Parts to Sing Empty"

Jeremy Braddock and Timothy Morton, "How to Make Hyperobject Sound Occupying the Electromagnetic Field with the Firesign Theatre"

Joanna Bailie, "Film Theory and Synchronization"

Holly Watkins, "On Not Letting Sounds Be Themselves"

Fabien Lévy, "Deconstructing the Grammatologies of A Tool for Composing"

Jeffrey R. Di Leo, "Late Capitalism on Neoliberalism, Biopolitics, and Music"

Christopher Swithinbank, "Who Vibrates?"

NaomiWaltham-Smith, "A Music Worthy of the Or, Agamben’s Museicology"

Ashley Fure, "Liquid Chaos"

Jean-Luc Nancy, "Variations on the Reprise"

Tatiana Catanzaro, "The Breath of Sound"

Articles
Casey R. Goonan, "Sketches of Moral On the Analytics of White Liberal Ethicality—Mediating Crisis in the U.S. National (Racial) Form"

David L. Clark, “'Can the university stand for peace?': Omar Khadr, Higher Education, and the Question of Hospitality"

360 pages, Paperback

Published December 21, 2018