Synopsis
Staff and Crown follows almost three years after the events of Blackfoot. Annabel, the Queen Heir, is being shipped off to finishing school to be, well, finished. She teams up with Isabella
(character from Spindle and heroine from Masque), and they immediately become a dynamic duo of rule breaking and intrigue.
Unfortunately, school isn't all fun and games for the duo; The Old Parrassioners are not happy about the claim to the throne and they do everything they can to keep Annabel from being crowned, from infiltrating the school with false heirs to attacking it with an army.
Malchior, Annabel, and Isabella (along with both old and new minor characters) are set to use their fists, wits, pencils, and top hats to defeat the enemy, and along the way maybe, just maybe, Melchior will be able to convince Annabelle that he's not a cat.
Review
Staff and Crown brings back many of the awesome characters from the other books. We get to see Poly, Luck, and Onepiece again, and, of course, Isabella, who plays an integral role in the plot. As a side note, I loved getting to see background for Isabella! Masque has a special place in my heart as it was the first in the series (and of W.R. Gingell's books) that I read, so I'm very excited to re-read it now that these other books have been leading up to it.
Isabella is one of my favorite heroines, so I enjoyed her strong presence in this book. She comes back with that signature unflappably sanguine quick wit and I think has the majority of the humorous and clever lines in the book. If she's not poking bandits with her parasol or wielding deadly hatpins, she's wreaking havoc for the headmistresses of the school.
While I may be marvelously entertained by Isabella, I feel that Annabelle is deeply relatable and easy to connect with. Whereas in Blackfoot Annabelle had to be pushed into action, in Staff and Crown she gladly throws herself in. I enjoyed seeing her growth and appreciated that she didn't become a different person, but rather built upon who she was to begin with. I love that Ms. Gingell's characters tend to stay true to themselves, having distinct personalities that can mature without becoming strangers to their original selves.
I adored Malchior as a romantic interest in this book, perhaps as much as I loved Luck in Spindle. If there was one thing I would change in this book, it would be that I would put more Malchior in it. Malchior is ridiculously roundabout in his dealings, while actually being quite direct. The dichotomy is perfect. It's a little frustrating that both Malchior and Annabel feel the need to push each other away and that they have so many misunderstandings, but I'm willing to let that go because there needed to be something keeping them apart until the end. I still would appreciate more kissing, but that's just a me thing, and I appreciate that Ms. Gingell's romances are so sweet and grounded rather than cheesy or based around lust. It's refreshing.
The real fun of the book comes from the flouting of the school rules. Just the class names had me laughing out loud. Isabella and Annabelle take such classes as Advanced Polite Conversation and Correct Corsetry, where they learn invaluable things like to cover their ears and scream when a man begins talking about undergarments in their presence as well as the great risks of women having pockets
As always, I have to end by putting down some of my favorite lines. I'm limiting it to just two this time:
"It's a conspiracy," said Luck, removing the sausage from his ear with the wearied look of one who has had the need, habitually, to remove sausages from his ears."
"If a girl is incapable of pretending to tighten her corsets, there's no hope for her in today's society."