NOTE: The publisher graciously gave me a copy of this book and asked me to write a review.
Although I’ve been an avid film fan for many years, my exposure to the Indian film industry has been rather limited. I have seen Westernized versions of Bollywood films, movies such as “Slumdog Millionaire” and “Bride and Prejudice,” but I haven’t had the true Bollywood experience. Considering that nearly 2,000 movies a year are made in India, the most in any country, there’s a definite gap in my film knowledge. So, when asked to write a review of Alex Khan’s “Bollywood Wives,” a novel set against the backdrop of that industry, I was intrigued and eager to learn something. What I encountered was a type of storyline with which I’ve become very familiar over the years, but viewed in a whole new, and oftentimes very fascinating light.
The star of “Bollywood Wives” is Zara Das, the current queen of author Khan’s fictional version of Bollywood. Zara has come to England to take part in a lavish, all-star Bollywood version of “Pride and Prejudice” (it took the fictional producers a decade longer to come up with the idea than it took the producers of the real-life “Bride and Prejudice”). The supporting characters in “Bollywood Wives” are the various actors, producers, directors of the movie and their assorted friends and lovers, all of whom have all sorts of rivalries, feuds, insecurities, hang-ups, and hidden agendas. Khan serves all of this up with enthusiasm, exploring each main character’s mindset in depth as the action hops from one location, and often from one bed to another. There’s plenty of catty and sharp dialogue, as the women frequently try to take each other down. There’s plenty of sometimes graphic sex as well. And, there are bits and pieces of all kinds of common plot devices, including impotence, surrogate parenthood, secret sex tapes, blackmail, and closeted characters. Finally, and, fittingly for a book from an author who started out as a crime writer, there’s murder and attempted murder.
Truth be told, the above plot outline probably applies to a whole lot of steamy potboilers that often make the best sort of guilty reading pleasures. Judging “Bollywood Wives” by the standards of books by authors like Jacqueline Susann and Sidney Sheldon (I know I’m dating myself here, but this genre isn’t my forte), Alex Khan’s book holds up quite well. The novel, although lengthy, is quite readable, well plotted, and well organized. I could have done without some of the excessive foreshadowing Khan uses, but otherwise, the book flows smoothly and is easy to follow, despite its many characters. Some of them are a bit stereotypical (there’s one actress who should just have the letter “B” for bitch tattooed on her forehead), but, for the most part, they go beyond the stock saints and sinners who often populate this sort of work. The male characters in the book don’t come off all that well, though, as they take turns displaying all kinds of chauvinistic qualities whenever they have to deal with unsettling information. Also, although “Bollywood Wives” isn’t really a mystery, the identity of the culprits was rather well disguised, and the eventual reveal fooled me.
But “Bollywood Wives” isn’t just a typical, slick potboiler with a cast of characters who hail from Mumbai rather than Hollywood. For me, it was my first real immersion in the intricacies of the Indian film industry, and Bollywood and the underlying Indian culture are essential elements that shape the book and make it exotically different and more interesting than other works in this genre. “Bollywood Wives” repeatedly drove home the point that the Indian film industry isn’t just people in colorful costumes bursting into song at a moment’s notice. Instead, Bollywood has all the intrigue and dirty tricks of its American counterpart, but it also reflects Indian culture and that society’s more rigid class structure. Some of the characters in “Bollywood Wives” are essentially film royalty, which, in India, is considerably closer to Buckingham Palace than to the Kardashians. Zara, on the other hand, is a genuine rags-to-riches story, only in her case, the rags are literal. The Bollywood casting couch also rears its ugly head in the book, but the Indian version is far more debasing to its victims than anything encountered in Hollywood.
One major storyline in “Bollywood Wives” is entirely derived from the unique Indian film culture. As the book begins, Zara has been receiving death threats, which culminated in an explosion that killed her driver. These threats originated because, in her last picture, Zara actually had the audacity (on the director’s orders) to sing a song in the middle of an epic in which she played a revered historical figure. Many of Zara’s fans viewed her actions as heresy, and the fallout from the scandal is the main reason for her appearing in London as the book begins. My mind actually boggled at the thought that this type of “scandal” could have such repercussions, especially when contrasted with an American cinema in which popular young actresses can virtually do anything on- or off-screen without consequence.
This type of culture shock occurs several times in “Bollywood Wives”, and usually, Khan hasn’t added these incidents to the storyline merely to add to the book’s novelty value. Instead, the peculiarities of Indian and Bollywood culture shape the plot and the characters, giving them greater depth than you might imagine based on the genre. Since author Khan tells his story primarily from the perspective of the various characters, we don’t get the benefit of an omnipotent narrator delivering a lecture on history and culture, but, instead, we pick up bits and pieces gradually and often with greater impact. I don’t know how accurate “Bollywood Wives” is, but it definitely has the right feel to it, leading me to want to do some more research into that film industry.
I’ve tried to avoid any food references in this review, but I’ll finish up with one. “Bollywood Wives” is a well-made soap-operatic melodrama with a powerful cultural kick to it, like a healthy dose of curry, which gives it a uniquely exotic flavor. Fans of this type of novel or of the film world will find themselves going along with every plot twist and bit of intrigue. Hooray for Bollywood and these wives.