Emily Brontë was an English novelist and poet whose singular contribution to literature, Wuthering Heights, is now celebrated as one of the most powerful and original novels in the English language. Born into the remarkable Brontë family on 30 July 1818 in Thornton, Yorkshire, she was the fifth of six children of Maria Branwell and Patrick Brontë, an Irish clergyman. Her early life was marked by both intellectual curiosity and profound loss. After the death of her mother in 1821 and the subsequent deaths of her two eldest sisters in 1825, Emily and her surviving siblings— Charlotte, Anne, and Branwell—were raised in relative seclusion in the moorland village of Haworth, where their imaginations flourished in a household shaped by books, storytelling, and emotional intensity. The Brontë children created elaborate fictional worlds, notably Angria and later Gondal, which served as an outlet for their creative energies. Emily, in particular, gravitated toward Gondal, a mysterious, windswept imaginary land she developed with her sister Anne. Her early poetry, much of it steeped in the mythology and characters of Gondal, demonstrated a remarkable lyrical force and emotional depth. These poems remained private until discovered by Charlotte in 1845, after which Emily reluctantly agreed to publish them in the 1846 collection Poems by Currer, Ellis, and Acton Bell, using the pseudonym Ellis Bell to conceal her gender. Though the volume sold few copies, critics identified Emily’s poems as the strongest in the collection, lauding her for their music, power, and visionary quality. Emily was intensely private and reclusive by nature. She briefly attended schools in Cowan Bridge and Roe Head but was plagued by homesickness and preferred the solitude of the Yorkshire moors, which inspired much of her work. She worked briefly as a teacher but found the demands of the profession exhausting. She also studied in Brussels with Charlotte in 1842, but again found herself alienated and yearning for home. Throughout her life, Emily remained closely bonded with her siblings, particularly Anne, and with the landscape of Haworth, where she drew on the raw, untamed beauty of the moors for both her poetry and her fiction. Her only novel, Wuthering Heights, was published in 1847, a year after the poetry collection, under her pseudonym Ellis Bell. Initially met with a mixture of admiration and shock, the novel’s structure, emotional intensity, and portrayal of violent passion and moral ambiguity stood in stark contrast to the conventions of Victorian fiction. Many readers, unable to reconcile its power with the expected gentility of a woman writer, assumed it had been written by a man. The novel tells the story of Heathcliff and Catherine Earnshaw—two characters driven by obsessive love, cruelty, and vengeance—and explores themes of nature, the supernatural, and the destructive power of unresolved emotion. Though controversial at the time, Wuthering Heights is now considered a landmark in English literature, acclaimed for its originality, psychological insight, and poetic vision. Emily's personality has been the subject of much speculation, shaped in part by her sister Charlotte’s later writings and by Victorian biographies that often sought to romanticize or domesticate her character. While some accounts depict her as intensely shy and austere, others highlight her fierce independence, deep empathy with animals, and profound inner life. She is remembered as a solitary figure, closely attuned to the rhythms of the natural world, with a quiet but formidable intellect and a passion for truth and freedom. Her dog, Keeper, was a constant companion and, according to many, a window into her capacity for fierce, loyal love. Emily Brontë died of tuberculosis on 19 December 1848 at the age of thirty, just a year after the publication of her novel. Her early death, following those of her brother Branwell and soon to
I listened to the audio version, over the course of almost a year. From last December, when I wrote my first poem in 17 years, to this November, when I wrote my 19th poem in which I describe a girl-talk scene with Emily, when we are having a walk through the moors, and she is talking to me with her harsh Yorkshire accent, blaming me for all that has happened, until I break down to tears and I'll get a tough hug from her and an immediate "let's go back, dew is starting".
From that, you can know how infatuated with her world I am.
4.75/5 Emily’s poetry in this specific collection is quite dark. However, it is ver good and I really enjoyed it! This is my favourite collection of poems I’ve read from her thus far!
FAITH AND DESPONDENCY – Beautiful, “Through wind and ocean’s roar.” “And murmur that your friends must die.” ****
STARS – Wow! Glorious! The stars as companions and the sun as a threatening enemy. *****
REMEMBRANCE – Worth reading frequently. “Cold in the earth .. Have I forgot .. to love thee…?” [Also, sometimes listed as ‘R. Alcona to J. Brenzaida’]****
SONG, or “My Lady’s Grave”, or “The linnet in the rocky dells”
ANTICIPATION – “How beautiful the earth is still ..” Wonderful ****
THE PRISONER – “In the dungeon crypts … overruled by heaven.” Divine, literally. ****
TO IMAGINATION – “When weary with the long day's care..” Clever, truly imaginative! ****
DEATH! That struck… - Wow, Shakespearean intensity! Mary Shelley’s blasted tree metaphor appears as the closing stanza: “Strike it down, that other boughs may flourish Where that perished sapling used to be; Thus, at least, its mouldering corpse will nourish That from which it sprung - Eternity.” *****
HONOUR'S MARTYR - Come on!! How gorgeous is this!!??!!! *****
The moon is full this winter night; The stars are clear, though few; And every window glistens bright With leaves of frozen dew. The sweet moon through your lattice gleams, And lights your room like day; And there you pass, in happy dreams, The peaceful hours away! . . . {and how about this} So foes pursue, and cold allies Mistrust me, every one: Let me be false in others’ eyes, If faithful in my own. - - - -
STANZAS – Tender words of sweetness and affection for the dying and departed ****
THE OLD STOIC – ‘Riches I hold in light esteem… In life and death a chainless soul.’
“No coward soul is mine, No trembler in the world's storm-troubled sphere”
Truly gorgeous collection of beautiful poems. Concluding with: “Often rebuked, yet always back returning To those first feelings that were born with me, And leaving busy chase of wealth and learning For idle dreams of things which cannot be:
To-day, I will seek not the shadowy region; Its unsustaining vastness waxes drear; And visions rising, legion after legion, Bring the unreal world too strangely near.
I’ll walk, but not in old heroic traces, And not in paths of high morality, And not among the half-distinguished faces, The clouded forms of long-past history.
I’ll walk where my own nature would be leading: It vexes me to choose another guide: Where the gray flocks in ferny glens are feeding; Where the wild wind blows on the mountain side.
What have those lonely mountains worth revealing? More glory and more grief than I can tell: The earth that wakes one human heart to feeling Can centre both the worlds of Heaven and Hell.”
Fascinating poems by a fascinating woman who was fascinated by winter, death, solitude, love, nature and stars. *****
“STARS” (1846) by Emily Brontë
Ah! why, because the dazzling sun Restored my earth to joy Have you departed, every one, And left a desert sky?
All through the night, your glorious eyes Were gazing down in mine, And with a full heart's thankful sighs I blessed that watch divine!
I was at peace, and drank your beams As they were life to me And reveled in my changeful dreams Like petrel on the sea.
Thought followed thought—star followed star Through boundless regions on, While one sweet influence, near and far, Thrilled through and proved us one.
Why did the morning rise to break So great, so pure a spell, And scorch with fire the tranquil cheek Where your cool radiance fell?
Blood-red he rose, and arrow-straight, His fierce beams struck my brow; The soul of Nature sprang elate, But mine sank sad and low!
My lids closed down—yet through their veil I saw him blazing still; And bathe in gold the misty dale, And flash upon the hill.
I turned me to the pillow then To call back Night, and see Your worlds of solemn light, again Throb with my heart and me!
It would not do—the pillow glowed And glowed both roof and floor, And birds sang loudly in the wood, And fresh winds shook the door.
The curtains waved, the wakened flies Were murmuring round my room, Imprisoned there, till I should rise And give them leave to roam.
O Stars and Dreams and Gentle Night; O Night and Stars return! And hide me from the hostile light That does not warm, but burn—
That drains the blood of suffering men; Drinks tears, instead of dew: Let me sleep through his blinding reign, And only wake with you!
- - -
“TO IMAGINATION” (1846) by Emily Brontë
When weary with the long day's care, And earthly change from pain to pain, And lost, and ready to despair, Thy kind voice calls me back again: Oh, my true friend! I am not lone, While then canst speak with such a tone!
So hopeless is the world without; The world within I doubly prize; Thy world, where guile, and hate, and doubt, And cold suspicion never rise; Where thou, and I, and Liberty, Have undisputed sovereignty.
What matters it, that all around Danger, and guilt, and darkness lie, If but within our bosom's bound We hold a bright, untroubled sky, Warm with ten thousand mingled rays Of suns that know no winter days?
Reason, indeed, may oft complain For Nature's sad reality, And tell the suffering heart how vain Its cherished dreams must always be; And Truth may rudely trample down The flowers of Fancy, newly-blown:
But thou art ever there, to bring The hovering vision back, and breathe New glories o'er the blighted spring, And call a lovelier Life from Death. And whisper, with a voice divine, Of real worlds, as bright as thine.
I trust not to thy phantom bliss, Yet, still, in evening's quiet hour, With never-failing thankfulness, I welcome thee, Benignant Power; Sure solacer of human cares, And sweeter hope, when hope despairs! - - -
“HOW CLEAR SHE SHINES”
How clear she shines ! How quietly I lie beneath her guardian light; While heaven and earth are whispering me, " To morrow, wake, but, dream to-night." Yes, Fancy, come, my Fairy love ! These throbbing temples softly kiss; And bend my lonely couch above And bring me rest, and bring me bliss. …. While gazing on the stars that glow Above me, in that storm-less sea, I long to hope that all the woe Creation knows, is held in thee ! And, this shall be my dream to-night; I'll think the heaven of glorious spheres Is rolling on its course of light In endless bliss, through endless years; I'll think, there's not one world above, Far as these straining eyes can see, Where Wisdom ever laughed at Love, Or Virtue crouched to Infamy; … - - - - - “HONOUR'S MARTYR” The moon is full this winter night; The stars are clear, though few; And every window glistens bright With leaves of frozen dew. The sweet moon through your lattice gleams, And lights your room like day; And there you pass, in happy dreams, The peaceful hours away! . . . So foes pursue, and cold allies Mistrust me, every one: Let me be false in others’ eyes, If faithful in my own. - - - -
The moon has set, but Venus shines A silent silvery star. - - -
High waving heather, 'neath stormy blasts bending, Midnight and moonlight and bright shining stars; Darkness and glory rejoicingly blending, Earth rising to heaven and heaven descending, Man's spirit away from its drear dungeon sending, Bursting the fetters and breaking the bars. - - -
One child - when born and when old? or Two children - one died young, the other lived?
“The Two Children” by Emily Brontë Heavy hangs the raindrop From the burdened spray; Heavy broods the damp mist On uplands far away;
Heavy looms the dull sky, Heavy rolls the sea— And heavy beats the young heart Beneath that lonely tree.
Never has a blue streak Cleft the clouds since morn— Never has his grim Fate Smiled since he was born.
Frowning on the infant, Shadowing childhood’s joy, Guardian angel knows not That melancholy boy.
Day is passing swiftly Its sad and sombre prime; Youth is fast invading Sterner manhood’s time.
…………….
I KNOW that to-night the wind it is sighing, The soft August wind, over forest and moor; While I in a grave-like chill am lying On the damp black flags of my dungeon floor.
I know that the harvest-moon is shining; She neither will soar nor wane for me; Yet I weary, weary, with vain repining, One gleam of her heaven-bright face to see.
For this constant darkness is wasting the gladness, Fast wasting the gladness of life away; It gathers up thoughts akin to madness, That never would cloud the world of day.
I chide with my soul—I bid it cherish The feelings it lived on when I was free, But sighing it murmurs, 'Let memory perish, Forget, for my friends have forgotten me.'
Alas! I did think that they were weeping Such tears as I weep—it is not so! Their careless young eyes are closed in sleeping; Their brows are unshadowed, undimmed by woe.
Might I go to their beds, I'd rouse that slumber, My spirit should startle their rest and tell, How hour after hour, I wakefully number, Deep buried from light in my lonely cell!
Yet let them dream on; tho' dreary dreaming Would haunt my pillow if they were here; And I were laid warmly under the gleaming Of that guardian moon and her comrade star.
Better that I my own fate mourning, Should pine alone in this prison gloom; Then waken free on the summer morning And feel they were suffering this awful doom. August 1845. - - - ……………………….
“Then like a tender child whose hand did just enfold Safe in its eager grasp a bird it wept to hold When pierced with one wild glance from the troubled hazel eye It gushes into tears and lets its treasure fly
Thus ruth and selfish love together striving tore The heart all newly taught to pity and adore; If I should break the chain, I felt my bird would go Yet I must break the chain or seal the prisoner's woe -”
I'm not a huge poetry reader, but this volume caught my eye, so I decided to give it a try. I ended up spending an enjoyable hour or so listening through it while I drove. I was very interested in the way Emily processed through the idea of death and resurrection, and I think I'd like to come back one day with a print copy and think through the poems again. My one complaint is that the audiobook narrator didn't pause between poems, so they started to run together and it was hard to keep things straight.