“It would be reasonable to ask: could he live with more self-hatred? He’d already survived with plenty of it. Eventually, it faded like everything else. You got used to being the person you hoped you wouldn’t be. You adjusted your goalposts and moved on. It was only on those unexpected moments when you looked back at what you had intended to be that it really hurt.”
Retribution is the second novel by Australian farmer and author, Richard Anderson. It’s a typical small town in country NSW. Former Federal MP for Lindon, Caroline Statham is there because her developer husband, Bob has a property (with a showpiece garden) on the outskirts; Graeme Sweetapple lives on a small holding next door, running some livestock and agisting horses; Carson Wright grew up there but has tried unsuccessfully to leave; and after a stint at the mine protest site, Luke Griffiths is doing a bit of fencing while he works out where to go next.
Very early on Christmas Day, Graeme is just bringing home a few steers, the result of a late-night duffing foray, when he comes upon an overturned ute with an injured driver. He stops to help but, because of his cargo, is eager to be on his way before the authorities arrive, when the passenger hands him a potentially dangerous parcel.
Later in the day, Bob Statham visits Graeme’s farm with a proposal. The prospect of clearing a long-standing inherited debt sees Graeme ignoring his conscience and agreeing to steal a horse. And what a horse Retribution is! Graeme has her hidden on his farm: it’s meant to be a temporary situation, but then he falls in love.
As Graeme, Carson and Luke dream up schemes for switching horses, the unthinkable happens. If they each had reasons for their simmering anger before, they now have a real reason to act.
Anderson gives the reader a great story: an original plot with an exciting climax (or two) and a truly wonderful ending, one that will put a smile on most faces. His characters are familiar, appealing and more than one-dimensional; his setting is expertly depicted and bears ample evidence of his first-hand experience; he also touches on a few topical issues like PTSD, assistance to struggling farmers, environmental protests, the plight of old and injured horses and sexual harassment.
“She knew he had already looked her over again; it was his accepted right, so deeply ingrained that he didn’t even know it existed. He had no idea what a prick he was.”
Carson tells us a bit about Sweetapple: “He was like so many other guys she knew: quiet, certain about what he thought was important and what wasn’t, and annoyed by fuss. But he burned inside: an unexplained brightness that made him interesting, attractive, and worth being around. She wondered if the fire didn’t come from something like hate, but she never saw any actions arise from an emotion like that: he didn’t ever direct anger or violence at her or anyone he knew, and certainly not at one of his animals. Carson had the feeling that he did wild, unexpected things that he didn’t tell her about. Sometimes she wondered if she wasn’t just hanging around to find out what would happen.”
Anderson has a deft hand at descriptive prose: “They drove in silence, but the energy in the car was enough to make the windows bulge” and manages to delight with the banter between characters and some laugh-out-loud moments involving email scams and cross-dressing. It is rumoured that Anderson has more of Stony Creek (The Good Teacher) in store for readers; meanwhile, this second novel will keep his fans abundantly satisfied. Brilliant Aussie fiction.
This unbiased review is from a copy provided by Scribe Publishing Australia.