Changes: A Love Story

by Ama Ata Aidoo

Changes is a story about Esi, an independent woman who leaves her husband, Oko, because he intrudes on her time and personal space. Confronted with the difficulty of finding love and companionship on acceptable terms, Esi meets Ali and falls in love, but she must decide if she is willing to make the changes necessary for a relationship. In Changes Ama Ata Aidoo addresses various issues in contemporary African women's love, career, betrayal and family, without offering simple solutions.

Genres: Fiction, Africa, Ghana, African Literature, Romance, Feminism, Contemporary

192 pages, Library Binding

First published January 1, 1991

About the author

Ama Ata Aidoo was a Ghanaian author, poet, playwright, politician, and academic. She was Secretary for Education in Ghana from 1982 to 1983 under Jerry Rawlings's PNDC administration. Her first play, The Dilemma of a Ghost, was published in 1965, making Aidoo the first published female African dramatist. As a novelist, she won the Commonwealth Writers' Prize in 1992 with the novel Changes. In 2000, she established the Mbaasem Foundation in Accra to promote and support the work of African women writers.

(from Wikipedia)

Reviews

[Cheryl]

Chey, dey drama nah easy oh. There is something so captivating about the emotional capital of these characters, something so intriguing about Esi's views about marriage and partnership. I love that Ama Ata Aidoo's novel follows the independent Black woman, a statistician, mother and wife who stubbornly seeks her own path, much to the chagrin of her friends and family. She disappoints many who are grounded in cultural practices, still, she creates her own bubble within the structure of cultural norms.

Who divorces a husband so in love with his wife? her family wonders. As if there isn't such a thing as frenzied obsession that would cause a husband to force himself upon his wife. Esi, fleeing a marriage of unrequited love for the love she finds in Ali, must decide whether she prefers to be his mistress or become his second wife. She chooses the latter. The plot and character are unapologetically bold, even if also held captive by societal structures. This is what makes Changes so fascinating. Fractions of African culture are explored gracefully, the institution of marriage examined seamlessly through story, and self-actualization permeates the novel as two bestfriends, Esi and Opokuya, inquire about each other and by doing so, uncover truths about themselves.

The picture on my book cover matches Esi's spirit, and it matches mine as I read this book. I laughed with Esi when she won, nodded when she explained how she imagined love and life, sucked my teeth when she became annoying, and cheered for her victories. Even within a patriarchal society where, as a second wife, she must avoid questions and ignore her husband's whereabouts, she still feels empowered to make choices that feel freeing. Most importantly, she has her bestfriend, Opo. Although the novel is about a woman whose idea of love is rooted in choice and independence, the novel is also about friendship, those from whom one seeks support when motherhood or marriage is overwhelming.

Changes won the 1992 Commonwealth Prize for Literature in Africa. It is a love story put into proper perspective that is reflective of the gender realities of the time. At first glance it may seem confusing, because of the experiment with genre. For instance, some of the story appears in lines, like a prose poem. Other sections resemble a play. What is certain is that this is laced with drama. And this is what I enjoyed most. Bring on the popcorn. I was hooked to these pages. Aidoo has written poetry and fiction, buy says she is the "happiest of all with drama." It shows.

[Emma Deplores Goodreads Censorship · Rating 3 out of 5]

This is an interesting novella from a Ghanaian feminist author. I made the mistake of taking the subtitle (“A Love Story”) seriously, and so wasn’t prepared for the heavy material it actually contains – professional women struggling to find contentment in a society that retains traditional, conservative expectations about women’s roles. To the point that, within the first 15 pages, the protagonist is raped by her husband, then reflects that the concept of marital rape doesn’t exist in her society, and in fact other women would be jealous of her for exciting such passion.

I don’t mean to suggest by my rating that this is a bad book; the author does a good job of conveying the characters’ personalities and the societal pressures upon them. At 166 pages (it tops 200 only with the addition of a critical essay, which does provide some helpful context, as well as a glossary), it proved too short for me to get to know the characters or become accustomed to Aidoo’s writing style. She has some stylistic quirks, such as the scattered commentary set off in block quotes. It felt underdeveloped to me, though it appears that for other readers the book achieves exactly what the author intended.

As far as African feminist works go, I liked this slightly better than So Long a Letter, but not so well as Nervous Conditions, Happiness, Like Water or Zenzele.

[Julia971 · Rating 5 out of 5]

Reading the synopsis, I knew this book was the book for me.

Women voices , tradition, modernity, womanhood, sorority, mariage, truths, lies, choices ...
These are all the subjects of this book. The plot follows mostly Esi: a wife and mother, considering divorce as a possible solution to fix her problems. The other characters are not as developed so I would say Esi is the main character and I felt her pain, I wondered what the new path she was creating for herself would bring to her.

It's not a feel good book; it's not "there is no problem, only solutions" it's more: "there is no solution, only problems"; but in a real, interesting, captivating way.

[Nathaniel · Rating 3 out of 5]

This is my first exposure to Aidoo, who is better known for her drama than for her fiction. "Changes" is a compact and mature look at a woman's inability to find satisfactory companionship and love in modern day Accra, Ghana. The insights into polygamy from both the female and the male perspective were fascinating and the passages showcasing marriage negotiations and traditions were a definite highlight.

The writing itself is fairly spare and unremarkable, earning perhaps a mental grin now and then. At times it seems so matter-of-fact and confined to the protagonist's head that a reader wonders if it will devolve into a simple romance--which it never does. At its best it verges on deadpan and sports an understated, almost defeated sort of wit ("Although she knew there was nothing positively wild in how she was feeling about him, there was nothing negatively wild in it either. Definitely, she had no urge to run and scratch his face. Maybe if she had done, or shown her anger in any of the other ways she had planned, (he) would have felt better"). Throughout the novel(la?) the writing rings true and the characters are entirely believable.

The book is not at all oppressed by references to contemporary African politics or conspicuous references to poverty and misery. All the actors are comfortably middle class and the real target of Aidoo's analysis is Africa's understanding of gender.

I'll read another book of hers after this.

[Leslie · Rating 4 out of 5]

I quite enjoyed this 1991 offering by an author whose works I have been meaning to read for a long time. It is a love story that illustrates the tensions for women who don't want to be confined by static, "traditional" feminine roles.

In the Afterward by Tuzyline Jita Allan, she quotes Ama Ata Aidoo from an article Aidoo wrote for Dissent: "When people ask me rather bluntly every now and then whether I am a feminist, I not only answer yes, but I go on to insist that every woman and every man should be a feminist---especially if they believe that Africans should take charge of our land, its wealth, our lives, and the burden of our development. Because it is not possible to advocate independence for our continent without also believing that African women must have the best that the environment can offer. For some of us, this is the crucial element of our feminism."

My only qualm with this book is that this edition was not edited carefully.

[Anetq · Rating 4 out of 5]

For better or worse a story about women's situation in Ghana - On the surface it is a love story: Esi is fed up with her husband and decides to leave him - and divorce him (even though he doesn't beat her, which seems to be the only valid reason for doing that). But she also falls in love with another man. And that is a bit complicated and makes for a lot of changes in her status and life in general.

Women's status is the point of the book - sometime explicitly, like when the two friends have this conversation:
But Opokuya wasn't having any of her self-pity. So she countered rather heavily: 'Why is life so hard on the professional African woman? Eh? Esi, isn't life even harder for the poor rural African woman?'
'I think life is just hard on women,' Esi agreed.
-> Ah, the eternal argument any woman wanting equal rights and opportunities will meet: "but there are women worse off in other places" [so you should just shut up and take it - may I recommend [book:Women & Power: A Manifesto|36525023] by Mary Beard to anyone who want to trance that theme back to ancient Greece!]

[Santy · Rating 5 out of 5]

Called a classics for a reason!

Brilliantly written & Thoroughly thought-provoking.

[Ayooluwa · Rating 4 out of 5]

I really liked reading this book. I was expecting Changes to be a romance novel, with butterflies and warm feelings. It's definitely not that. I found that it was more of a social commentary exploring the dynamics of monogamous and polygamous relationships, the struggle between culture/tradition and Western ideals, and a larger statement about gender relations in Ghana. The message is somewhat similar to So Long a Letter by Mariama Bâ.

I liked the exploration of platonic love, through Esi and Opokuya's friendship, and I enjoyed learning about Ghanaian Hausa culture (which is featured in the novel) and comparing it to Nigerian Hausa culture. I'd definitely recommend this book to anyone who's looking for a short and somewhat lighthearted African story.

For more book review, visit my blog thelitafrican.com.

[Theresa · Rating 3 out of 5]

A fascinating novella set in modern-day Ghana, Africa whose protagonists are grappling with gender, marriage, divorce, work and relationship concerns. It offered a look into the practice of polygamy that, while technically illegal, could still occur between a wealthy man and a willing female. References to the local foods, customs and places enriched the story. While Esi and Opokuya's characters were quite developed, the book would have been stronger with more about Fusena - Ali's 'first' wife.

[Mike · Rating 5 out of 5]

Ghanian women and Modernity: Independence?

Modern Ghanaian women suffer daily sacrifices, lifelong barriers to their advancement, and an emerging modernity which has multiplied their duties but not simplified their lives. Changes focuses on a three year period in the lives of Esi Sekyi, Opokuya Dakwa, and Fusena Kondey, three women approaching their mid thirties in Accra, Ghana.
In Changes we can see the evidence of a complex struggle in the name of modernity between African women and society, families, traditions, and their own desires. From the perspectives of Esi, Opokuya, and Fusena, Aidoo shows us how such modern African women view their lives, and with what methods they are willing to fight to improve their lives.
Esi, Opokuya, and to a lesser degree the much-suppressed Fusena, fight against more than just an accumulation of oppressive tradition that favors men. They struggle for appreciation of their talents and for an equal part in guiding their marriages. Esi and Opokuya struggle to build marriages and relationships that allow them to reap their benefits of their individuality and their educations, and exercise their own free wills, without making them overworked, or being labeled mad women and witches. The reaction of their families, husbands and communities to these women reveal modern dilemmas for educated African women.

Aidoo's love story traces Esi's distinctly rebellious and independent path to love and marriage, as contrasted to the more traditional married lives of Opokuya and Fusena.; in doing so, the novel illustrates women challenging a postcolonial African society on all fronts. This front is as diverse as the workplace, in hotel bars, in the kitchen, on the road driving alone in their new cars, in the rural traditional village, and in the bedroom. Despite often finding that lonely independence is untenable, Esi and Opokuya achieve moderate success in their fight. Their resiliency indicates shifting gender roles in Africa, and some compatibility between tradition and these new roles.

I give this book 5 stars because ot is an extremely rich story told frankly and believably. The material even seems politically important (perhaps all novels should try to be so?) in that it addresses real problems facing Africa and does not always provide answers, although it certainly proveds a rich cast of characters attempting to do so.

[Litsplaining · Rating 4 out of 5]

I gave this book a 4.5 stars.

I found that this novel was a lesson in love for me. Aidoo presents us with the story of Esi, a Ghanain woman who has been thoroughly educated about the world but, not about love.

Esi's character reads like a modern soap opera about a woman who has grown tired of her neat marriage and has started to crave adventure even though Esi herself labels this longing as a desire to not be under the thumb of any man especially, her husband, Oko, who she sees as a mama's boy who is looking for a maid opposed to a wife. To rectify this conundrum, Esi decides that she will separate from her husband to live the life that she has always wanted. However, while living this life, she finds a new love interests in Ali, a devout Muslim man who offers her the chance to be his second wife after their torrid love affair. From here many emotional and social problems commence.

Aidoo writes a novel that is full of cultural nods toward the ever present battle between European and African civilizations. Thankfully, none of these nods come off as preachy or as being blatant PSA's on what the "White man has done to us." This novel shapes up to be an intellectual version of chick lit. Well written and persuasive at some points, the novel gives the reader a look into a modern Africa that is not often talked about. The novel is good for anyone who wants to expand their horizons into a broader sphere of world literature without becoming too overwhelmed. I would definitely recommend this novel to anyone who wants a chance to look at postcolonial African cultures or just wants a different type of beach read.

[Rowland Pasaribu · Rating 4 out of 5]

The Power of Education

All of the major characters in the novel are well-educated. Their education is not only the mark of their place in society but also an ironic and elusive symbol that signifies both change and stasis at the same time. The two primary lovers in the novel, Esi and Ali, are also the most highly educated. Esi holds a master’s degree, and Ali has studied in France and England. Upon hearing of Ali’s second marriage, the first question that his wife, Fusena, asks him is whether or not the woman has a university degree. This question highlights the degree to which education symbolizes progress, modernity, and independence for the women of the novel.

For Esi, her education enables her to have a well-paying job that can secure her independence. It is precisely that independence that attracts Ali to her, and it is the same independence that earns Esi the scorn of her first husband’s family. Esi’s education sets her apart from traditional African culture, making her feel alienated from her mother and grandmother, neither of whom can understand her attitudes towards marriage and work. Ali is as educated as Esi, and like her, he struggles to balance the two worlds in which he lives. When Ali proposes to his elders that he take a second wife, they are shocked. For them, Ali’s education has propelled him into a new world that does not allow for such actions.

[Moji Delano · Rating 2 out of 5]

When I first started this book I almost liked it.
Almost because I liked the Characters I was introduced to but noticed some inconsistencies in the writing.
But when I got to know the characters my initially opinion changed and I finished the book NOT liking what I had read. It had nothing to do with the little writing inconsistencies and more to do with how annoying the characters turned out to be. We have a heroine who initially appeared to be a career woman and feminist but turns out to be confused and didn't even know what she wanted from relationships and lacked self love. And then there's her love interest, an entitled scum empowered by a patriarchal society regardless of his education. The sad thing is despite the fact that this book was written in 1991, the characters still reflect the folly of many in today's African society where not much has changed.
I only managed to finish it because it was being read by my virtual book club, so I wouldn't recommend it. Maugre that however, it wasn't wasn't a bad book.

[Louise · Rating 3 out of 5]

I was expecting more from this book. I found the writing ordinary and the character development lacking. In fact, I did not like a single character in this story. I think I might have liked Fusena had we gotten to know her better but I found both Ali and Esi rather self-absorbed. Esi's parenting skills left much to be desired as well. The topic was interesting though, and expertly handled by Ama Ata Aidoo.

[Heta · Rating 2 out of 5]

This book had an incredibly promising premise, but I ultimately ended up wanting more from it. I felt like the time structure, with a lot of juvenile jumps in time with those "It had already been a year since..." type of lines that I despise, was just so off and constantly pulled me out of the story. Aidoo's women - Esi, Opukyua, Fusena - are charming, the men rather onedimensional and ones I did not care about at all. Could have been much, much better, but also much, much worse.

[Carmen · Rating 3 out of 5]

"Yes, Mma. Yes, Auntie. Yes...yes...yes," was all she said to every suggestion that was made. The older women felt bad. So an understanding that had never existed between them was now born. It was a man's world. You only survived if you knew how to live in it as a woman. What shocked the older women though, was obviously how little had changed for their daughters -school and all!

[Sadye Storey · Rating 5 out of 5]

How much happiness is a woman allowed to pursue? If a woman's happiness is selfish, is she still allowed to pursue it? These are some of the fundamental questions Changes asks.

A must read for anyone interested in postcolonial literature.

[Anna Prasser]

boah ich finds so schwierig dieses Buch zu raten…wirklich interessante Inhalte aber ich fand’s einfach so schirch zu Lesen wie die emanzipierte Esi zwischen Tradition und Fortschritt gefangen ist. Ama Ata Aidoo beleuchtet die Komplexität der Rolle der Frau in einer sich wandelnden, vom Kolonialismus geprägten, unter westlichem Einfluss stehenden, sehr patriarchalen Gesellschaft…wirklich interessant aber sehr heavy und frustrierend

Sorry an meine Zimmerkollegin, dass ich mich alle fünf Minuten über einen der drei Männer aufregen musste… glaub ich war ein bisschen zu investiert in dieses Novelle

[Ashley Andino · Rating 3 out of 5]

Beautiful written but I was in a book slump.

[Kansas · Rating 5 out of 5]

Es la historia de Esi y su lucha por encontrar un sitio en un mundo cada vez más moderno y estresante, y sin embargo también un mundo todavía muy enquistado en ciertas tradiciones que le impiden evolucionar. Esi está casada y tiene una hija, y además profesionalmente tiene éxito, incluso gana más dinero que su marido, y quizás ese sea el problema porque la insatisfacción de Esi le viene también por las presiones de su marido que no es capaz de gestionar el tener una esposa trabajadora y económicamente mas autosuficiente que él, que viaja y que ha decidido no tener más hijos.

" could I have done more than I did as a wife and a mother, and still be able to compete on an equal basis with my male colleagues in terms of my output? How can I do more than I'm already doing and compete effectively for promotion, travel opportunities and other side benefites of the job?"

Esi no es la única mujer en esta novela, hay varias y cada una de ellas responde a un tipo diferente social y cultural, pero todas tienen el nexo común de ser mujeres africanas, emocionalmente siempre presionadas por esta sociedad patriarcal tan cerrada, tienen que abrirse paso a codazos a fuerza de sacrificar muchas cosas, personas, en el camino. Ellas tienen que sacrificarlo casi todo, lo tienen mucho más dificil, siempre cuestionadas, casi siempre utilizadas.

Siguiendo con mi enganche con la literatura africana que descubrí recientemente, Ama Ata Aidoo es otra escritora africana que he conocido, maravillosa y luminosa, cuantas joyas literarias tiene Africa y que invisibles siguen siendo, ojalá sean mas editados, sobre todo las autoras que no dejan de sorprenderme una y otra vez por ese mundo de mujeres fuertes y valientes, continuamente combatiendo desde dentro, desde casa, desde sus emociones para encontrar su lugar en este mundo. Changes es una novela realista, de ahora y universal.

Mensaje a las editoriales españolas: Necesitamos más autoras africanas!!!

[Stef Rozitis · Rating 5 out of 5]

More fool me for letting this take me so much by surprise. In my head I was hedging about African women's lesser access (supposedly) to feminist discourse. In my defence I am not being racist (I hope) but African friends themselves intelligent and somewhat feisty women have said that in their own continent they have to keep their feminism undercover to avoid upsetting the fragile men (men of every culture seem fragile).

This book was as complex and courageous as even I could have wished. I kept suspecting it of trying to redeem either Ali or Oko and bracing myself to be cross. Then the twist right at the end again I was cross. But Esi ultimately dealt with them all, even if she managed to have some fun along the way.

The critical notes at the back pointed out many of the things I had noticed but also added context from other African women writers and other relevant events and writings. This has prompted me to seek out other feminist African writers as well as reading more from Aidoo who has not exactly been welcomed into her calling by literary men.

[Janaki · Rating 4 out of 5]

This is a text that once again fleshes out what Gayle Rubin called the 'enormous diversity and monotonous similarity' of women's lives. Set in urban Ghana in the last decade of the 20th century, Aidoo's female characters struggle to make sense of a world where 20th century women's expectations of life, love and career scrape against a new modern patriarchy that simply cannot comprehend their dissatisfaction or unhappiness. Written with occasional wry humour and compassion, Aidoo doesn't caricature anyone - men or women- and provides a glimpse of a post colonial society without smoothening out the complexities. The writing was pitched well except for some surprisingly tritely written portions especially regarding the interaction between two female friends.

[Nikhil · Rating 4 out of 5]

A portrait of the shifting landscape of marriage and women’s social standing in post-independence Ghana. The changes bring trade offs, with unforeseen costs and benefits. The rich depiction of three women’s different marriages, each with their own troubles, betrayals, and benefits, are the heart of the novel. The text is pessimistic as to whether current marriage structures can provide fulfillment for women — none of the different structures work in the face of male ego, control, violence, and betrayal. The text calls for different social relations and understandings of divinity — one in which some humans aren’t gods, and the gods aren’t male devourers — before marriage can actually be liberating for women.

[Kim · Rating 5 out of 5]

A book most women can relate to.

[Malaika Aryee-Boi · Rating 4 out of 5]

Thoroughly enjoyed this. Left me sad at the end but yeah Ama basically said men are trash but in 167 pages.

[SEKAYI TIGERE · Rating 5 out of 5]

I loved this book. Really thought provoking and heavy on the emotions

[Boakye Alpha · Rating 4 out of 5]

On Rereading Classics — Changes by Ama Ata Aidoo.


As a Creative Writing student, I have often engaged in discussions about form, style, and what it means to write from “home”—writing in a style that is distinct to my culture/influenced by my subject matter. Personally, I do not believe there is an African way of writing, however, I can’t argue the fact that there is some distinctness that exists—overtly or not—between Western prose and prose from African writers. And I say this careful not to join the ongoing debate about the fact.

I frequently reflect on the notion that possessing a distinct style—however one defines it—may not suffice in the competitive landscape of commercial book publishing. That my readers might not be in the Western market, especially for my ongoing novel. I sometimes get a sense of this from my workshops.

While my workshop environment itself does not impose—because the program understands the importance of diverse styles and backgrounds and therefore, encourages accommodation for these—I fear have been impressionable in my thinking. Or maybe not.


“Maybe if I try to write like them, they will get it”. I mostly conclude. It has been a battle—a minor one, I must add.

Ergo, I find the need to reread classics lately a useful exercise.

Reading Changes by Ama Ata Aidoo has reminded me of what it looks like to be authentic in your style, be unique in your voice, stay close to your roots (not being too impressionable to please the Western market) and still amass a global readership.

Safe to say this conversation extends beyond the quality of writing or any perceived shortfalls in her prose—if there are any. I know for sure mine does lol—but the fact that when you pick Ama Ata Aidoo’s works, you immediately know there is something unconventional about it. Something unapologetic about its existence, in whatever form or style. And that is the beauty of my encounter with her and other great writers from Africa, lately.

In Changes, Ama Ata Aidoo inaugurates a new realist style in African literature. Aidoo’s portrayal of contemporary life in Accra offers an authentic depiction of the societal and personal challenges her characters navigate.

Aidoo develops a narrative voice that combines empathy with critical observation. This nuanced tone enables readers to engage deeply with the characters' struggles while also encouraging reflection on broader societal issues. For example, Esi’s choice to leave her first marriage and enter a polygamous relationship is presented with both understanding and critique. Aidoo does not merely present these decisions as right or wrong but instead explores their complexities.

Changes has this distinctive narrative style, which forfeits conventional prose style to embrace a form that is not “prose-like”. It reads like someone has sat you down to tell you a story with no care for flowery language, yet not devoid of literariness, a style reminiscent of oral storytelling traditions.

Getting re-introduced to her “style” of writing—or at least, of writing Changes—has reminded me of what is important. And it is not style—and whether or not readers can relate to it.

[Georgiana 1792 · Rating 3 out of 5]

Un romanzo ambientato in Ghana e che parla dei problemi di molte donne africane - ma non solo - che vorrebbero cambiare la loro situazione, ma che, quando tentano di farlo, rischiano di cadere dalla padella nella brace.
Emblematica questa discussione tra la protagonista, Esi, che lascia il marito Oko e finisce col diventare la seconda moglie di un uomo musulmano, Ali, e la sua migliore amica Opokuya, che sembra invece avere un rapporto di coppia più tranquillo e appagato con il marito:

«Ma se quando ci siamo conosciuti Oko mi ha detto che quello che più lo attraeva di me era il mio spirito indipendente!»
Opokuya aveva iniziato a ridacchiare, per poi scoprire che non riusciva più a smettere. «Vedi, succede a tutte noi. Esi, ascoltami: gli uomini non sono realmente interessati all’indipendenza di una donna o alla sua intelligenza. I pochi che dichiarano di amare le donne intelligenti e attive sono anche interessati ad avere quelle stesse donne a tempo pieno nel loro letto e nella loro cucina.»
«Il che è impossibile. È una contraddizione.»
«Certo. Ma così è. Pochissimi uomini si rendono conto che le ragazze sveglie che incontrano e di cui si innamorano sono sveglie proprio perché, tra le altre cose, fanno lavori complessi in posti stimolanti. Che questi lavori sono anche impegnativi. Che è anche il tipo di lavoro che tiene la mente attiva, viva. Guarda, spesso e volentieri, la prima cosa che un uomo che sposa una donna soprattutto per la prontezza del suo cervello cerca di fare è chiederle di passare a un lavoro più “ragionevole”. O di fare un part-time, e non un lavoro a tempo pieno. Lo schema non cambia mai, proprio mai. E poi un lavoro “ragionevole” di solito è pure un lavoro idiota.»
«E un lavoro part-time non ti darà mai lo stesso stimolo di uno uguale ma a tempo pieno.»
«Esatto! E così, quando una donna cambia lavoro in questo modo, la maggior parte delle volte la sua visione inizia a restringersi, e inizia a sentirsi annoiata e insoddisfatta.»
«E magari lui inizia pure a trovarla un’idiota.»
«Esatto.»

[Sonja · Rating 4 out of 5]

Changes, a Love Story was written by Ama Ata Aidoo, the well-known Ghanaian feminist writer. Reading the book was a fascinating journey into womanhood and Ghanaian women’s views of men and marriage in a post-colonial Muslim society. How do women who have careers react when men who have more freedoms and patriarchal power behave in the old ways? What does a woman do when she is unhappy in a marriage?
In this book we see a modern Ghanaian woman not only accepting the role of a second wife but discussing her choices with family in the traditional way. The Changes Aidoo is showing are those of modernity within African tradition. There are so many changes but there is a strong layer of tradition.
Ama Ata Aidoo Has dedicated her life to helping girls become more educated and bettering their situations. She has written novels, poetry and essays and has been an educator, including a minister of education in her country. She created an organization to support African women writers. I thank her for giving the world this and all her books.
This is a book worth reading. I have a much fuller picture of life for a woman in Ghana. The tone and the telling seemed almost flat to me but perhaps it is a feeling of sadness that is being conveyed by the author. The secondary place of women in the world is inescapable and tragic no matter where we live.

[Jimmy Kindree · Rating 4 out of 5]

I first read this book a number of years ago on the recommendation of my sister. This month, it was my chance to pick for a friend book group and I suggested Changes. Reading it again, I really enjoyed Aidoo's writing, and seeing Esi's navigating of her own and Ali's different family and cultural environments was really thought-provoking. At the back of the book was an afterword by Tuzyline Jita Allan with a lot of analysis that further helped me appreciate the novel--it situated Aidoo's work within broader trends in African literature, in particular talking about how feminism and nationalism fit together, about how Aidoo blends the personal and the political. I'm really glad I got to read this again!

Within the novel, something that stood out to me was the indented lines of dialogue, sometimes coming from a particular character, sometimes seeming to come from general existing cultural knowledge that Esi and other characters interact with--I loved these moments, because they put greater emphasis on these sayings almost as poetry.